Agent to the Stars - John Scalzi (novels to improve english .txt) 📗

know how not to get in trouble.

To begin, Michelle Beck sympathized with the people who hated her getting Hard Memories.

“Who are we kidding?” she says. “The woman is an icon, Jewish, older, and intellectual. I’m not any of those things. I don’t think I would have cast me, and if I had, I’d probably have claimed temporary insanity afterwards.”

But a funny thing happened on the way to the flogging: Michelle Beck stood up to the critics and turned them around. Now the actress, just turned 26, looks like the closest thing to a lock in the Best Actress race. All it took was one reading.

“Arrrgh, the reading.” Beck says, and scrunches up her face. “It’s becoming like Woodstock, you know. Everybody who was actually physically in Los Angeles says they were there that night. I mean, come on! What does the Fine Arts sit? 300? 400 at most.”

Beck leans forward as if to confide. “The fact was I was terrible that night. I was nervous as hell — I just about spotted my panties in fright. I would have been happy just to get out of there alive.”

Instead, she got a thunderous ovation. Not bad for a woman who a month earlier was in a coma, hooked up to life support.

“Yes, yes, yes,” Beck waves off the coma story. “You want to know what the coma was like? It was dark, mostly. That’s it. I didn’t see God when I was in my coma. I didn’t even see Elvis. And when I came out of it, nothing had changed — most people forget that I had read for Hard Memories before I went into the coma. It wasn’t like I came out of it with a gift. I was just following the plan I had set for myself long before.”……

*****

Daily Variety, December 16

Review: Hard Memories

It’s been a rumor for so long it’s become almost mythical — Michelle Beck’s transformation from beach blonde to serious actress with her role in Hard Memories. Her performance has been so built up for so long that it’s finally a relief to have seen it, and to be able to say that it’s everything it has been claimed to be — and even more, if that’s possible. Guided by Roland Lanois’ sure directorial hand, Beck hands in a performance that not only rockets her to the top of the Oscar nomination list, but perhaps also into the first rank of our nation’s actresses. Following what is sure to be a record-breaking limited engagement, this picture should do solid business in wide release, possibly flirting with the $100 million mark if public opinion gets behind it….

*****

New York Times, December 20

“Hard Memories”, “Pocket Change” Lead Golden Globe Nominations

Hard Memories, the story of Jewish civil rights activist Rachel Spiegelman, lead the pack at the Golden Globe nominations Friday, garnering seven nominations, including Best Picture (drama) and Best Actress. The Tom Hanks comedy Pocket Change followed, with six nominations, including Best Picture (Comedy or Musical) and Best Actor.

The Golden Globes, given by the Hollywood Foreign Press Association, are less prestigious than the Academy Awards, but are often viewed as a bellweather for that more prestigious award. The Academy Awards are to be announced February 16th.

NBC-TV will broadcast the Golden Globes ceremony January 18.

*****

Los Angeles Times, January 5

Hard Memories Takes Top Critics Prize

The Roland Lanois film narrowly beats Dust and the Moon; Beck wins second Best Actress award

NEW YORK — After a particularly contentious voting process, Hard Memories beat the Vietnamese film Dust and the Moon to win the best film award from the National Society of Film Critics on Sunday. The award joins the Best Picture citation awarded by the Los Angeles Film Society; The New York Film Circle gave its award to Dust and the Moon.

Michelle Beck, whose narrow loss to Eleni Natavsaya of the Russian film Wolfhounds with the Los Angeles critics precluded an expected sweep of the critics awards, nevertheless garnered her second Best Actress award from the National Critics….

*****

Daily Variety, January 19

“HARD MEMORIES” COMPLETES NEAR-SWEEP AT GOLDEN GLOBES

Biopic Wins Best Picture, Actress, Supporting Actor, three others; ‘Pocket Change’ Wins Best Comedy

*****

Los Angeles Times, January 26

Hard Memories Rises to the Top

Buoyed by its Best Picture and Best Actress win at the Golden Globes, Hard Memories opened strongly in its first weekend of wide release, with $13.4 million at the box office. The week’s other new release, Walt Disney’s Natty Bumppo, did poorly with its core children’s audience, grossing only $1.1 million…

*****

Daily Variety, February 17

“PROMISES” MAKES GOOD WITH EIGHT NOMINATIONS

Best Picture, Director, Actress and Screenplay nods; Hanks nominated for ‘Pocket Change’.

(inset)

Nominations for Hard Memories:

Best Picture (Roland Lanois, Avika Spiegelman, producers)

Best Director: Roland Lanois

Best Actress: Michelle Beck

Best Screenplay (Adapted): Connie Reiser & Larry Card, from the book Hard Memories by Rachel Spiegelman

Best Cinematography: Januz Kandisky

Best Score (Dramatic): Julian Ruiz

Best Editing: Roland Lanois, Cynthia Peal

Best Makeup: Nguyen Trinh

*****

Daily Variety, March 4

OSCAR NOTES

Best Actress Nominee Michelle Beck will join the Oscar broadcast as an announcer, director Lars Giles said today. Ms. Beck will introduce the fifth and final Best Picture clip, to be shown just after the Best Actress award is to be announced. The Oscars will be broadcast on ABC-TV March 23 starting at 6 pm Pacific……

*****

“Stop squirming,” Miranda said.

“I can’t help myself,” I said. “Michelle’s my first client to get nominated for an Oscar. I’m nervous.”

