The Human Drift - Jack London (classic literature books .TXT) 📗

ahead of them or behind them. The farther we came the better the roads seemed, though this was probably due to the fact that we were learning more and more what four horses and a light rig could do on a road. And thus do I save my face with all the counties. I refuse to make invidious road comparisons. I can add that while, save in rare instances on steep pitches, I have trotted my horses down all the grades, I have never had one horse fall down nor have I had to send the rig to a blacksmith shop for repairs.

Also, I am learning to throw leather. If any tyro thinks it is easy to take a short-handled, long-lashed whip, and throw the end of that lash just where he wants it, let him put on automobile goggles and try it. On reconsideration, I would suggest the substitution of a wire fencing-mask for the goggles. For days I looked at that whip. It fascinated me, and the fascination was composed mostly of fear. At my first attempt, Charmian and Nakata became afflicted with the same sort of fascination, and for a long time afterward, whenever they saw me reach for the whip, they closed their eyes and shielded their heads with their arms.

Here's the problem. Instead of pulling honestly, Prince is lagging back and manoeuvring for a bite at Milda's neck. I have four reins in my hands. I must put these four reins into my left hand, properly gather the whip handle and the bight of the lash in my right hand, and throw that lash past Maid without striking her and into Prince. If the lash strikes Maid, her thoroughbredness will go up in the air, and I'll have a case of horse hysteria on my hands for the next half hour. But follow. The whole problem is not yet stated. Suppose that I miss Maid and reach the intended target. The instant the lash cracks, the four horses jump, Prince most of all, and his jump, with spread wicked teeth, is for the back of Milda's neck. She jumps to escape--which is her second jump, for the first one came when the lash exploded. The Outlaw reaches for Maid's neck, and Maid, who has already jumped and tried to bolt, tries to bolt harder. And all this infinitesimal fraction of time I am trying to hold the four animals with my left hand, while my whip-lash, writhing through the air, is coming back to me. Three simultaneous things I must do: keep hold of the four reins with my left hand; slam on the brake with my foot; and on the rebound catch that flying lash in the hollow of my right arm and get the bight of it safely into my right hand. Then I must get two of the four lines back into my right hand and keep the horses from running away or going over the grade. Try it some time. You will find life anything but wearisome. Why, the first time I hit the mark and made the lash go off like a revolver shot, I was so astounded and delighted that I was paralysed. I forgot to do any of the multitudinous other things, tangled the whip lash in Maid's harness, and was forced to call upon Charmian for assistance. And now, confession. I carry a few pebbles handy. They're great for reaching Prince in a tight place. But just the same I'm learning that whip every day, and before I get home I hope to discard the pebbles. And as long as I rely on pebbles, I cannot truthfully speak of myself as "tooling a four-in-hand."

From Garberville, where we ate eel to repletion and got acquainted with the aborigines, we drove down the Eel River Valley for two days through the most unthinkably glorious body of redwood timber to be seen anywhere in California. From Dyerville on to Eureka, we caught glimpses of railroad construction and of great concrete bridges in the course of building, which advertised that at least Humboldt County was going to be linked to the rest of the world.

We still consider our trip is just begun. As soon as this is mailed from Eureka, it's heigh ho! for the horses and pull on. We shall continue up the coast, turn in for Hoopa Reservation and the gold mines, and shoot down the Trinity and Klamath rivers in Indian canoes to Requa. After that, we shall go on through Del Norte County and into Oregon. The trip so far has justified us in taking the attitude that we won't go home until the winter rains drive us in. And, finally, I am going to try the experiment of putting the Outlaw in the lead and relegating Prince to his old position in the near wheel. I won't need any pebbles then.


NOTHING THAT EVER CAME TO ANYTHING


It was at Quito, the mountain capital of Ecuador, that the following passage at correspondence took place. Having occasion to buy a pair of shoes in a shop six feet by eight in size and with walls three feet thick, I noticed a mangy leopard skin on the floor. I had no Spanish. The shop-keeper had no English. But I was an adept at sign language. I wanted to know where I should go to buy leopard skins. On my scribble- pad I drew the interesting streets of a city. Then I drew a small shop, which, after much effort, I persuaded the proprietor into recognising as his shop. Next, I indicated in my drawing that on the many streets there were many shops. And, finally, I made myself into a living interrogation mark, pointing all the while from the mangy leopard skin to the many shops I had sketched.

