Someone Comes to Town, Someone Leaves Town - Cory Doctorow (korean ebook reader .txt) 📗
- Author: Cory Doctorow
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2. "Derivative Work" means a work based upon the Work or upon the
Work and other pre-existing works, such as a translation, musical
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version, sound recording, art reproduction, abridgment,
condensation, or any other form in which the Work may be recast,
transformed, or adapted, except that a work that constitutes a
Collective Work will not be considered a Derivative Work for the
purpose of this License. For the avoidance of doubt, where the
Work is a musical composition or sound recording, the
synchronization of the Work in timed-relation with a moving image
("synching") will be considered a Derivative Work for the purpose
of this License.
3. "Licensor" means the individual or entity that offers the Work
under the terms of this License.
4. "Original Author" means the individual or entity who created the
Work.
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the terms of this License.
6. "You" means an individual or entity exercising rights under this
License who has not previously violated the terms of this License
with respect to the Work, or who has received express permission
from the Licensor to exercise rights under this License despite a
previous violation.
2. Fair Use Rights. Nothing in this license is intended to reduce,
limit, or restrict any rights arising from fair use, first sale or
other limitations on the exclusive rights of the copyright owner
under copyright law or other applicable laws.
3. License Grant. Subject to the terms and conditions of this License,
Licensor hereby grants You a worldwide, royalty-free, non-exclusive,
perpetual (for the duration of the applicable copyright) license to
exercise the rights in the Work as stated below:
1. to reproduce the Work, to incorporate the Work into one or more
Collective Works, and to reproduce the Work as incorporated in the
Collective Works;
2. to distribute copies or phonorecords of, display publicly, perform
publicly, and perform publicly by means of a digital audio
transmission the Work including as incorporated in Collective
Works;
The above rights may be exercised in all media and formats whether now
known or hereafter devised. The above rights include the right to make
such modifications as are technically necessary to exercise the rights
in other media and formats, but otherwise you have no rights to make
Derivative Works. All rights not expressly granted by Licensor are
hereby reserved, including but not limited to the rights set forth in
Sections 4(d) and 4(e).
4. Restrictions.The license granted in Section 3 above is expressly made
subject to and limited by the following restrictions:
1. You may distribute, publicly display, publicly perform, or
publicly digitally perform the Work only under the terms of this
License, and You must include a copy of, or the Uniform Resource
Identifier for, this License with every copy or phonorecord of the
Work You distribute, publicly display, publicly perform, or
publicly digitally perform. You may not offer or impose any terms
on the Work that alter or restrict the terms of this License or
the recipients' exercise of the rights granted hereunder. You may
not sublicense the Work. You must keep intact all notices that
refer to this License and to the disclaimer of warranties. You may
not distribute, publicly display, publicly perform, or publicly
digitally perform the Work with any technological measures that
control access or use of the Work in a manner inconsistent with
the terms of this License Agreement. The above applies to the Work
as incorporated in a Collective Work, but this does not require
the Collective Work apart from the Work itself to be made subject
to the terms of this License. If You create a Collective Work,
upon notice from any Licensor You must, to the extent practicable,
remove from the Collective Work any reference to such Licensor or
the Original Author, as requested.
2. You may not exercise any of the rights granted to You in Section 3
above in any manner that is primarily intended for or directed
toward commercial advantage or private monetary compensation. The
exchange of the Work for other copyrighted works by means of
digital file-sharing or otherwise shall not be considered to be
intended for or directed toward commercial advantage or private
monetary compensation, provided there is no payment of any
monetary compensation in connection with the exchange of
copyrighted works.
3. If you distribute, publicly display, publicly perform, or publicly
digitally perform the Work, You must keep intact all copyright
notices for the Work and give the Original Author credit
reasonable to the medium or means You are utilizing by conveying
the name (or pseudonym if applicable) of the Original Author if
supplied; the title of the Work if supplied; and to the extent
reasonably practicable, the Uniform Resource Identifier, if any,
that Licensor specifies to be associated with the Work, unless
such URI does not refer to the copyright notice or licensing
information for the Work. Such credit may be implemented in any
reasonable manner; provided, however, that in the case of a
Collective Work, at a minimum such credit will appear where any
other comparable authorship credit appears and in a manner at
least as prominent as such other comparable authorship credit.
4.
For the avoidance of doubt, where the Work is a musical
composition:
1. Performance Royalties Under Blanket Licenses. Licensor
reserves the exclusive right to collect, whether
individually or via a performance rights society
(e.g. ASCAP, BMI, SESAC), royalties for the public
performance or public digital performance (e.g. webcast) of
the Work if that performance is primarily intended for or
directed toward commercial advantage or private monetary
compensation.
2. Mechanical Rights and Statutory Royalties. Licensor reserves
the exclusive right to collect, whether individually or via
a music rights agency or designated agent (e.g. Harry Fox
Agency), royalties for any phonorecord You create from the
Work ("cover version") and distribute, subject to the
compulsory license created by 17 USC Section 115 of the US
Copyright Act (or the equivalent in other jurisdictions), if
Your distribution of such cover version is primarily
intended for or directed toward commercial advantage or
private monetary compensation.
5. Webcasting Rights and Statutory Royalties. For the avoidance of
doubt, where the Work is a sound recording, Licensor reserves the
exclusive right to collect, whether individually or via a
performance-rights society (e.g. SoundExchange), royalties for the
public digital performance (e.g. webcast) of the Work, subject to
the compulsory license created by 17 USC Section 114 of the US
Copyright Act (or the equivalent in other jurisdictions), if Your
public digital performance is primarily intended for or directed
toward commercial advantage or private monetary compensation.
5. Representations, Warranties and Disclaimer
UNLESS OTHERWISE MUTUALLY AGREED BY THE PARTIES IN WRITING, LICENSOR
OFFERS THE WORK AS-IS AND MAKES NO REPRESENTATIONS OR WARRANTIES OF ANY
KIND CONCERNING THE WORK, EXPRESS, IMPLIED, STATUTORY OR OTHERWISE,
INCLUDING, WITHOUT LIMITATION, WARRANTIES OF TITLE, MERCHANTIBILITY,
FITNESS FOR A PARTICULAR PURPOSE, NONINFRINGEMENT, OR THE ABSENCE OF
LATENT OR OTHER DEFECTS, ACCURACY, OR THE PRESENCE OF ABSENCE OF ERRORS,
WHETHER OR NOT DISCOVERABLE. SOME JURISDICTIONS DO NOT ALLOW THE
EXCLUSION OF IMPLIED WARRANTIES, SO SUCH EXCLUSION MAY NOT APPLY TO YOU.
6. Limitation on Liability. EXCEPT TO THE EXTENT REQUIRED BY APPLICABLE
LAW, IN NO EVENT WILL LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY
FOR ANY SPECIAL, INCIDENTAL, CONSEQUENTIAL, PUNITIVE OR EXEMPLARY
DAMAGES ARISING OUT OF THIS LICENSE OR THE USE OF THE WORK, EVEN IF
LICENSOR HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
7. Termination
1. This License
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