A History of Science, vol 2 - Henry Smith Williams (ebook reader with highlight function .TXT) 📗

work, and was wofully slow at it at best; but man, with his superior faculties, was to hasten the process in his laboratories—if he could but hit upon the right method of doing so.

It should not be inferred that the alchemist set about his task of assisting nature in a haphazard way, and without training in the various alchemic laboratory methods. On the contrary, he usually served a long apprenticeship in the rudiments of his calling. He was obliged to learn, in a general way, many of the same things that must be understood in either chemical or alchemical laboratories. The general knowledge that certain liquids vaporize at lower temperatures than others, and that the melting-points of metals differ greatly, for example, was just as necessary to alchemy as to chemistry. The knowledge of the gross structure, or nature, of materials was much the same to the alchemist as to the chemist, and, for that matter, many of the experiments in calcining, distilling, etc., were practically identical.

To the alchemist there were three principles—salt, sulphur, and mercury—and the sources of these principles were the four elements—earth, water, fire, and air. These four elements were accountable for every substance in nature. Some of the experiments to prove this were so illusive, and yet apparently so simple, that one is not surprised that it took centuries to disprove them. That water was composed of earth and air seemed easily proven by the simple process of boiling it in a tea-kettle, for the residue left was obviously an earthy substance, whereas the steam driven off was supposed to be air.

The fact that pure water leaves no residue was not demonstrated until after alchemy had practically ceased to exist. It was possible also to demonstrate that water could be turned into fire by thrusting a red-hot poker under a bellglass containing a dish of water. Not only did the quantity of water diminish, but, if a lighted candle was thrust under the glass, the contents ignited and burned, proving, apparently, that water had been converted into fire. These, and scores of other similar experiments, seemed so easily explained, and to accord so well with the “four elements” theory, that they were seldom questioned until a later age of inductive science.

But there was one experiment to which the alchemist pinned his faith in showing that metals could be “killed” and “revived,”

when proper means were employed. It had been known for many centuries that if any metal, other than gold or silver, were calcined in an open crucible, it turned, after a time, into a peculiar kind of ash. This ash was thought by the alchemist to represent the death of the metal. But if to this same ash a few grains of wheat were added and heat again applied to the crucible, the metal was seen to “rise from its ashes” and resume its original form—a well-known phenomenon of reducing metals from oxides by the use of carbon, in the form of wheat, or, for that matter, any other carbonaceous substance. Wheat was, therefore, made the symbol of the resurrection of the life eternal. Oats, corn, or a piece of charcoal would have “revived”

the metals from the ashes equally well, but the mediaeval alchemist seems not to have known this. However, in this experiment the metal seemed actually to be destroyed and revivified, and, as science had not as yet explained this striking phenomenon, it is little wonder that it deceived the alchemist.

Since the alchemists pursued their search of the magic stone in such a methodical way, it would seem that they must have some idea of the appearance of the substance they sought. Probably they did, each according to his own mental bias; but, if so, they seldom committed themselves to writing, confining their discourses largely to speculations as to the properties of this illusive substance. Furthermore, the desire for secrecy would prevent them from expressing so important a piece of information.

But on the subject of the properties, if not on the appearance of the “essence,” they were voluminous writers. It was supposed to be the only perfect substance in existence, and to be confined in various substances, in quantities proportionate to the state of perfection of the substance. Thus, gold being most nearly perfect would contain more, silver less, lead still less, and so on. The “essence” contained in the more nearly perfect metals was thought to be more potent, a very small quantity of it being capable of creating large quantities of gold and of prolonging life indefinitely.

It would appear from many of the writings of the alchemists that their conception of nature and the supernatural was so confused and entangled in an inexplicable philosophy that they themselves did not really understand the meaning of what they were attempting to convey. But it should not be forgotten that alchemy was kept as much as possible from the ignorant general public, and the alchemists themselves had knowledge of secret words and expressions which conveyed a definite meaning to one of their number, but which would appear a meaningless jumble to an outsider. Some of these writers declared openly that their writings were intended to convey an entirely erroneous impression, and were sent out only for that purpose.

However, while it may have been true that the vagaries of their writings were made purposely, the case is probably more correctly explained by saying that the very nature of the art made definite statements impossible. They were dealing with something that did not exist—could not exist. Their attempted descriptions became, therefore, the language of romance rather than the language of science.

