Ghetto Comedies - Israel Zangwill (great novels of all time txt) 📗

he had brazenly endured Yossel's blessings for the same, his artistic instinct demanded to see how the Bube was taking her hero's desertion. As he lifted the latch he heard her voice giving orders, and the door opened, not on the peaceful scene he expected of the spinster at her ingle nook, but of a bustling and apparently rejuvenated old lady supervising a packing menial. The greatest shock of all was that this menial proved to be Yossel himself squatted on the floor, his crutches beside him. Almost as in guilty confusion the hunchback hastily closed the sheet containing a huddle of articles, and tied it into a bundle before the artist's chaotic sense of its contents could change into clarity. But instantly a flash of explanation came to him.

'Aha, grandmother,' he said, 'I see you too are sending presents to Palestine.'

The grandmother took snuff uneasily. 'Yes, it is going to the Land of Israel,' she said.

As the artist lifted his eyes from the two amorphous heaps on the floor—Yossel and his bundle—he became aware of a blank in the familiar interior.

'Why, where is the spinning-wheel?' he cried.

'I have given it to the widow Rubenstein—I shall spin no more.'

'And I thought of painting you as a spinster!' he murmured dolefully. Then a white patch in the darkened wood over the mantelpiece caught his eye. 'Why, your marriage certificate is gone too!'

'Yes, I have taken it down.'

'To give to the widow Rubenstein?'

'What an idea!' said his grandmother seriously. 'It is in the bundle.'

'You are sending it away to Palestine?'

The grandmother fumbled with her spectacles, and removing them with trembling fingers blinked downwards at the bundle. Yossel snatched up his crutches, and propped himself manfully upon them.

'Your grandmother goes with me,' he explained decisively.

'What!' the artist gasped.

The grandmother's eyes met his unflinchingly; they had drawn fire from Yossel's. 'And why should I not go to Palestine too?' she said.

'But you are so old!'

'The more reason I should make haste if I am to be luckier than Moses our Master.' She readjusted her spectacles firmly.

'But the journey is so hard.'

'Yossel has wisdom; he will find the way while alive as easily as others will roll thither after death.'

'You'll be dead before you get there,' said the artist brutally.

'Ah, no! God will not let me die before I touch the holy soil!'

'You, too, want to die in Palestine?' cried the amazed artist.

'And where else shall a daughter of Israel desire to die? Ah, I forgot—your mother was an Epicurean with godless tresses; she did not bring you up in the true love of our land. But every day for seventy years and more have I prayed the prayer that my eyes should behold the return of the Divine Glory to Zion. That mercy I no longer expect in my own days, inasmuch as the Sultan hardens his heart and will not give us back our land, not though Moses our Master appears to him every night, and beats him with his rod. But at least my eyes shall behold the land of Israel.'

'Amen!' said Yossel, still propped assertively on his crutches. The grandson turned upon the interrupter. 'But you can't take her with you?'

'Why not?' said Yossel calmly.

Schneemann found himself expatiating upon the responsibility of looking after such an old woman; it seemed too absurd to talk of the scandal. That was left for the grandmother to emphasize.

'Would you have me arrive alone in Palestine?' she interposed impatiently. 'Think of the talk it would make in Jerusalem! And should I even be permitted to land? They say the Sultan's soldiers stand at the landing-place like the angels at the gates of Paradise with swords that turn every way. But Yossel is cunning in the customs of the heathen; he will explain to the soldiers that he is an Austrian subject, and that I am his Frau.'

'What! Pass you off as his Frau!'

'Who speaks of passing off? He could say I was his sister, as Abraham our Father said of Sarah. But that was a sin in the sight of Heaven, and therefore as our sages explain——'

'It is simpler to be married,' Yossel interrupted.

'Married!' echoed the artist angrily.

'The witnesses are coming to my lodging this afternoon,' Yossel continued calmly. 'Dovidel and Yitzkoly from the Beth Hamedrash.'

'They think they are only coming to a farewell glass of brandy,' chuckled the grandmother. 'But they will find themselves at a secret wedding.'

'And to-morrow we shall depart publicly for Trieste,' Yossel wound up calmly.

'But this is too absurd!' the artist broke in. 'I forbid this marriage!'

A violent expression of amazement overspread the ancient dame's face, and the tone of the far-away years came into her voice. 'Silence, Vroomkely, or I'll smack your face. Do you forget you are talking to your grandmother?'

'I think Mr. Mandelstein forgets it,' the artist retorted, turning upon the heroic hunchback. 'Do you mean to say you are going to marry my grandmother?'

'And why not?' asked Yossel. 'Is there a greater lover of God in all Galicia?'

'Hush, Yossel, I am a great sinner.' But her old face was radiant. She turned to her grandson. 'Don't be angry with Yossel—all the fault is mine. He did not ask me to go with him to Palestine; it was I that asked him.'

'Do you mean that you asked him to marry you?'

'It is the same thing. There is no other way. How different would it have been had there been any other woman here who wanted to die in Palestine! But the women nowadays have no fear of Heaven; they wear their hair unshorn—they——'

'Yes, yes. So you asked Yossel to marry you.'

'Asked? Prayed, as one prays upon Atonement Day. For two years I prayed to him, but he always refused.'

