After London - Richard Jefferies (love books to read TXT) 📗

procedure seemed to be the repetition of certain verses, and then a steady gaze upon the picture. Presently they became filled with rapture, uttered what sounded as the wildest ravings, and (their women especially) prophesied of the future.

A few of the signs he understood the meaning of, but the others he owned were unknown to him. At the end of the book were several pages of commentary, describing the demons believed in and worshipped by the Romany, demons which haunted the woods and hills, and against which it was best to be provided with amulets blessed by the holy fathers of St. Augustine. Such demons stole on the hunter at noonday, and, alarmed at the sudden appearance, upon turning his head (for demons invariably approach from behind, and their presence is indicated by a shudder in the back), he toppled into pits hidden by fern, and was killed.

Or, in the shape of a dog, they ran between the traveller's legs; or as woman, with tempting caresses, lured him from the way at nightfall into the leafy recesses, and then instantaneously changing into vast bat-like forms, fastened on his throat and sucked his blood. The terrible screams of such victims had often been heard by the warders at the outposts. Some were invisible, and yet slew the unwary by descending unseen upon him, and choking him with a pressure as if the air had suddenly become heavy.

But none of these were, perhaps, so much to be dreaded as the sweetly-formed and graceful ladies of the fern. These were creatures, not of flesh and blood, and yet not incorporeal like the demons, nor were they dangerous to the physical man, doing no bodily injury. The harm they did was by fascinating the soul so that it revolted from all religion and all the rites of the Church. Once resigned to the caress of the fern-woman, the unfortunate was lured farther and farther from the haunts of men, until at last he wandered into the unknown forest, and was never seen again. These creatures were usually found among the brake fern, nude, but the lower limbs and body hidden by the green fronds, their white arms and shoulders alone visible, and their golden hair aglow with the summer sunshine.

Demons there were, too, of the streams, and demons dwelling in the midst of the hills; demons that could travel only in the moonbeams, and others that floated before the stormy winds and hurled the wretched wanderer to destruction, or crushed him with the overthrown trees. In proof of this the monk asked the reader if he had not heard of huge boughs falling from trees without visible cause, suddenly and without warning, and even of trees themselves in full foliage, in calm weather, toppling with a crash, to the imminent danger or the death of those who happened to be passing. Let all these purchase the amulets of St. Augustine, concluded the writer, who it appeared was a monk in whose monastery the escaped prisoner had taken refuge, and who had written down his relation and copied his rude sketches.

Felix pored over the strange diagrams, striving to understand the hidden meaning; some of them he thought were alchemical signs, and related to the making of gold, especially as the prisoner stated the Romany possessed much more of that metal in the tents than he had seen in the palaces of our kings. Whether they had a gold mine from whence they drew it, or whether they had the art of transmutation, he knew not, but he had heard allusions to the wealth in the mountain of the apple trees, which he supposed to be a mystical phrase.

When Felix at last looked up, the lamp was low, the moonbeams had entered and fell upon the polished floor, and from the window he could see a long white ghostly line of mist where a streamlet ran at the base of the slope by the forest. The songs were silent; there was no sound save the distant neigh of a horse and the heavy tramp of a guest coming along the gallery. Half bewildered by poring over the magic scroll, full of the signs and the demons, and still with a sense of injury and jealousy cankering his heart, Felix retired to his couch, and, weary beyond measure, instantly fell asleep.

In his unsettled state of mind it did not once occur to him to ask himself how the manuscript came to be upon his table. Rare as they were, books were not usually put upon the tables of guests, and at an ordinary time he would certainly have thought it peculiar. The fact was, that Aurora, whom all day he had inwardly accused of forgetting him, had placed it there for him with her own hands. She, too, was curious in books and fond of study. She had very recently bought the volume from a merchant who had come thus far, and who valued it the least of all his wares.

She knew that Felix had read and re-read every other scrap of writing there was in the castle, and thought that this strange book might interest him, giving, as it did, details of those powers of the air in which almost all fully believed. Unconscious of this attention, Felix fell asleep, angry and bitter against her. When, half an hour afterwards, Oliver blundered into the room, a little unsteady on his legs, notwithstanding his mighty strength, he picked up the roll, glanced at it, flung it down with contempt, and without a minute's delay sought and obtained slumber.

CHAPTER X
THE FEAST

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At ten in the morning next day the feast began with a drama from Sophocles, which was performed in the open air. The theatre was in the gardens between the wall and the inner stockade; the spectators sat on the slope, tier above tier; the actors appeared upon a green terrace below, issuing from an arbour and passing off behind a thick box-hedge on the other side of the terrace. There was no scenery whatever.