But if the alchemists themselves were usually silent as to the appearance of the actual substance of the philosopher’s stone, there were numberless other writers who were less reticent. By some it was supposed to be a stone, by others a liquid or elixir, but more commonly it was described as a black powder. It also possessed different degrees of efficiency according to its degrees of purity, certain forms only possessing the power of turning base metals into gold, while others gave eternal youth and life or different degrees of health. Thus an alchemist, who had made a partial discovery of this substance, could prolong life a certain number of years only, or, possessing only a small and inadequate amount of the magic powder, he was obliged to give up the ghost when the effect of this small quantity had passed away.

This belief in the supernatural power of the philosopher’s stone to prolong life and heal diseases was probably a later phase of alchemy, possibly developed by attempts to connect the power of the mysterious essence with Biblical teachings. The early Roman alchemists, who claimed to be able to transmute metals, seem not to have made other claims for their magic stone.

By the fifteenth century the belief in the philosopher’s stone had become so fixed that governments began to be alarmed lest some lucky possessor of the secret should flood the country with gold, thus rendering the existing coin of little value. Some little consolation was found in the thought that in case all the baser metals were converted into gold iron would then become the “precious metal,” and would remain so until some new philosopher’s stone was found to convert gold back into iron—a much more difficult feat, it was thought. However, to be on the safe side, the English Parliament, in 1404, saw fit to pass an act declaring the making of gold and silver to be a felony.

Nevertheless, in 1455, King Henry VI. granted permission to several “knights, citizens of London, chemists, and monks” to find the philosopher’s stone, or elixir, that the crown might thus be enabled to pay off its debts. The monks and ecclesiastics were supposed to be most likely to discover the secret process, since “they were such good artists in transubstantiating bread and wine.”

In Germany the emperors Maximilian I., Rudolf II., and Frederick II. gave considerable attention to the search, and the example they set was followed by thousands of their subjects. It is said that some noblemen developed the unpleasant custom of inviting to their courts men who were reputed to have found the stone, and then imprisoning the poor alchemists until they had made a certain quantity of gold, stimulating their activity with tortures of the most atrocious kinds. Thus this danger of being imprisoned and held for ransom until some fabulous amount of gold should be made became the constant menace of the alchemist. It was useless for an alchemist to plead poverty once it was noised about that he had learned the secret. For how could such a man be poor when, with a piece of metal and a few grains of magic powder, he was able to provide himself with gold? It was, therefore, a reckless alchemist indeed who dared boast that he had made the coveted discovery.

The fate of a certain indiscreet alchemist, supposed by many to have been Seton, a Scotchman, was not an uncommon one. Word having been brought to the elector of Saxony that this alchemist was in Dresden and boasting of his powers, the elector caused him to be arrested and imprisoned. Forty guards were stationed to see that he did not escape and that no one visited him save the elector himself. For some time the elector tried by argument and persuasion to penetrate his secret or to induce him to make a certain quantity of gold; but as Seton steadily refused, the rack was tried, and for several months he suffered torture, until finally, reduced to a mere skeleton, be was rescued by a rival candidate of the elector, a Pole named Michael Sendivogins, who drugged the guards. However, before Seton could be “persuaded” by his new captor, he died of his injuries.

But Sendivogins was also ambitious in alchemy, and, since Seton was beyond his reach, he took the next best step and married his widow. From her, as the story goes, he received an ounce of black powder—the veritable philosopher’s stone. With this he manufactured great quantities of gold, even inviting Emperor Rudolf II. to see him work the miracle. That monarch was so impressed that he caused a tablet to be inserted in the wall of the room in which he had seen the gold made.

Sendivogins had learned discretion from the misfortune of Seton, so that he took the precaution of concealing most of the precious powder in a secret chamber of his carriage when he travelled, having only a small quantity carried by his steward in a gold box. In particularly dangerous places, he is said to have exchanged clothes with his coachman, making the servant take his place in the carriage while he mounted the box.

About the middle of the seventeenth century alchemy took such firm root in the religious field that it became the basis of the sect known as the Rosicrucians. The name was derived from the teaching of a German philosopher, Rosenkreutz, who, having been healed of a dangerous illness by an Arabian supposed to possess the philosopher’s stone, returned home and gathered about him a chosen band of friends, to whom he imparted the secret. This sect came rapidly into prominence, and for a short time at least created a sensation in Europe, and at the time were credited with having “refined and spiritualized” alchemy. But by the end of the seventeenth century their number had dwindled to a mere handful, and henceforth they exerted little influence.

Another and earlier religious sect was the Aureacrucians, founded by Jacob Bohme, a shoemaker, born in Prussia in 1575. According to his teachings the philosopher’s stone could be discovered by a diligent search of the Old and the New Testaments, and more particularly the Apocalypse, which contained all the secrets of alchemy. This sect found quite a number of followers during the life