The Expression of Emotion in Man and Animals - Charles Darwin (an ebook reader TXT) 📗

its back in a surprising manner, erects its hair, opens its mouth and spits. But we are not here concerned with this well-known attitude, expressive of terror combined with anger; we are concerned only with that of rage or anger. This is not often seen, but may be observed when two cats are fighting together; and I have seen it well exhibited by a savage cat whilst plagued by a boy.

The attitude is almost exactly the same as that of a tiger disturbed and growling over its food, which every one must have beheld in menageries.

The animal assumes a crouching position, with the body extended; and the whole tail, or the tip alone, is lashed or curled from side to side. The hair is not in the least erect. Thus far, the attitude and movements are nearly the same as when the animal is prepared to spring on its prey, and when, no doubt, it feels savage.

But when preparing to fight, there is this difference, that the ears are closely pressed backwards; the mouth is partially opened, showing the teeth; the fore feet are occasionally struck out with protruded claws; and the animal occasionally utters a fierce growl.

(See figs. 9 and 10.) All, or almost all these actions naturally follow (as hereafter to be explained), from the cat’s manner and intention of attacking its enemy.

 

Let us now look at a cat in a directly opposite frame of mind, whilst feeling affectionate and caressing her master; and mark how opposite is her attitude in every respect.

She now stands upright with her back slightly arched, which makes the hair appear rather rough, but it does not bristle; her tail, instead of being extended and lashed from side to side, is held quite still and perpendicularly upwards; her ears are erect and pointed; her mouth is closed; and she rubs against her master with a purr instead of a growl.

Let it further be observed how widely different is the whole bearing of an affectionate cat from that of a dog, when with his body crouching and flexuous, his tail lowered and wagging, and ears depressed, he caresses his master. This contrast in the attitudes and movements of these two carnivorous animals, under the same pleased and affectionate frame of mind, can be explained, as it appears to me, solely by their movements standing in complete antithesis to those which are naturally assumed, when these animals feel savage and are prepared either to fight or to seize their prey.

 

In these cases of the dog and cat, there is every reason to believe that the gestures both of hostility and affection are innate or inherited; for they are almost identically the same in the different races of the species, and in all the individuals of the same race, both young and old.

 

I will here give one other instance of antithesis in expression.

I formerly possessed a large dog, who, like every other dog, was much pleased to go out walking. He showed his pleasure by trotting gravely before me with high steps, head much raised, moderately erected ears, and tail carried aloft but not stiffly.

Not far from my house a path branches off to the right, leading to the hot-house, which I used often to visit for a few moments, to look at my experimental plants. This was always a great disappointment to the dog, as he did not know whether I should continue my walk; and the instantaneous and complete change of expression which came over him as soon as my body swerved in the least towards the path (and I sometimes tried this as an experiment) was laughable.

His look of dejection was known to every member of the family, and was called his hot-house face. This consisted in the head drooping much, the whole body sinking a little and remaining motionless; the ears and tail falling suddenly down, but the tail was by no means wagged.

With the falling of the ears and of his great chaps, the eyes became much changed in appearance, and I fancied that they looked less bright. His aspect was that of piteous, hopeless dejection; and it was, as I have said, laughable, as the cause was so slight.

Every detail in his attitude was in complete opposition to his former joyful yet dignified bearing; and can be explained, as it appears to me, in no other way, except through the principle of antithesis.

Had not the change been so instantaneous, I should have attributed it to his lowered spirits affecting, as in the case of man, the nervous system and circulation, and consequently the tone of his whole muscular frame; and this may have been in part the cause.

 

We will now consider how the principle of antithesis in expression has arisen. With social animals, the power of intercommunication between the members of the same community,—and with other species, between the opposite sexes, as well as between the young and the old,—

is of the highest importance to them. This is generally effected by means of the voice, but it is certain that gestures and expressions are to a certain extent mutually intelligible.

Man not only uses inarticulate cries, gestures, and expressions, but has invented articulate language; if, indeed, the word INVENTED

can be applied to a process, completed by innumerable steps, half-consciously made. Any one who has watched monkeys will not doubt that they perfectly understand each other’s gestures and expression, and to a large extent, as Rengger asserts,[1] those of man.

An animal when going to attack another, or when afraid of another, often makes itself appear terrible, by erecting its hair, thus increasing the apparent bulk of its body, by showing its teeth, or brandishing its horns, or by uttering fierce sounds.

 

As the power of intercommunication is certainly of high service to many animals, there is no a priori improbability in the supposition, that gestures manifestly of an opposite nature to those by which certain feelings are already expressed, should at first have been voluntarily employed under the influence of an opposite state of feeling.

