The Divine Comedy - Dante Alighieri (bts book recommendations txt) 📗

of famous memory, she had also a place among the worthies in Limbo.

Lombardi excuses our author better, by observing that Tiresias had a daughter named Daphne. See Diodorus Siculus, 1. iv. 66.

v. 139. Mary took more thought.] "The blessed virgin, who answers for yon now in heaven, when she said to Jesus, at the marriage in Cana of Galilee, 'they have no wine,' regarded not the gratification of her own taste, but the honour of the nuptial banquet."

v. 142 The women of old Rome.] See Valerius Maximus, 1. ii. c. i.

CANTO XXIII

v. 9. My lips.] Psalm ii. 15.

v. 20. The eyes.] Compare Ovid, Metam. 1. viii. 801

v. 26. When Mary.] Josephus, De Bello Jud. 1. vii. c. xxi. p. 954 Ed Genev. fol. 1611. The shocking story is well told

v. 27. Rings.]
In this habit
Met I my father with his bleeding rings
Their precious stones new lost.
Shakespeare, Lear, a. 5. s. 3

v. 28. Who reads the name.] "He, who pretends to distinguish the letters which form OMO in the features of the human face, "might easily have traced out the M on their emaciated countenances." The temples, nose, and forehead are supposed to represent this letter; and the eyes the two O's placed within each side of it.

v. 44. Forese.] One of the brothers of Piccarda, she who is again spoken of in the next Canto, and introduced in the Paradise, Canto III.

V. 72. If the power.] "If thou didst delay thy repentance to the last, when thou hadst lost the power of sinning, how happens it thou art arrived here so early?"

v. 76. Lower.] In the Ante-Purgatory. See Canto II.

v. 80. My Nella.] The wife of Forese.

v. 87. The tract most barb'rous of Sardinia's isle.] The Barbagia is part of Sardinia, to which that name was given, on account of the uncivilized state of its inhabitants, who are said to have gone nearly naked.

v. 91. The' unblushing domes of Florence.] Landino's note exhibits a curious instance of the changeableness of his countrywomen. He even goes beyond the acrimony of the original. "In those days," says the commentator, "no less than in ours, the Florentine ladies exposed the neck and bosom, a dress, no doubt, more suitable to a harlot than a matron. But, as they changed soon after, insomuch that they wore collars up to the chin, covering the whole of the neck and throat, so have I hopes they will change again; not indeed so much from motives of decency, as through that fickleness, which pervades every action of their lives."

v. 97. Saracens.] "This word, during the middle ages, was indiscriminately applied to Pagans and Mahometans; in short, to all nations (except the Jew's) who did not profess Christianity." Mr. Ellis's specimens of Early English Metrical Romances, vol. i. page 196, a note. Lond. 8vo. 1805.

CANTO XXIV

v. 20. Buonaggiunta.] Buonaggiunta Urbiciani, of Lucca. "There is a canzone by this poet, printed in the collection made by the Giunti, (p. 209,).land a sonnet to Guido Guinicelli in that made by Corbinelli, (p 169,) from which we collect that he lived not about 1230, as Quadrio supposes, (t. ii. p. 159,) but towards the end of the thirteenth century. Concerning, other poems by Buonaggiunta, that are preserved in MS. in some libraries, Crescimbeni may be consulted." Tiraboschi, Mr. Matthias's ed. v. i. p. 115.

v. 23. He was of Tours.] Simon of Tours became Pope, with the title of Martin IV in 1281 and died in 1285.

v. 29. Ubaldino.] Ubaldino degli Ubaldini, of Pila, in the Florentine territory.

v. 30. Boniface.] Archbishop of Ravenna. By Venturi he is called Bonifazio de Fieschi, a Genoese, by Vellutello, the son of the above, mentioned Ubaldini and by Laudino Francioso, a Frenchman.

v. 32. The Marquis.] The Marchese de' Rigogliosi, of Forli.

v. 38. gentucca.] Of this lady it is thought that our Poet became enamoured during his exile. v. 45. Whose brow no wimple shades yet.] "Who has not yet assumed the dress of a woman."

v. 46. Blame it as they may.] See Hell, Canto XXI. 39.

v. 51. Ladies, ye that con the lore of love.]Donne ch' avete intelletto d'amore.The first verse of a canzone in our author's Vita Nuova.

v. 56. The Notary.] Jucopo da Lentino, called the Notary, a poet of these times. He was probably an Apulian: for Dante, (De Vulg. Eloq. I. i. c 12.) quoting a verse which belongs to a canzone of his published by the Giunti, without mentioning the writer's name, terms him one of "the illustrious Apulians," praefulgentes Apuli. See Tiraboschi, Mr. Matthias's edit. vol. i. p. 137. Crescimbeni (1. i. Della Volg. Poes p. 72. 4to. ed. 1698) gives an extract from one of his poems, printed in Allacci's Collection, to show that the whimsical compositions called "Ariette " are not of modern invention.

v. 56. Guittone.] Fra Guittone, of Arezzo, holds a distinguished place in Italian literature, as besides his poems printed in the collection of the Giunti, he has left a collection of letters, forty in number, which afford the earliest specimen of that kind of writing in the language. They were published at Rome in 1743, with learned illustrations by Giovanni Bottari. He was also the first who gave to the sonnet its regular and legitimate form, a species of composition in which not only his own countrymen, but many of the best poets in all the cultivated languages of modern Europe, have since so much delighted.

