A Romance of Two Worlds - Marie Corelli (online e reader .TXT) 📗
- Author: Marie Corelli
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“‘O let me not be mad, not mad, sweet heavens!’
“PRAYER! There was another thought. How could I pray? For I was a sceptic. My father had educated me with broadly materialistic views; he himself was a follower of Voltaire, and with his finite rod he took the measure of Divinity, greatly to his own satisfaction. He was a good man, too, and he died with exemplary calmness in the absolute certainty of there being nothing in his composition but dust, to which he was as bound to return. He had not a shred of belief in anything but what he called the Universal Law of Necessity; perhaps this was why all his pictures lacked inspiration. I accepted his theories without thinking much about them, and I had managed to live respectably without any religious belief. But NOW— now with the horrible phantom of madness rising before me—my firm nerves quailed. I tried, I longed to PRAY. Yet to whom? To what? To the Universal Law of Necessity? In that there could be no hearing or answering of human petitions. I meditated on this with a kind of sombre ferocity. Who portioned out this Law of Necessity? What brutal Code compels us to be born, to live, to suffer, and to die without recompense or reason? Why should this Universe be an ever-circling Wheel of Torture? Then a fresh impetus came to me. I rose from my recumbent posture and stood erect; I trembled no more. A curious sensation of defiant amusement possessed me so violently that I laughed aloud. Such a laugh, too! I recoiled from the sound, as from a blow, with a shudder. It was the laugh of—a madman! I thought no more; I was resolved. I would fulfil the grim Law of Necessity to its letter. If Necessity caused my birth, it also demanded my death. Necessity could not force me to live against my will. Better eternal nothingness than madness. Slowly and deliberately I took from my vest a Milanese dagger of thin sharp steel—one that I always carried with me as a means of self-defence- -I drew it from its sheath, and looked at the fine edge glittering coldly in the pallid moon-rays. I kissed it joyously; it was my final remedy! I poised it aloft with firm fingers—another instant and it would have been buried deep in my heart, when I felt a powerful grasp on my wrist, and a strong arm struggling with mine forced the dagger from my hand. Savagely angry at being thus foiled in my desperate intent, I staggered back a few paces and sullenly stared at my rescuer. He was a tall man, clad in a dark overcoat bordered with fur; he looked like a wealthy Englishman or American travelling for pleasure. His features were fine and commanding; his eyes gleamed with a gentle disdain as he coolly met my resentful gaze. When he spoke his voice was rich and mellifluous, though his accents had a touch in them of grave scorn.
“‘So you are tired of your life, young man! All the more reason have you to live. Anyone can die. A murderer has moral force enough to jeer at his hangman. It is very easy to draw the last breath. It can be accomplished successfully by a child or a warrior. One pang of far less anguish than the toothache, and all is over. There is nothing heroic about it, I assure you! It is as common as going to bed; it is almost prosy. LIFE is heroism, if you like; but death is a mere cessation of business. And to make a rapid and rude exit off the stage before the prompter gives the sign is always, to say the least of it, ungraceful. Act the part out, no matter how bad the play. What say you?’
“And, balancing the dagger lightly on one finger, as though it were a paper-knife, he smiled at me with so much frank kindliness that it was impossible to resist him. I advanced and held out my hand.
“‘Whoever you are,’ I said, ‘you speak like a true man. But you are ignorant of the causes which compelled me to–’ and a hard sob choked my utterance. My new acquaintance pressed my proffered hand cordially, but the gravity of his tone did not vary as he replied:
“‘There is no cause, my friend, which compels us to take violent leave of existence, unless it be madness or cowardice.’
“‘Aye, and what if it were madness?’ I asked him eagerly. He scanned me attentively, and laying his fingers lightly on my wrist, felt my pulse.
“‘Pooh, my dear sir!’ he said; ‘you are no more mad than I am. You are a little overwrought and excited—that I admit. You have some mental worry that consumes you. You shall tell me all about it. I have no doubt I can cure you in a few days.’
“Cure me? I looked at him in wonderment and doubt.
“‘Are you a physician?’ I asked.
“He laughed. ‘Not I! I should be sorry to belong to the profession. Yet I administer medicines and give advice in certain cases. I am simply a remedial agent—not a doctor. But why do we stand here in this bleak place, which must be peopled by the ghosts of olden heroes? Come with me, will you? I am going to the Hotel Costanza, and we can talk there. As for this pretty toy, permit me to return it to you. You will not force it again to the unpleasant task of despatching its owner.’
