A Duet (with an occasional chorus) - Arthur Conan Doyle (best classic books to read TXT) 📗

when their service was done the old mother had stretched out that long arm of hers and had brought them home, and always for every good son brought home she had sent another forth, and her loins were ever fruitful, and her children loving and true. Go into the Abbey and think, and as the nation’s past is borne in upon you, you will have no fear for its future.

Frank was delighted with some of the monuments and horrified by others, and he communicated both his joy and his anger to Maude. They noticed together how the moderns and the Elizabethans had much in common in their types of face, their way of wearing the hair, and their taste in monuments, while between them lie the intolerable affectations—which culminated towards the end of last century.

‘It all rings false—statue, inscription, everything,’ said Frank. ‘These insufferable allegorical groups sprawling round a dead hero are of the same class as the pompous and turgid prose of Doctor Johnson. The greatest effects are the simplest effects, and so it always was and so it always will be. But that little bit of Latin is effective, I confess.’

It was a very much defaced inscription underneath a battered Elizabethan effigy, whose feet had been knocked off, and whose features were blurred into nothing. Two words of the inscription had caught Frank’s eye.

‘Moestissima uxor! It was his “most sad wife” who erected it! Look at it now! The poor battered monument of a woman’s love. Now, Maude, come with me, and we shall visit the famous Poets’ Corner.’

What an assembly it would be if at some supreme day each man might stand forth from the portals of his tomb. Tennyson, the last and almost the greatest of that illustrious line, lay under the white slab upon the floor. Maude and Frank stood reverently beside it.

 

‘“Sunset and evening Star And one clear call for me.”’

 

Frank quoted. ‘What lines for a very old man to write! I should put him second only to Shakespeare had I the marshalling of them.’

‘I have read so little,’ said Maude.

‘We will read it all together after next week. But it makes your reading so much more real and intimate when you have stood at the grave of the man who wrote. That’s Chaucer, the big tomb there. He is the father of British poetry. Here is Browning beside Tennyson— united in life and in death. He was the more profound thinker, but music and form are essential also.’

‘What a splendid face!’ cried Maude.

‘It is a bust to Longfellow, the American.’ They read the inscription. ‘This bust was placed among the memorials of the poets of England by English admirers of an American poet.’

‘I am so glad to have seen that. I know his poems so well,’ said Maude.

‘I believe he is more read than any poet in England.’

‘Who is that standing figure?’

‘It is Dryden. What a clever face, and what a modern type. Here is Walter Scott beside the door. How kindly and humorous his expression was! And see how high his head was from the ear to the crown. It was a great brain. There is Burns, the other famous Scot. Don’t you think there is a resemblance between the faces? And here are Dickens, and Thackeray, and Macaulay. I wonder whether, when Macaulay was writing his essays, he had a premonition that he would be buried in Westminster Abbey. He is continually alluding to the Abbey and its graves. I always think that we have a vague intuition as to what will occur to us in life.’

‘We can guess what is probable.’

‘It amounts to more than that. I had an intuition that I should marry you from the first day that I saw you, and yet it did not seem probable. But deep down in my soul I knew that I should marry you.’

‘I knew that I should marry you, Frank, or else that I should never marry at all.’

‘There now! We both had it. Well, that IS really wonderful!’

They stood among the memorials of all those great people, marvelling at the mysteries of their own small lives. A voice at their elbows brought them back to the present.

‘This way, if you please, for the kings,’ said the voice. ‘They are now starting for the kings.’

‘They’ proved to be a curiously mixed little group of people who were waiting at the entrance through the enclosure for the arrival of the official guide. There were a tall red-bearded man with a very Scotch accent and a small gentle wife, also an American father with his two bright and enthusiastic daughters, a petty-officer of the navy in his uniform, two young men whose attention was cruelly distracted from the monuments by the American girls, and a dozen other travellers of various sexes and ages. Just as Maude and Frank joined them the guide, a young fresh-faced fellow, came striding up, and they passed through the opening into the royal burying-ground.

‘This way, ladies and gentlemen,’ cried the hurrying guide, and they all clattered over the stone pavement. He stopped beside a tomb upon which a lady with a sad worn face was lying. ‘Mary, Queen of Scots,’ said he, ‘the greatest beauty of her day. This monument was erected by her son, James the First.’

‘Isn’t she just perfectly sweet?’ said one of the American girls.

‘Well, I don’t know. I expected more of her than that,’ the other answered.

‘I reckon,’ remarked the father, ‘that if any one went through as much as that lady did, it would not tend to improve her beauty. Now what age might the lady be, sir?’

‘Forty-four years of age at the time of her execution,’ said the guide.

