Leaves of Grass - Walt Whitman (love story novels in english txt) 📗

castle of lord or laborer’s cot,

Or frozen North, or sultry South—the African’s—the Arab’s in his tent,

Old Asia’s there with venerable smile, seated amid her ruins;

(Greets the antique the hero new? ‘tis but the same—the heir

legitimate, continued ever,

The indomitable heart and arm—proofs of the never-broken line,

Courage, alertness, patience, faith, the same—e’en in defeat

defeated not, the same:)

Wherever sails a ship, or house is built on land, or day or night,

Through teeming cities’ streets, indoors or out, factories or farms,

Now, or to come, or past—where patriot wills existed or exist,

Wherever Freedom, pois’d by Toleration, sway’d by Law,

Stands or is rising thy true monument.

 

} Of That Blithe Throat of Thine

 

Of that blithe throat of thine from arctic bleak and blank,

I’ll mind the lesson, solitary bird—let me too welcome chilling drifts,

E’en the profoundest chill, as now—a torpid pulse, a brain unnerv’d,

Old age land-lock’d within its winter bay—(cold, cold, O cold!)

These snowy hairs, my feeble arm, my frozen feet,

For them thy faith, thy rule I take, and grave it to the last;

Not summer’s zones alone—not chants of youth, or south’s warm tides alone,

But held by sluggish floes, pack’d in the northern ice, the cumulus

of years,

These with gay heart I also sing.

 

} Broadway

 

What hurrying human tides, or day or night!

What passions, winnings, losses, ardors, swim thy waters!

What whirls of evil, bliss and sorrow, stem thee!

What curious questioning glances—glints of love!

Leer, envy, scorn, contempt, hope, aspiration!

Thou portal—thou arena—thou of the myriad long-drawn lines and groups!

(Could but thy flagstones, curbs, facades, tell their inimitable tales;

Thy windows rich, and huge hotels—thy sidewalks wide;)

Thou of the endless sliding, mincing, shuffling feet!

Thou, like the parti-colored world itself—like infinite, teeming,

mocking life!

Thou visor’d, vast, unspeakable show and lesson!

 

} To Get the Final Lilt of Songs

 

To get the final lilt of songs,

To penetrate the inmost lore of poets—to know the mighty ones,

Job, Homer, Eschylus, Dante, Shakespere, Tennyson, Emerson;

To diagnose the shifting-delicate tints of love and pride and doubt—

to truly understand,

To encompass these, the last keen faculty and entrance-price,

Old age, and what it brings from all its past experiences.

 

} Old Salt Kossabone

 

Far back, related on my mother’s side,

Old Salt Kossabone, I’ll tell you how he died:

(Had been a sailor all his life—was nearly 90—lived with his

married grandchild, Jenny;

House on a hill, with view of bay at hand, and distant cape, and

stretch to open sea;)

The last of afternoons, the evening hours, for many a year his

regular custom,

In his great arm chair by the window seated,

(Sometimes, indeed, through half the day,)

Watching the coming, going of the vessels, he mutters to himself—

And now the close of all:

One struggling outbound brig, one day, baffled for long—cross-tides

and much wrong going,

At last at nightfall strikes the breeze aright, her whole luck veering,

And swiftly bending round the cape, the darkness proudly entering,

cleaving, as he watches,

“She’s free—she’s on her destination”—these the last words—when

Jenny came, he sat there dead,

Dutch Kossabone, Old Salt, related on my mother’s side, far back.

 

} The Dead Tenor

 

As down the stage again,

With Spanish hat and plumes, and gait inimitable,

Back from the fading lessons of the past, I’d call, I’d tell and own,

How much from thee! the revelation of the singing voice from thee!

(So firm—so liquid-soft—again that tremulous, manly timbre!

The perfect singing voice—deepest of all to me the lesson—trial

and test of all:)

How through those strains distill’d—how the rapt ears, the soul of

me, absorbing

Fernando’s heart, Manrico’s passionate call, Ernani’s, sweet Gennaro’s,

I fold thenceforth, or seek to fold, within my chants transmuting,

Freedom’s and Love’s and Faith’s unloos’d cantabile,

(As perfume’s, color’s, sunlight’s correlation:)

From these, for these, with these, a hurried line, dead tenor,

A wafted autumn leaf, dropt in the closing grave, the shovel’d earth,

To memory of thee.

