Memoirs of Extraordinary Popular Delusions and the Madness of Crowds - Charles Mackay (top rated ebook readers .TXT) 📗

philosopher, he would not allow facts to interfere with his theory.71 He declared that there was a conspiracy against him; and that Mademoiselle Paradis, at the instigation of her family, feigned blindness in order to injure his reputation!

The consequences of this pretended cure taught Mesmer that Vienna was not the sphere for him. Paris, the idle, the debauched, the pleasure-hunting, the novelty-loving, was the scene for a philosopher like him, and thither he repaired accordingly. He arrived at Paris in 1778, and began modestly by making himself and his theory known to the principal physicians. At first, his encouragement was but slight; he found people more inclined to laugh at than to patronise him. But he was a man who had great confidence in himself, and of a perseverance which no difficulties could overcome. He hired a sumptuous apartment, which he opened to all comers who chose to make trial of the new power of nature. M. D’Eslon, a physician of great reputation, became a convert; and from that time, animal magnetism, or, as some called it, mesmerism, became the fashion in Paris. The women were quite enthusiastic about it, and their admiring tattle wafted its fame through every grade of society. Mesmer was the rage; and high and low, rich and poor, credulous and unbelieving, all hastened to convince themselves of the power of this mighty magician, who made such magnificent promises. Mesmer, who knew as well as any man living the influence of the imagination, determined that, on that score, nothing should be wanting to heighten the effect of the magnetic charm. In all Paris, there was not a house so charmingly furnished as Monsieur Mesmer’s. Richly-stained glass shed a dim religious light on his spacious saloons, which were almost covered with mirrors. Orange-blossoms scented all the air of his corridors; incense of the most expensive kinds burned in antique vases on his chimney-pieces; æolian harps sighed melodious music from distant chambers; while sometimes a sweet female voice, from above or below, stole softly upon the mysterious silence that was kept in the house, and insisted upon from all visitors. “Was ever any thing so delightful!” cried all the Mrs. Wittitterleys of Paris, as they thronged to his house in search of pleasant excitement; “So wonderful!” said the pseudo-philosophers, who would believe anything if it were the fashion; “So amusing!” said the worn-out debauchés, who had drained the cup of sensuality to its dregs, and who longed to see lovely women in convulsions, with the hope that they might gain some new emotions from the sight.

The following was the mode of operation: In the centre of the saloon was placed an oval vessel, about four feet in its longest diameter, and one foot deep. In this were laid a number of wine-bottles, filled with magnetised water, well corked-up, and disposed in radii, with their necks outwards. Water was then poured into the vessel so as just to cover the bottles, and filings of iron were thrown in occasionally to heighten the magnetic effect. The vessel was then covered with an iron cover, pierced through with many holes, and was called the baquet. From each hole issued a long movable rod of iron, which the patients were to apply to such parts of their bodies as were afflicted. Around this baquet the patients were directed to sit, holding each other by the hand, and pressing their knees together as closely as possible, to facilitate the passage of the magnetic fluid from one to the other.

Then came in the assistant magnetisers, generally strong, handsome young men, to pour into the patient from their finger-tips fresh streams of the wondrous fluid. They embraced the patient between the knees, rubbed them gently down the spine and the course of the nerves, using gentle pressure upon the breasts of the ladies, and staring them out of countenance to magnetise them by the eye! All this time the most rigorous silence was maintained, with the exception of a few wild notes on the harmonica or the piano-forte, or the melodious voice of a hidden opera-singer swelling softly at long intervals. Gradually the cheeks of the ladies began to glow, their imaginations to become inflamed; and off they went, one after the other, in convulsive fits. Some of them sobbed and tore their hair, others laughed till the tears ran from their eyes, while others shrieked and screamed and yelled till they became insensible altogether.

This was the crisis of the delirium. In the midst of it, the chief actor made his appearance, waving his wand, like Prospero, to work new wonders. Dressed in a long robe of lilac-coloured silk richly embroidered with gold flowers, bearing in his hand a white magnetic rod, and with a look of dignity which would have sat well on an eastern caliph, he marched with solemn strides into the room. He awed the still sensible by his eye, and the violence of their symptoms diminished. He stroked the insensible with his hands upon the eye-brows and down the spine; traced figures upon their breast and abdomen with his long white wand, and they were restored to consciousness. They became calm, acknowledged his power, and said they felt streams of cold or burning vapour passing through their frames, according as he waved his wand or his fingers before them.

“It is impossible,” says M. Dupotet, “to conceive the sensation which Mesmer’s experiments created in Paris. No theological controversy, in the earlier ages of the Catholic Church, was ever conducted with greater bitterness.” His adversaries denied the discovery; some calling him a quack, others a fool, and others again, like the Abbé Fiard, a man who had sold himself to the Devil! His friends were as extravagant in their praise, as his foes were in their censure. Paris was inundated with pamphlets upon the subject, as many defending as attacking the doctrine. At court, the queen expressed herself in favour of it, and nothing else was to be heard of in society.