“Is that the only reason?” Miranda said.

“Well, no,” I said. “But that’s the reason I’m going public with. Also, my cummerbund itches.”

Miranda and I were at the Academy Awards.

We weren’t in the good seats, of course. The good seats are saved for the nominees, their guests, other really big stars, and studio heads. Carl Lupo had a good seat. Michelle had a good seat. Our seats were in the back of the balcony. Miranda brought a pair of opera glasses. We needed them. At least we weren’t as bad off as Van Doren. He was stuck in the press room. “It’s like a cattle pen,” he told me, “except that instead of cows mooing next to you, you have Roger Ebert.”

Things were going well for Hard Memories; so far it had won Best Makeup, Best Cinematography and Best Editing (the last of which greatly relieved Roland — at least he wouldn’t be going home empty handed). Best Score got away, which I thought was fair; Julian’s score was good but not all that good.

“It’s time for the screenplay awards,” Miranda said.

Best Original Screenplay first. Keanu Reeves read off the nominations, which struck me as mildly ironic. The winner was Ted Fletcher, who wrote Pocket Change. Ted, hyped up on too much caffeine and nicotine, started on an extended riff about Nietzsche. The orchestra leader, clearly not impressed, cut him off after thirty seconds.

“Good call,” Miranda said, as Ted was manhandled off the stage.

“Well, you know,” I said. “It’s probably the only time he’ll be in front of a billion people,” I said. “You can see why he might get a little excited.”

“All the more reason to get him off the air quickly,” Miranda said. “I’d hate to go through life with people pointing at me and saying, ‘Hey, aren’t you the idiot that made a fool of yourself on the Oscar show?’ Rob Lowe has never lived down that dance with Snow White, you know.”

Keanu was back, mangling names for the Best Adapted Screenplay. He appeared to give himself a papercut opening the envelope. Sucking on his finger, he announced the winners: Connie Reiser & Larry Card, Hard Memories.

“Bingo,” I said.

“Four for five,” Miranda said. “We’re not doing too bad. I think Michelle actually has a chance.”

“Oh, God,” I said. “I wish you hadn’t said that, Miranda. My stomach just dropped down the Marianas trench.”

Miranda patted my hand. “Relax, Tom,” she said. “It’s been covered, remember. Even if she doesn’t win Best Actress, she’ll be on stage right after to show the Hard Memories nomination clip. It’ll be fine.”

“I know, I know,” I said. “But it’s not optimal, you know. It would be better if she won.”

“Duh,” Miranda said. “But, unfortunately, we couldn’t bribe the accountants from Price, Waterhouse. We’ll just have to hope the voters don’t decide to give it to Meryl Streep again.”

“Meryl Streep,” I muttered. “She oughta be disqualified from future nominations.”

Miranda patted my hand again. “Tom, you’re just so cute when you’re agitated.”

Last year’s Best Actor winner stepped on the stage to announce the Best Actress award.

“He wears a wig,” I said to Miranda. “I hear it’s one of those ones with the snap-on titanium screws.”

“Oh, hush,” Miranda said.

The usual lame patter, then he stared intently into the teleprompter to read names. They started with Michelle’s. They ended with Meryl’s. Alphabetical order works that way, I suppose.

Miranda’s hand found mine again. She squeezed it so tight I thought a bone might pop. I would have complained, but I was squeezing hers just as hard. Our mutual pain was so intense that we barely heard our former Best Actor begin and the Oscar goes to……

“Michelle Beck.”

We heard that part.

The room erupted into applause and a standing ovation. They loved her. It was her moment. They had no idea just how true it was.

Michelle stood up. She was sitting next to Carl Lupo. Carl stood up with her, kissed her on the cheek. He was crying. Only four other people in the building knew exactly why.

Michelle made her way to the podium like a queen. She was wearing a golden dress of a design that no one had ever seen before. Joan Rivers had asked her about it up out on the red carpet before the show. Michelle responded that the designer was no one that anyone around here would know. Joan remarked that it fit Michelle like a second skin. Others agreed. They had no idea how true that was, either.

Michelle accepted her award and a peck from the former Best Actor. Then she plopped the Oscar down on the podium and, beaming, waited for the applause to die down. It took a while. Then she began to speak.

“Oh God,” Miranda said. “This is really it.”

“Before I do anything else,” Michelle said, “I need to thank one person, my agent, Tom Stein. He’s way up there in the balcony. Hi Tom!” She waved enthusiastically, which got a big laugh. I waved back.

“Shut up and get to it before the orchestra cuts you off,” I muttered under my breath.

“Tom’s probably muttering at me to get to it before the orchestra cuts me off,” Michelle said. “He always did look out for me.

“This award means more to me than you could ever know,” Michelle continued. “It’s not just my award. It’s the award of Rachel Spiegelman, who saw hatred of the demonized ‘Other’ destroy her world, and dedicated the rest of her life to making sure that we saw men, all men, as brothers, regardless of their color or their creed.

“It belongs to Avika Spiegelman, who looked beyond my physical appearance to allow me to take the role of a lifetime. It belongs to those who initially protested my getting this role, because they came and gave me a chance to perform it, and realized that while I did not match Rachel’s appearance, I did match her heart. Over and over again, I have seen people of all stripes look beyond the appearance, look beyond the otherness, and see what it was that truly connected us all.

“And now I’m wondering if you, all of you, every one of the billion people worldwide who