 

} Continuities

 

Nothing is ever really lost, or can be lost,

No birth, identity, form—no object of the world.

Nor life, nor force, nor any visible thing;

Appearance must not foil, nor shifted sphere confuse thy brain.

Ample are time and space—ample the fields of Nature.

The body, sluggish, aged, cold—the embers left from earlier fires,

The light in the eye grown dim, shall duly flame again;

The sun now low in the west rises for mornings and for noons continual;

To frozen clods ever the spring’s invisible law returns,

With grass and flowers and summer fruits and corn.

 

} Yonnondio

 

A song, a poem of itself—the word itself a dirge,

Amid the wilds, the rocks, the storm and wintry night,

To me such misty, strange tableaux the syllables calling up;

Yonnondio—I see, far in the west or north, a limitless ravine, with

plains and mountains dark,

I see swarms of stalwart chieftains, medicine-men, and warriors,

As flitting by like clouds of ghosts, they pass and are gone in the

twilight,

(Race of the woods, the landscapes free, and the falls!

No picture, poem, statement, passing them to the future:)

Yonnondio! Yonnondio!—unlimn’d they disappear;

To-day gives place, and fades—the cities, farms, factories fade;

A muffled sonorous sound, a wailing word is borne through the air

for a moment,

Then blank and gone and still, and utterly lost.

 

} Life

 

Ever the undiscouraged, resolute, struggling soul of man;

(Have former armies fail’d? then we send fresh armies—and fresh again;)

Ever the grappled mystery of all earth’s ages old or new;

Ever the eager eyes, hurrahs, the welcome-clapping hands, the loud

applause;

Ever the soul dissatisfied, curious, unconvinced at last;

Struggling to-day the same—battling the same.

 

} “Going Somewhere”

 

My science-friend, my noblest woman-friend,

(Now buried in an English grave—and this a memory-leaf for her dear sake,)

Ended our talk—“The sum, concluding all we know of old or modern

learning, intuitions deep,

“Of all Geologies—Histories—of all Astronomy—of Evolution,

Metaphysics all,

“Is, that we all are onward, onward, speeding slowly, surely bettering,

“Life, life an endless march, an endless army, (no halt, but it is

duly over,)

“The world, the race, the soul—in space and time the universes,

“All bound as is befitting each—all surely going somewhere.”

 

} Small the Theme of My Chant

 

Small the theme of my Chant, yet the greatest—namely, One’s-Self—

a simple, separate person. That, for the use of the New World, I sing.

Man’s physiology complete, from top to toe, I sing. Not physiognomy alone,

nor brain alone, is worthy for the Muse;—I say the Form complete

is worthier far. The Female equally with the Male, I sing.

Nor cease at the theme of One’s-Self. I speak the word of the

modern, the word En-Masse.

My Days I sing, and the Lands—with interstice I knew of hapless War.

(O friend, whoe’er you are, at last arriving hither to commence, I

feel through every leaf the pressure of your hand, which I return.

And thus upon our journey, footing the road, and more than once, and

link’d together let us go.)

 

} True Conquerors

 

Old farmers, travelers, workmen (no matter how crippled or bent,)

Old sailors, out of many a perilous voyage, storm and wreck,

Old soldiers from campaigns, with all their wounds, defeats and scars;

Enough that they’ve survived at all—long life’s unflinching ones!

Forth from their struggles, trials, fights, to have emerged at all—

in that alone,

True conquerors o’er all the rest.

 

} The United States to Old World Critics

 

Here first the duties of to-day, the lessons of the concrete,

Wealth, order, travel, shelter, products, plenty;

As of the building of some varied, vast, perpetual edifice,

Whence to arise inevitable in time, the towering roofs, the lamps,

The solid-planted spires tall shooting to the stars.