‘Ah weel, she’s young for her years,’ muttered the Scotchman, and the party moved on. Frank and Maude lingered to have a further look at the unfortunate princess, the bright French butterfly, who wandered from the light and warmth into that grim country, a land of blood and of psalms.

‘She was as hard as nails under all her gentle grace,’ said Frank. ‘She rode eighty miles and hardly drew rein after the battle of Langside.’

‘She looks as if she were tired, poor dear!’ said Maude; ‘I don’t think that she was sorry to be at rest.’

The guide was narrating the names of the owners of the tombs at the further end of the chapel. ‘Queen Anne is here, and Mary the wife of William the Third is beside her. And here is William himself. The king was very short and the queen very tall, so in the sculptures the king is depicted standing upon a stool so as to bring their heads level. In the vaults beyond there are thirty-eight Stuarts.’

Thirty-eight Stuarts! Princes, bishops, generals, once the salt of the earth, the mightiest of men, and now lumped carelessly together as thirty-eight Stuarts. So Death the Republican and Time the Radical can drag down the highest from his throne.

They had followed the guide into another small chapel, which bore the name of Henry VII. upon the door. Surely they were great builders and great designers in those days! Had stone been as pliable as wax it could not have been twisted and curved into more exquisite spirals and curls, so light, so delicate, so beautiful, twining and turning along the walls, and drooping from the ceiling. Never did the hand of man construct anything more elaborately ornate, nor the brain of man think out a design more absolutely harmonious and lovely. In the centre, with all the pomp of mediaeval heraldry, starred and spangled with the Tudor badges, the two bronze figures of Henry and his wife lay side by side upon their tomb. The guide read out the quaint directions in the king’s will, by which they were to be buried ‘with some respect to their Royal dignity, but avoiding damnable pomp and outrageous superfluities!’ There was, as Frank remarked, a fine touch of the hot Tudor blood in the adjectives. One could guess where Henry the Eighth got his masterful temper. Yet it was an ascetic and priest-like face which looked upwards from the tomb.

They passed the rifled tombs of Cromwell, Blake, and Ireton—the despicable revenge of the men who did not dare to face them in the field,—and they marked the grave of James the First, who erected no monument to himself, and so justified in death the reputation for philosophy which he had aimed at in his life. Then they inspected the great tomb of Villiers, Duke of Buckingham, as surprising and as magnificent as his history, cast a glance at the covering of plucky little George the Second, the last English king to lead his own army into battle, and so onwards to see the corner of the Innocents, where rest the slender bones of the poor children murdered in the Tower.

But now the guide had collected his little flock around him again, with the air of one who has something which is not to be missed. ‘You will stand upon the step to see the profile,’ said he, as he indicated a female figure upon a tomb. ‘It is the great Queen Elizabeth.’

It was a profile and a face worth seeing—the face of a queen who was worthy of her Shakespeares upon the land and her Drakes upon the sea. Had the Spanish king seen her, he would have understood that she was not safe to attack—this grim old lady with the eagle nose and the iron lips. You could understand her grip upon her cash-box, you could explain her harshness to her lovers, you could realise the confidence of her people, you could read it all in that wonderful face.

‘She’s splendid,’ said Frank.

‘She’s terrible,’ said Maude.

‘Did I understand you to say, sir,’ asked the American, ‘that it was this lady who beheaded the other lady, Queen of Scotland, whom we saw ‘way back in the other compartment?’

‘Yes, sir, she did.’

‘Well, I guess if there was any beheading to be done, this was the lady to see that it was put through with promptness and despatch. Not a married lady, I gather?’

‘No, sir.’

‘And a fortunate thing for somebody. That woman’s husband would have a mean time of it, sir, in my opinion.’

‘Hush, poppa,’ said the two daughters, and the procession moved on. They were entering the inner chapel of all, the oldest and the holiest, in which, amid the ancient Plantagenet kings, there lies that one old Saxon monarch, confessor and saint, the holy Edward, round whose honoured body the whole of this great shrine has gradually risen. A singular erection once covered with mosaic work, but now bare and gaunt, stood in the centre.

‘The body of Edward the Confessor is in a case up at the top,’ said the guide. ‘This hollow place below was filled with precious relics, and the pilgrims used to kneel in these niches, which are just large enough to hold a man upon his knees. The mosaic work has been picked out by the pilgrims.’

‘What is the date of the shrine?’ asked Frank.

‘About 1250, sir. The early kings were all buried as near to it as they could get, for it was their belief in those days that the devil might carry off the body, and so the nearer they got to the shrine the safer they felt. Henry the Fifth, who won the battle of Agincourt, is there. Those are the actual helmet, shield, and saddle which he used in the battle upon the crossbeam yonder. That king with the grave face and the beard is Edward the Third, the father of the Black Prince. The Black Prince never lived to ascend the throne, but he was the father of the