The Divine Comedy - Dante Alighieri (bts book recommendations txt) 📗

pile to pile descending stepp'd
Between the thick fell and the jagged ice.
     Soon as he reach'd the point, whereat the thigh
Upon the swelling of the haunches turns,
My leader there with pain and struggling hard
Turn'd round his head, where his feet stood before,
And grappled at the fell, as one who mounts,
That into hell methought we turn'd again.
     "Expect that by such stairs as these," thus spake
The teacher, panting like a man forespent,
"We must depart from evil so extreme."
Then at a rocky opening issued forth,
And plac'd me on a brink to sit, next join'd
With wary step my side. I rais'd mine eyes,
Believing that I Lucifer should see
Where he was lately left, but saw him now
With legs held upward. Let the grosser sort,
Who see not what the point was I had pass'd,
Bethink them if sore toil oppress'd me then.
     "Arise," my master cried, "upon thy feet.
"The way is long, and much uncouth the road;
And now within one hour and half of noon
The sun returns." It was no palace-hall
Lofty and luminous wherein we stood,
But natural dungeon where ill footing was
And scant supply of light. "Ere from th' abyss
I sep'rate," thus when risen I began,
"My guide! vouchsafe few words to set me free
From error's thralldom. Where is now the ice?
How standeth he in posture thus revers'd?
And how from eve to morn in space so brief
Hath the sun made his transit?" He in few
Thus answering spake: "Thou deemest thou art still
On th' other side the centre, where I grasp'd
Th' abhorred worm, that boreth through the world.
Thou wast on th' other side, so long as I
Descended; when I turn'd, thou didst o'erpass
That point, to which from ev'ry part is dragg'd
All heavy substance. Thou art now arriv'd
Under the hemisphere opposed to that,
Which the great continent doth overspread,
And underneath whose canopy expir'd
The Man, that was born sinless, and so liv'd.
Thy feet are planted on the smallest sphere,
Whose other aspect is Judecca. Morn
Here rises, when there evening sets: and he,
Whose shaggy pile was scal'd, yet standeth fix'd,
As at the first. On this part he fell down
From heav'n; and th' earth, here prominent before,
Through fear of him did veil her with the sea,
And to our hemisphere retir'd. Perchance
To shun him was the vacant space left here
By what of firm land on this side appears,
That sprang aloof." There is a place beneath,
From Belzebub as distant, as extends
The vaulted tomb, discover'd not by sight,
But by the sound of brooklet, that descends
This way along the hollow of a rock,
Which, as it winds with no precipitous course,
The wave hath eaten. By that hidden way
My guide and I did enter, to return
To the fair world: and heedless of repose
We climbed, he first, I following his steps,
Till on our view the beautiful lights of heav'n
Dawn, through a circular opening in the cave:
Thus issuing we again beheld the stars.

NOTES TO HELL

CANTO I

Verse 1. In the midway.] That the era of the Poem is intended by these words to be fixed to the thirty fifth year of the poet's age, A.D. 1300, will appear more plainly in Canto XXI. where that date is explicitly marked.

v. 16. That planet's beam.] The sun.

v. 29. The hinder foot.] It is to be remembered, that in ascending a hill the weight of the body rests on the hinder foot.

v. 30. A panther.] Pleasure or luxury.

v. 36. With those stars.] The sun was in Aries, in which sign he supposes it to have begun its course at the creation.

v. 43. A lion.] Pride or ambition.

v. 45. A she wolf.] Avarice.

v. 56. Where the sun in silence rests.] Hence Milton appears to have taken his idea in the Samson Agonistes:

        The sun to me is dark
               And silent as the moon, &c
The same metaphor will recur, Canto V. v. 29.
        Into a place I came
       Where light was silent all.

v. 65. When the power of Julius.] This is explained by the commentators to mean "Although it was rather late with respect to my birth before Julius Caesar assumed the supreme authority, and made himself perpetual dictator."

v. 98. That greyhound.] This passage is intended as an eulogium on the liberal spirit of his Veronese patron Can Grande della Scala.

v. 102. 'Twizt either Feltro.] Verona, the country of Can della Scala, is situated between Feltro, a city in the Marca Trivigiana, and Monte Feltro, a city in the territory of Urbino.

v. 103. Italia's plains.] "Umile Italia," from Virgil, Aen lib.
iii. 522.
        Humilemque videmus
       Italiam.

v. 115. Content in fire.] The spirits in Purgatory.

v. 118. A spirit worthier.] Beatrice, who conducts the Poet through Paradise.

v. 130. Saint Peter's gate.] The gate of Purgatory, which the Poet feigns to be guarded by an angel placed on that station by St. Peter.