The fact of the gestures being now innate, would be no valid objection to the belief that they were at first intentional; for if practised during many generations, they would probably at last be inherited.

Nevertheless it is more than doubtful, as we shall immediately see, whether any of the cases which come under our present head of antithesis, have thus originated.

 

With conventional signs which are not innate, such as those used by the deaf and dumb and by savages, the principle of opposition or antithesis has been partially brought into play.

The Cistercian monks thought it sinful to speak, and as they could not avoid holding some communication, they invented a gesture language, in which the principle of opposition seems to have been employed.[2] Dr. Scott, of the Exeter Deaf and Dumb Institution, writes to me that “opposites are greatly used in teaching the deaf and dumb, who have a lively sense of them.”

Nevertheless I have been surprised how few unequivocal instances can be adduced. This depends partly on all the signs having commonly had some natural origin; and partly on the practice of the deaf and dumb and of savages to contract their signs as much as possible for the sake of rapidity?[3] Hence their natural source or origin often becomes doubtful or is completely lost; as is likewise the case with articulate language.

 

[1] `Naturgeschichte der Saugethiere von Paraguay,’ 1830, s. 55.

 

[2] Mr. Tylor gives an account of the Cistercian gesture-language in his `Early History of Mankind’ (2nd edit. 1870, p. 40), and makes some remarks on the principle of opposition in gestures.

 

[3] See on this subject Dr. W. R. Scott’s interesting work, `The Deaf and Dumb,’ 2nd edit. 1870, p. 12. He says, “This contracting of natural gestures into much shorter gestures than the natural expression requires, is very common amongst the deaf and dumb.

This contracted gesture is frequently so shortened as nearly to lose all semblance of the natural one, but to the deaf and dumb who use it, it still has the force of the original expression.”

 

Many signs, moreover, which plainly stand in opposition to each other, appear to have had on both sides a significant origin.

This seems to hold good with the signs used by the deal and dumb for light and darkness, for strength and weakness, &c. In a future chapter I shall endeavour to show that the opposite gestures of affirmation and negation, namely, vertically nodding and laterally shaking the head, have both probably had a natural beginning.

The waving of the hand from right to left, which is used as a negative by some savages, may have been invented in imitation of shaking the head; but whether the opposite movement of waving the hand in a straight line from the face, which is used in affirmation, has arisen through antithesis or in some quite distinct manner, is doubtful.

 

If we now turn to the gestures which are innate or common to all the individuals of the same species, and which come under the present head of antithesis, it is extremely doubtful, whether any of them were at first deliberately invented and consciously performed.

With mankind the best instance of a gesture standing in direct opposition to other movements, naturally assumed under an opposite frame of mind, is that of shrugging the shoulders. This expresses impotence or an apology,—something which cannot be done, or cannot be avoided.

The gesture is sometimes used consciously and voluntarily, but it is extremely improbable that it was at first deliberately invented, and afterwards fixed by habit; for not only do young children sometimes shrug their shoulders under the above states of mind, but the movement is accompanied, as will be shown in a future chapter, by various subordinate movements, which not one man in a thousand is aware of, unless he has specially attended to the subject.

 

Dogs when approaching a strange dog, may find it useful to show by their movements that they are friendly, and do not wish to fight. When two young dogs in play are growling and biting each other’s faces and legs, it is obvious that they mutually understand each other’s gestures and manners.

There seems, indeed, some degree of instinctive knowledge in puppies and kittens, that they must not use their sharp little teeth or claws too freely in their play, though this sometimes happens and a squeal is the result; otherwise they would often injure each other’s eyes.

When my terrier bites my hand in play, often snarling at the same time, if he bites too hard and I say GENTLY, GENTLY, he goes on biting, but answers me by a few wags of the tail, which seems to say “Never mind, it is all fun.” Although dogs do thus express, and may wish to express, to other dogs and to man, that they are in a friendly state of mind, it is incredible that they could ever have deliberately thought of drawing back and depressing their ears, instead of holding them erect,—of lowering and wagging their tails, instead of keeping them stiff and upright, &c., because they knew that these movements stood in direct opposition to those assumed under an opposite and savage frame of mind.

 

Again, when a cat, or rather when some early progenitor of the species, from feeling affectionate first slightly arched its back, held its tail perpendicularly upwards and pricked its ears, can it be believed that the animal consciously wished thus to show that its frame of mind was directly the reverse of that, when from being ready to fight or to spring on its prey, it assumed a crouching attitude, curled its tail from side to side and depressed its ears?

Even still less can I