 

} The Calming Thought of All

 

That coursing on, whate’er men’s speculations,

Amid the changing schools, theologies, philosophies,

Amid the bawling presentations new and old,

The round earth’s silent vital laws, facts, modes continue.

 

} Thanks in Old Age

 

Thanks in old age—thanks ere I go,

For health, the midday sun, the impalpable air—for life, mere life,

For precious ever-lingering memories, (of you my mother dear—you,

father—you, brothers, sisters, friends,)

For all my days—not those of peace alone—the days of war the same,

For gentle words, caresses, gifts from foreign lands,

For shelter, wine and meat—for sweet appreciation,

(You distant, dim unknown—or young or old—countless, unspecified,

readers belov’d,

We never met, and neer shall meet—and yet our souls embrace, long,

close and long;)

For beings, groups, love, deeds, words, books—for colors, forms,

For all the brave strong men—devoted, hardy men—who’ve forward

sprung in freedom’s help, all years, all lands

For braver, stronger, more devoted men—(a special laurel ere I go,

to life’s war’s chosen ones,

The cannoneers of song and thought—the great artillerists—the

foremost leaders, captains of the soul:)

As soldier from an ended war return’d—As traveler out of myriads,

to the long procession retrospective,

Thanks—joyful thanks!—a soldier’s, traveler’s thanks.

 

} Life and Death

 

The two old, simple problems ever intertwined,

Close home, elusive, present, baffled, grappled.

By each successive age insoluble, pass’d on,

To ours to-day—and we pass on the same.

 

} The Voice of the Rain

 

And who art thou? said I to the soft-falling shower,

Which, strange to tell, gave me an answer, as here translated:

I am the Poem of Earth, said the voice of the rain,

Eternal I rise impalpable out of the land and the bottomless sea,

Upward to heaven, whence, vaguely form’d, altogether changed, and

yet the same,

I descend to lave the drouths, atomies, dust-layers of the globe,

And all that in them without me were seeds only, latent, unborn;

And forever, by day and night, I give back life to my own origin,

and make pure and beautify it;

(For song, issuing from its birth-place, after fulfilment, wandering,

Reck’d or unreck’d, duly with love returns.)

 

} Soon Shall the Winter’s Foil Be Here

 

Soon shall the winter’s foil be here;

Soon shall these icy ligatures unbind and melt—A little while,

And air, soil, wave, suffused shall be in softness, bloom and

growth—a thousand forms shall rise

From these dead clods and chills as from low burial graves.

 

Thine eyes, ears—all thy best attributes—all that takes cognizance

of natural beauty,

Shall wake and fill. Thou shalt perceive the simple shows, the

delicate miracles of earth,

Dandelions, clover, the emerald grass, the early scents and flowers,

The arbutus under foot, the willow’s yellow-green, the blossoming

plum and cherry;

With these the robin, lark and thrush, singing their songs—the

flitting bluebird;

For such the scenes the annual play brings on.

 

} While Not the Past Forgetting

 

While not the past forgetting,

To-day, at least, contention sunk entire—peace, brotherhood uprisen;

For sign reciprocal our Northern, Southern hands,

Lay on the graves of all dead soldiers, North or South,

(Nor for the past alone—for meanings to the future,)

Wreaths of roses and branches of palm.

 

} The Dying Veteran

 

Amid these days of order, ease, prosperity,

Amid the current songs of beauty, peace, decorum,

I cast a reminiscence—(likely ‘twill offend you,

I heard it in my boyhood;)—More than a generation since,

A queer old savage man, a fighter under Washington himself,

(Large, brave, cleanly, hot-blooded, no talker, rather spiritualistic,

Had fought in the ranks—fought well—had been all through the

Revolutionary war,)

Lay dying—sons, daughters, church-deacons, lovingly tending him,

Sharping their sense, their ears, towards his murmuring, half-caught words:

“Let me return again to my war-days,

To the sights and scenes—to forming the line of battle,

To the scouts ahead reconnoitering,

To the cannons, the grim artillery,

To the galloping aides, carrying orders,

To the wounded, the fallen, the heat, the suspense,

The perfume