CANTO II

v. 1. Now was the day.] A compendium of Virgil's description Aen. lib. iv 522. Nox erat, &c. Compare Apollonius Rhodius, lib iii. 744, and lib. iv. 1058

v. 8. O mind.]
        O thought that write all that I met,
        And in the tresorie it set
        Of my braine, now shall men see
        If any virtue in thee be.
               Chaucer. Temple of Fame, b. ii. v.18

v. 14. Silvius'sire.] Aeneas.

v. 30. The chosen vessel.] St.Paul, Acts, c. ix. v. 15. "But the Lord said unto him, Go thy way; for he is a chosen vessel unto me."

v. 46. Thy soul.] L'anima tua e da viltate offesa. So in Berni, Orl Inn.lib. iii. c. i. st. 53. Se l'alma avete offesa da viltate.

v. 64. Who rest suspended.] The spirits in Limbo, neither admitted to a state of glory nor doomed to punishment.

v. 61. A friend not of my fortune, but myself.] Se non fortunae sed hominibus solere esse amicum. Cornelii Nepotis Attici Vitae, c. ix.

v. 78. Whatever is contain'd.] Every other thing comprised within the lunar heaven, which, being the lowest of all, has the smallest circle.

v. 93. A blessed dame.] The divine mercy.

v. 97. Lucia.] The enlightening grace of heaven.

v. 124. Three maids.] The divine mercy, Lucia, and Beatrice.

v. 127. As florets.] This simile is well translated by Chaucer— But right as floures through the cold of night Iclosed, stoupen in her stalkes lowe, Redressen hem agen the sunne bright, And speden in her kinde course by rowe, &c. Troilus and Creseide, b.ii. It has been imitated by many others, among whom see Berni, Orl.Inn. Iib. 1. c. xii. st. 86. Marino, Adone, c. xvii. st. 63. and Sor. "Donna vestita di nero." and Spenser's Faery Queen, b.4. c. xii. st. 34. and b. 6 c. ii. st. 35.

CANTO III

v. 5. Power divine Supremest wisdom, and primeval love.] The three persons of the blessed Trinity. v. 9. all hope abandoned.] Lasciate ogni speranza voi ch'entrate. So Berni, Orl. Inn. lib. i. c. 8. st. 53. Lascia pur della vita ogni speranza.

v. 29. Like to the sand.]
               Unnumber'd as the sands
        Of Barca or Cyrene's torrid soil
        Levied to side with warring winds, and poise
        Their lighter wings.
               Milton, P. L. ii. 908.

v. 40. Lest th' accursed tribe.] Lest the rebellious angels should exult at seeing those who were neutral and therefore less guilty, condemned to the same punishment with themselves.

v. 50. A flag.]
               All the grisly legions that troop
        Under the sooty flag of Acheron
               Milton. Comus.

v. 56. Who to base fear Yielding, abjur'd his high estate.] This is commonly understood of Celestine the Fifth, who abdicated the papal power in 1294. Venturi mentions a work written by Innocenzio Barcellini, of the Celestine order, and printed in Milan in 1701, In which an attempt is made to put a different interpretation on this passage.

v. 70. through the blear light.]
        Lo fioco lume
So Filicaja, canz. vi. st. 12.
        Qual fioco lume.

v. 77. An old man.]
        Portitor has horrendus aquas et flumina servat
        Terribili squalore Charon, cui plurima mento
        Canities inculta jacet; stant lumina flamma.
               Virg. 7. Aen. Iib. vi. 2.

v. 82. In fierce heat and in ice.]
               The delighted spirit
        To bathe in fiery floods or to reside
        In thrilling regions of thick ribbed ice.
               Shakesp. Measure for Measure, a. iii.s.1.
Compare Milton, P. L. b. ii. 600.