By the advice of M. D’Eslon, Mesmer challenged an examination of his doctrine by the Faculty of Medicine. He proposed to select twenty-four patients, twelve of whom he would treat magnetically, leaving the other twelve to be treated by the faculty according to the old and approved methods. He also stipulated that, to prevent disputes, the government should nominate certain persons who were not physicians, to be present at the experiments; and that the object of the inquiry should be, not how these effects were produced, but whether they were really efficacious in the cure of any disease. The faculty objected to limit the inquiry in this manner, and the proposition fell to the ground.

Mesmer now wrote to Marie Antoinette, with the view of securing her influence in obtaining for him the protection of government. He wished to have a château and its lands given to him, with a handsome yearly income, that he might be enabled to continue his experiments at leisure, untroubled by the persecution of his enemies. He hinted the duty of governments to support men of science, and expressed his fear, that if he met no more encouragement, he should be compelled to carry his great discovery to some other land more willing to appreciate him. “In the eyes of your majesty,” said he, “four or five hundred thousand francs, applied to a good purpose, are of no account. The welfare and happiness of your people are every thing. My discovery ought to be received and rewarded with a munificence worthy of the monarch to whom I shall attach myself.” The government at last offered him a pension of twenty thousand francs, and the cross of the order of St. Michael, if he had made any discovery in medicine, and would communicate it to physicians nominated by the king. The latter part of the proposition was not agreeable to Mesmer. He feared the unfavourable report of the king’s physicians; and, breaking off the negotiation, spoke of his disregard of money, and his wish to have his discovery at once recognised by the government. He then retired to Spa, in a fit of disgust, upon pretence of drinking the waters for the benefit of his health.

After he had left Paris, the Faculty of Medicine called upon M. D’Eslon, for the third and last time, to renounce the doctrine of animal magnetism, or be expelled from their body. M. D’Eslon, so far from doing this, declared that he had discovered new secrets, and solicited further examination. A royal commission of the Faculty of Medicine was, in consequence, appointed on the 12th of March 1784, seconded by another commission of the Académie des Sciences, to investigate the phenomena and report upon them. The first commission was composed of the principal physicians of Paris; while, among the eminent men comprised in the latter, were Benjamin Franklin, Lavoisier, and Bailly the historian of astronomy. Mesmer was formally invited to appear before this body, but absented himself from day to day, upon one pretence or another. M. D’Eslon was more honest, because he thoroughly believed in the phenomena, which it is to be questioned if Mesmer ever did, and regularly attended the sittings and performed experiments.

Bailly has thus described the scenes of which he was a witness in the course of this investigation. “The sick persons, arranged in great numbers and in several rows around the baquet, receive the magnetism, by all these means: by the iron rods which convey it to them from the baquet—by the cords wound round their bodies—by the connexion of the thumb, which conveys to them the magnetism of their neighbours—and by the sounds of a piano-forte, or of an agreeable voice, diffusing the magnetism in the air. The patients were also directly magnetised by means of the finger and wand of the magnetiser moved slowly before their faces, above or behind their heads, and on the diseased parts, always observing the direction of the holes. The magnetiser acts by fixing his eyes on them. But above all, they are magnetised by the application of his hands and the pressure of his fingers on the hypochondres and on the regions of the abdomen; an application often continued for a long time—sometimes for several hours.

“Meanwhile the patients in their different conditions present a very varied picture. Some are calm, tranquil, and experience no effect. Others cough, spit, feel slight pains, local or general heat, and have sweatings. Others again are agitated and tormented with convulsions. These convulsions are remarkable in regard to the number affected with them, to their duration and force. As soon as one begins to be convulsed, several others are affected. The commissioners have observed some of these convulsions last more than three hours. They are accompanied with expectorations of a muddy viscous water, brought away by violent efforts. Sometimes streaks of blood have been observed in this fluid. These convulsions are characterised by the precipitous, involuntary motion of all the limbs, and of the whole body; by the contraction of the throat—by the leaping motions of the hypochondria and the epigastrium—by the dimness and wandering of the eyes—by piercing shrieks, tears, sobbing, and immoderate laughter. They are preceded or followed by a state of langour or reverie, a kind of depression, and sometimes drowsiness. The smallest sudden noise occasions a shuddering; and it was remarked, that the change of measure in the airs played on the piano-forte had a great influence on the patients. A quicker motion, a livelier melody, agitated them more, and renewed the vivacity of their convulsions.

“Nothing is more astonishing than the spectacle of these convulsions. One who has not seen them can form no idea of them. The spectator is as much astonished at the profound repose of one portion of the patients as at the agitation of the rest—at the various accidents which are repeated, and at the