'Then why——?' began the artist.

'Yossel is so proud. It is his only sin.'

'Oh, Yenta!' protested Yossel flushing, 'I am a very sinful man.'

'Yes, but your sin is all in a lump,' the Bube replied. 'Your iniquity is like your ugliness—some people have it scattered all over, but you have it all heaped up. And the heap is called pride.'

'Never mind his pride,' put in the artist impatiently. 'Why did he not go on refusing you?'

'I am coming to that. Only you were always so impatient, Vroomkely. When I was cutting you a piece of Kuchen, you would snatch greedily at the crumbs as they fell. You see Yossel is not made of the same clay as you and I. By an oversight the Almighty sent an angel into the world instead of a man, but seeing His mistake at the last moment, the All-High broke his wings short and left him a hunchback. But when Yossel's father made a match for him with Leah, the rich corn-factor's daughter, the silly girl, when she was introduced to the bridegroom, could see only the hump, and scandalously refused to carry out the contract. And Yossel is so proud that ever since that day he curled himself up into his hump, and nursed a hatred for all women.'

'How can you say that, Yenta?' Yossel broke in again.

'Why else did you refuse my money?' the Bube retorted. 'Twice, ten, twenty times I asked him to go to Palestine with me. But obstinate as a pig he keeps grunting "I can't—I've got no money." Sooner than I should pay his fare he'd have seen us both die here.'

The artist collapsed upon the bundle; astonishment, anger, and self-ridicule made an emotion too strong to stand under. So this was all his Machiavellian scheming had achieved—to bring about the very marriage it was meant to avert! He had dug a pit and fallen into it himself. All this would indeed amuse Rozenoffski and Leopold Barstein. He laughed bitterly.

'Nay, it was no laughing matter,' said the Bube indignantly. 'For I know well how Yossel longed to go with me to die in Jerusalem. And at last the All-High sent him the fare, and he was able to come to me and invite me to go with him.'

Here the artist became aware that Yossel's eyes and lips were signalling silence to him. As if, forsooth, one published one's good deeds! He had yet to learn on whose behalf the hunchback was signalling.

'So! You came into a fortune?' he asked Yossel gravely.

Yossel looked the picture of misery. The Bube unconsciously cut through the situation. 'A wicked man gave it to him,' she explained, 'to pray away his sins in Jerusalem.'

'Indeed!' murmured the artist. 'Anyone you know?'

'Heaven has spared her the pain of knowing him,' ambiguously interpolated her anxious protector.

'I don't even know his name,' added the Bube. 'Yossel keeps it hidden.'

'One must not shame a fellow-man,' Yossel urged. 'The sin of that is equal to the sin of shedding blood.'

The grandmother nodded her head approvingly. 'It is enough that the All-High knows his name. But for such an Epicurean much praying will be necessary. It will be a long work. And your first prayer, Yossel, must be that you shall not die very soon, else the labourer will not be worthy of his hire.'

Yossel took her yellow withered hand as in a lover's clasp. 'Be at peace, Yenta! He will be redeemed if only by your merits. Are we not one?'

ELIJAH'S GOBLET

ELIJAH'S GOBLETToC

I

Aaron Ben Amram removed from the great ritual dish the roasted shankbone of lamb (symbolic residuum of the Paschal Sacrifice) and the roasted egg (representative of the ancient festival-offering in the Temple), and while his wife and children held up the dish, which now contained only the bitter herbs and unleavened cakes, he recited the Chaldaic prelude to the Seder—the long domestic ceremonial of the Passover Evening.

'This is the bread of affliction which our fathers ate in the land of Egypt. Let all who are hungry come in and eat; let all who require come in and celebrate the Passover. This year here, next year in the land of Israel! This year slaves, next year sons of freedom!'

But the Polish physician showed nothing of the slave. White-bearded, clad in a long white robe and a white skullcap, and throned on white pillows, he made rather a royal figure, indeed for this night of nights conceived of himself as 'King' and his wife as 'Queen.'

But 'Queen' Golda, despite her silk gown and flowery cap, did not share her consort's majestic mood, still less the rosy happiness of the children who sat round this fascinating board. Her heart was full of a whispering fear that not all the brave melodies of the father nor all the quaint family choruses could drown. All very well for the little ones to be unconscious of the hovering shadow, but how could her husband have forgotten the horrors of the Blood Accusation in the very year he had led her under the Canopy?

And surely he knew as well as she that the dreadful legend was gathering again, that the slowly-growing Jew-hatred had reached a point at which it must find expression, that the Pritzim (nobles) in their great houses, and the peasants behind their high palings, alike sulked under the burden of debts. Indeed, had not the Passover Market hummed with the old, old story of a lost Christian child? Not murdered yet, thank God, nor even a corpse. But still, if a boy should be found with signs of violence upon him at this season of the Paschal Sacrifice, when the Greek Church brooded on the Crucifixion! O God of Abraham, guard us from these fiends unchained!

But the first part of the elaborate ritual, pleasantly punctuated with cups of raisin wine, passed peacefully by, and the evening meal, mercifully set in the middle, was reached, to the children's vast content. They made wry, humorous mouths, each jest endeared by annual repetition, over the horseradish that typified the bitterness of the Egyptian bondage, and ecstatic