v. 92. The livid lake.] Vada livida.
               Virg. Aen. Iib. vi. 320
               Totius ut Lacus putidaeque paludis
        Lividissima, maximeque est profunda vorago.
               Catullus. xviii. 10.

v. 102. With eyes of burning coal.]
        His looks were dreadful, and his fiery eyes
        Like two great beacons glared bright and wide.
               Spenser. F.Q. b. vi. c. vii.st. 42

v. 104. As fall off the light of autumnal leaves.]
        Quam multa in silvis autumul frigore primo
        Lapsa cadunt folia.
               Virg. Aen. lib. vi. 309
Compare Apoll. Rhod. lib. iv. 214.

CANTO IV

v. 8. A thund'rous sound.] Imitated, as Mr. Thyer has remarked,
by Milton, P. L. b. viii. 242.
               But long ere our approaching heard
        Noise, other, than the sound of dance or song
        Torment, and loud lament, and furious rage.

v. 50. a puissant one.] Our Saviour.

v. 75. Honour the bard
        Sublime.]

        Onorate l'altissimo poeta.
So Chiabrera, Canz. Eroiche. 32.
        Onorando l'altissimo poeta.

v. 79. Of semblance neither sorrowful nor glad.]
        She nas to sober ne to glad.
               Chaucer's Dream.

v. 90. The Monarch of sublimest song.] Homer.

v. 100. Fitter left untold.]
        Che'l tacere e bello,
So our Poet, in Canzone 14.
        La vide in parte che'l tacere e bello,
Ruccellai, Le Api, 789.
        Ch'a dire e brutto ed a tacerlo e bello
And Bembo,
        "Vie pui bello e il tacerle, che il favellarne."
               Gli. Asol. lib. 1.

v. 117. Electra.] The daughter of Atlas, and mother of Dardanus the founder of Troy. See Virg. Aen. b. viii. 134. as referred to by Dante in treatise "De Monarchia," lib. ii. "Electra, scilicet, nata magni nombris regis Atlantis, ut de ambobus testimonium reddit poeta noster in octavo ubi Aeneas ad Avandrum sic ait "Dardanus Iliacae," &c.

v. 125. Julia.] The daughter of Julius Caesar, and wife of Pompey.

v. 126. The Soldan fierce.] Saladin or Salaheddin, the rival of Richard coeur de lion. See D'Herbelot, Bibl. Orient. and Knolles's Hist. of the Turks p. 57 to 73 and the Life of Saladin, by Bohao'edin Ebn Shedad, published by Albert Schultens, with a Latin translation. He is introduced by Petrarch in the Triumph of Fame, c. ii

v. 128. The master of the sapient throng.]
        Maestro di color che sanno.
Aristotle—Petrarch assigns the first place to Plato. See Triumph
of Fame, c. iii.
Pulci, in his Morgante Maggiore, c. xviii. says,
        Tu se'il maestro di color che sanno.

v. 132. Democritus Who sets the world at chance.] Democritus,who maintained the world to have been formed by the fortuitous concourse of atoms.

v. 140. Avicen.] See D'Herbelot Bibl. Orient. article Sina. He died in 1050. Pulci here again imitates our poet:

        Avicenna quel che il sentimento
        Intese di Aristotile e i segreti,
        Averrois che fece il gran comento.
               Morg. Mag. c. xxv.

v. 140. Him who made That commentary vast, Averroes.] Averroes, called by the Arabians Roschd, translated and commented the works of Aristotle. According to Tiraboschi (storia della Lett. Ital. t. v. 1. ii. c. ii. sect. 4.) he was the source of modern philosophical impiety. The critic quotes some passages from Petrarch (Senil. 1. v. ep. iii. et. Oper. v. ii. p. 1143) to show how strongly such sentiments prevailed in the time of that poet, by whom they were held in horror and detestation He adds, that this fanatic admirer of Aristotle translated his writings with that felicity, which might be expected from one who did not know a syllable of Greek, and who was therefore compelled to avail himself of the unfaithful Arabic versions. D'Herbelot, on the other hand, informs us, that "Averroes was the first who translated Aristotle from Greek into Arabic, before the Jews had made their translation: and that we had for a long time no other text of Aristotle,