Aurora had selected the Antigone. There were not many dramatists from whom to choose, for so many English writers, once famous, had dropped out of knowledge and disappeared. Yet some of the far more ancient Greek and Roman classics remained because they contained depth and originality of ideas in small compass. They had been copied in manuscripts by thoughtful men from the old printed books before they mouldered away, and their manuscripts being copied again, these works were handed down. The books which came into existence with printing had never been copied by the pen, and had consequently nearly disappeared. Extremely long and diffuse, it was found, too, that so many of them were but enlargements of ideas or sentiments which had been expressed in a few words by the classics. It is so much easier to copy an epigram of two lines than a printed book of hundreds of pages, and hence it was that Sophocles had survived while much more recent writers had been lost.

From a translation Aurora had arranged several of his dramas. Antigone was her favourite, and she wished Felix to see it. In some indefinable manner the spirit of the ancient Greeks seemed to her in accord with the times, for men had or appeared to have so little control over their own lives that they might well imagine themselves overruled by destiny. Communication between one place and another was difficult, the division of society into castes, and the iron tyranny of arms, prevented the individual from making any progress in lifting himself out of the groove in which he was born, except by the rarest opportunity, unless specially favoured by fortune. As men were born so they lived; they could not advance, and when this is the case the idea of Fate is always predominant. The workings of destiny, the Irresistible overpowering both the good and the evil-disposed, such as were traced in the Greek drama, were paralleled in the lives of many a miserable slave at that day. They were forced to endure, for there was no possibility of effort.

Aurora saw this and felt it deeply; ever anxious as she was for the good of all, she saw the sadness that reigned even in the midst of the fresh foliage of spring and among the flowers. It was Fate; it was Sophocles.

She took the part of the heroine herself, clad in Greek costume; Felix listened and watched, absorbed in his love. Never had that ancient drama appeared so beautiful as then, in the sunlight; the actors stepped upon the daisied sward, and the song of birds was all their music.

While the play was still proceeding, those who were to form the usual procession had already been assembling in the court before the castle, and just after noon, to the sound of the trumpet, the Baron, with his youngest son beside him (the eldest was at Court), left the porch, wearing his fur-lined short mantle, his collar, and golden spurs, and the decoration won so many years before; all the insignia of his rank. He walked; his war-horse, fully caparisoned, with axe at the saddle-bow, was led at his right side, and upon the other came a knight carrying the banneret of the house.

The gentlemen of the house followed closely, duly marshalled in ranks, and wearing the gayest dress; the leading retainers fully armed, brought up the rear. Immediately upon issuing from the gate of the wall, the procession was met and surrounded by the crowd, carrying large branches of may in bloom, flowers, and green willow boughs. The flowers they flung before him on the ground; the branches they bore with them, chanting old verses in honour of the family. The route was through the town, where the Baron stopped at the door of the Court House, and proclaimed a free pardon to all serfs (who were released within a few minutes) not guilty of the heavier crimes.

Thence he went to the pasture just beyond, carefully mown close and swept for the purpose, where the May-pole stood, wreathed with flowers and green branches. Beneath it he deposited a bag of money for distribution upon a carved butt placed there, the signal that the games were open. Instantly the fiddles began to play, and the feast really commenced. At the inns ale was served out freely (at the Baron's charge), carts, too, came down from the castle laden with ale and cooked provisions. Wishing them joy, the Baron returned by the same road to the castle, where dinner was already served in the hall and the sheds that had been erected to enlarge the accommodation.

In the afternoon there were foot-races, horse-races, and leaping competitions, and the dances about the May-pole were prolonged far into the night. The second day, early in the morning, the barriers were opened, and trials of skill with the blunt sword, jousting with the blunt lance at the quintain, and wrestling began, and continued almost till sunset. Tournament with sharpened lance or sword, when the combatants fight with risk of serious wounds, can take place only in the presence of the Prince or his deputy. But in these conflicts sufficiently severe blows were given to disable the competitors.

On the third day there was a set battle in the morning between fifteen men on each side, armed with the usual buckler or small shield, and stout single-sticks instead of swords. This combat excited more interest than all the duels that had preceded it; the crowd almost broke down the barriers, and the cheering and cries of encouragement could be heard upon the hills. Thrice the combatants rested from the engagement, and thrice at the trumpet call started again to meet each other, at least those who had sustained the first onslaught.

Blood, indeed, was not shed (for the iron morions saved their skulls), but nearly half of the number required assistance to reach the tents pitched for their