Guittone, a native of Arezzo, was the son of Viva di Michele. He was of the order of the " Frati Godenti," of which an account may be seen in the Notes to Hell, Canto XXIII. In the year 1293, he founded a monastery of the order of Camaldoli, in Florence, and died in the following year. Tiraboschi, Ibid. p. 119. Dante, in the Treatise de Vulg. Eloq. 1. i. c. 13, and 1. ii. c. 6., blames him for preferring the plebeian to the mor courtly style; and Petrarch twice places him in the company of our Poet. Triumph of Love, cap. iv. and Son. Par. See "Sennuccio mio"

v. 63. The birds.] Hell, Canto V. 46, Euripides, Helena, 1495, and Statius; Theb. 1. V. 12. v. 81. He.] Corso Donati was suspected of aiming at the sovereignty of Florence. To escape the fury of his fellow citizens, he fled away on horseback, but failing, was overtaken and slain, A.D. 1308. The contemporary annalist, after relating at length the circumstances of his fate, adds, "that he was one of the wisest and most valorous knights the best speaker, the most expert statesman, the most renowned and enterprising, man of his age in Italy, a comely knight and of graceful carriage, but very worldly, and in his time had formed many conspiracies in Florence and entered into many scandalous practices, for the sake of attaining state and lordship." G. Villani, 1. viii. c. 96. The character of Corso is forcibly drawn by another of his contemporaries Dino Compagni. 1. iii., Muratori, Rer. Ital. Script. t. ix. p. 523.

v. 129. Creatures of the clouds.] The Centaurs. Ovid. Met. 1. fab. 4 v. 123. The Hebrews.] Judges, c. vii.

CANTO XXV

v. 58. As sea-sponge.] The fetus is in this stage is zoophyte.

v. 66. -More wise Than thou, has erred.] Averroes is said to be here meant. Venturi refers to his commentary on Aristotle, De Anim 1. iii. c. 5. for the opinion that there is only one universal intellect or mind pervading every individual of the human race. Much of the knowledge displayed by our Poet in the present Canto appears to have been derived from the medical work o+ Averroes, called the Colliget. Lib. ii. f. 10. Ven. 1400. fol.

v. 79. Mark the sun's heat.] Redi and Tiraboschi (Mr. Matthias's ed. v. ii. p. 36.) have considered this an anticipation of a profound discovery of Galileo's in natural philosophy, but it is in reality taken from a passage in Cicero "de Senectute," where, speaking of the grape, he says, " quae, et succo terrae et calore solis augescens, primo est peracerba gustatu, deinde maturata dulcescit."

v. 123. I do, not know a man.] Luke, c. i. 34.

v. 126. Callisto.] See Ovid, Met. 1. ii. fab. 5.

CANTO XXVI

v. 70. Caesar.] For the opprobrium east on Caesar's effeminacy, see Suetonius, Julius Caesar, c. 49.

v. 83. Guinicelli.] See Note to Canto XI. 96.

v. 87. lycurgus.] Statius, Theb. 1. iv. and v. Hypsipile had left her infant charge, the son of Lycurgus, on a bank, where it was destroyed by a serpent, when she went to show the Argive army the river of Langia: and, on her escaping the effects of Lycurgus's resentment, the joy her own children felt at the sight of her was such as our Poet felt on beholding his predecessor Guinicelli.

The incidents are beautifully described in Statius, and seem to have made an impression on Dante, for he again (Canto XXII. 110.) characterizes Hypsipile, as her- Who show'd Langia's wave.

v. 111. He.] The united testimony of Dante, and of Petrarch, in his Triumph of Love, e. iv. places Arnault Daniel at the head of the Provencal poets. That he was born of poor but noble parents, at the castle of Ribeyrae in Perigord, and that he was at the English court, is the amount of Millot's information concerning him (t. ii. p. 479).

The account there given of his writings is not much more satisfactory, and the criticism on them must go for little better than nothing.

It is to be regretted that we have not an opportunity of judging for ourselves of his "love ditties and his tales of prose "

Versi d'amore e prose di romanzi.

Our Poet frequently cities him in the work De Vulgari Eloquentia. According to Crescimbeni, (Della Volg. Poes. 1. 1. p. 7. ed. 1698.) He died in 1189.

v. 113. The songster of Limoges.] Giraud de Borneil, of Sideuil, a castle in Limoges. He was a troubadour, much admired and caressed in his day, and appears to have been in favour with the monarchs of Castile, Leon, Navarre, and Arragon He is quoted by Dante, De Vulg. Eloq., and many of his poems are still remaining in MS. According to Nostradamus he died in 1278. Millot, Hist. Litt. des Troub. t. ii. p. 1 and 23. But I suspect that there is some error in this date, and that he did not live to see so late a period.

v. 118. Guittone.] See Cano XXIV. 56.

v. 123. Far as needs.] See Canto XI. 23.

v. 132. Thy courtesy.] Arnault is here made to speak in his own tongue, the Provencal. According to Dante, (De Vulg. Eloq. 1. 1. c. 8.) the Provencal was one language with the Spanish. What he says on this subject is so curious, that the reader will perhaps not be displeased it I give an abstract of it.

He first makes three great divisions of the European languages. "One of these extends from the mouths of the Danube, or the lake of Maeotis, to the western limits of England, and is bounded by the limits of the French and Italians, and by the ocean. One idiom obtained over the whole of this space: but was afterwards subdivided into, the Sclavonian, Hungarian, Teutonic, Saxon, English, and the vernacular tongues of several other people, one sign remaining to all, that they use the affirmative io, (our English ay.) The whole of Europe, beginning from the Hungarian limits and stretching towards the east, has a second idiom which reaches still further than the end of Europe into Asia. This is the Greek. In all that remains of Europe, there is a third idiom subdivided into three dialects, which may be severally distinguished by the use of the affirmatives, oc, oil, and si; the first spoken by the Spaniards, the next by the French, and the third by the Latins (or Italians). The first occupy the western part of southern Europe, beginning from the limits of the Genoese. The third occupy the eastern part from the said limits, as