“And he handed the dagger back to me with a slight bow. I sheathed it at once, feeling somewhat like a chidden child, as I met the slightly satirical gleam of the clear blue eyes that watched me.
“‘Will you give me your name, signor?’ I asked, as we turned from the Campagna towards the city.
“‘With pleasure. I am called Heliobas. A strange name? Oh, not at all! It is pure Chaldee. My mother—as lovely an Eastern houri as Murillo’s Madonna, and as devout as Santa Teresa—gave me the Christian saint’s name of Casimir also, but Heliobas pur et simple suits me best, and by it I am generally known.’
“‘You are a Chaldean?’ I inquired.
“‘Exactly so. I am descended directly from one of those “wise men of the East” (and, by the way, there were more than three, and they were not all kings), who, being wide awake, happened to notice the birth-star of Christ on the horizon before the rest of the world’s inhabitants had so much as rubbed their sleepy eyes. The Chaldeans have been always quick of observation from time immemorial. But in return for my name, you will favour me with yours?’
“I gave it readily, and we walked on together. I felt wonderfully calmed and cheered—as soothed, mademoiselle, as I have noticed you yourself have felt when in MY company.”
Here Cellini paused, and looked at me as though expecting a question; hut I preferred to remain silent till I had heard all he had to say. He therefore resumed:
“We reached the Hotel Costanza, where Heliobas was evidently well known. The waiters addressed him as Monsieur le Comte; but he gave me no information as to this title. He had a superb suite of rooms in the hotel, furnished with every modern luxury; and as soon as we entered a light supper was served. He invited me to partake, and within the space of half an hour I had told him all my history—my ambition—my strivings after the perfection of colour—my disappointment, dejection, and despair—and, finally, the fearful dread of coming madness that had driven me to attempt my own life. He listened patiently and with unbroken attention. When I had finished, he laid one hand on my shoulder, and said gently:
“‘Young man, pardon me if I say that up to the present your career has been an inactive, useless, selfish “kicking against the pricks,” as St. Paul says. You set before yourself a task of noble effort, namely, to discover the secret of colouring as known to the old masters; and because you meet with the petty difficulty of modern trade adulteration in your materials, you think that there is no chance—that all is lost. Fie! Do you think Nature is overcome by a few dishonest traders? She can still give you in abundance the unspoilt colours she gave to Raphael and Titian; but not in haste— not if you vulgarly scramble for her gifts in a mood that is impatient of obstacle and delay. “Ohne hast, ohne rast,” is the motto of the stars. Learn it well. You have injured your bodily health by useless fretfulness and peevish discontent, and with that we have first to deal. In a week’s time, I will make a sound, sane man of you; and then I will teach you how to get the colours you seek—yes!’ he added, smiling, ‘even to the compassing of Correggio’s blue.’
“I could not speak for joy and gratitude; I grasped my friend and preserver by the hand. We stood thus together for a brief interval, when suddenly Heliobas drew himself up to the full stateliness of his height and bent his calm eyes deliberately upon me. A strange thrill ran through me; I still held his hand.
“‘Rest!’ he said in slow and emphatic tones, ‘Weary and overwrought frame, take thy full and needful measure of repose! Struggling and deeply injured spirit, be free of thy narrow prison! By that Force which I acknowledge within me and thee and in all created things, I command thee, REST!’
“Fascinated, awed, overcome by his manner, I gazed at him and would have spoken, but my tongue refused its office—my senses swam—my eyes closed—my limbs gave way—I fell senseless.”
Cellini again paused and looked at me. Intent on his words, I would not interrupt him. He went on:
“When I say senseless, mademoiselle, I allude of course to my body. But I, myself—that is, my soul—was conscious; I lived, I moved, I heard, I saw. Of that experience I am forbidden to speak. When I returned to mortal existence I found myself lying on a couch in the same room where I had supped with Heliobas, and Heliobas himself sat near me reading. It was broad noonday. A delicious sense of tranquillity and youthful buoyancy was upon me, and without speaking I sprang up from my recumbent position and touched him on the arm. He looked up.
“‘Well?’ he asked, and his eyes smiled.
“I seized his hand, and pressed it reverently to my lips.
“‘My best friend!’ I exclaimed. ‘What wonders have I not seen—what truths have I not learned—what mysteries!’
“‘On all these things be silent,’ replied Heliobas. ‘They must not be lightly spoken of. And of the questions you naturally desire to ask me, you shall have the answers in due time. What has happened to you is not wonderful; you have simply been acted upon by scientific means. But your cure is not yet complete. A few
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