But the proprietor failed to follow me. So did his assistant. The street came in to help--that is, as many as could crowd into the six-by- eight shop; while those that could not force their way in held an overflow meeting on the sidewalk. The proprietor and the rest took turns at talking to me in rapid-fire Spanish, and, from the expressions on their faces, all concluded that I was remarkably stupid. Again I went through my programme, pointing on the sketch from the one shop to the many shops, pointing out that in this particular shop was one leopard skin, and then questing interrogatively with my pencil among all the shops. All regarded me in blank silence, until I saw comprehension suddenly dawn on the face of a small boy.

"Tigres montanya!" he cried.

This appealed to me as mountain tigers, namely, leopards; and in token that he understood, the boy made signs for me to follow him, which I obeyed. He led me for a quarter of a mile, and paused before the doorway of a large building where soldiers slouched on sentry duty and in and out of which went other soldiers. Motioning for me to remain, he ran inside.

Fifteen minutes later he was out again, without leopard skins, but full of information. By means of my card, of my hotel card, of my watch, and of the boy's fingers, I learned the following: that at six o'clock that evening he would arrive at my hotel with ten leopard skins for my inspection. Further, I learned that the skins were the property of one Captain Ernesto Becucci. Also, I learned that the boy's name was Eliceo.

The boy was prompt. At six o'clock he was at my room. In his hand was a small roll addressed to me. On opening it I found it to be manuscript piano music, the Hora Tranquila Valse , or "Tranquil Hour Waltz," by Ernesto Becucci. I came for leopard skins, thought I, and the owner sends me sheet music instead. But the boy assured me that he would have the skins at the hotel at nine next morning, and I entrusted to him the following letter of acknowledgment:

"DEAR CAPTAIN BECUCCI:

"A thousand thanks for your kind presentation of Hora Tranquila
Valse . Mrs. London will play it for me this evening.

"Sincerely yours,

"Jack London."

Next morning Eliceo was back, but without the skins. Instead, he gave me a letter, written in Spanish, of which the following is a free translation:

"To my dearest and always appreciated friend, I submit myself--

"DEAR SIR:

"I sent you last night an offering by the bearer of this note, and you
returned me a letter which I translated.

"Be it known to you, sir, that I am giving this waltz away in the best
society, and therefore to your honoured self. Therefore it is
beholden to you to recognise the attention, I mean by a tangible
return, as this composition was made by myself. You will therefore
send by your humble servant, the bearer, any offering, however minute,
that you may be prompted to make. Send it under cover of an envelope.
The bearer may be trusted.

"I did not indulge in the pleasure of visiting your honourable self
this morning, as I find my body not to be enjoying the normal exercise
of its functions.

"As regards the skins from the mountain, you shall be waited on by a
small boy at seven o'clock at night with ten skins from which you may
select those which most satisfy your aspirations.

"In the hope that you will look upon this in the same light as myself,
I beg to be allowed to remain,

"Your most faithful servant,

"CAPTAIN ERNESTO BECUCCI."

Well, thought I, this Captain Ernesto Becucci has shown himself to be such an undependable person, that, while I don't mind rewarding him for his composition, I fear me if I do I never shall lay eyes on those leopard skins. So to Eliceo I gave this letter for the Captain:

"MY DEAR CAPTAIN BECUCCI:

"Have the boy bring the skins at seven o'clock this evening, when I
shall be glad to look at them. This evening when the boy brings the
skins, I shall be pleased to give him, in an envelope, for you, a
tangible return for your musical composition.

"Please put the price on each skin, and also let me know for what sum
all the skins will sell together.

"Sincerely yours,

"JACK LONDON."

Now, thought I, I have him. No skins, no tangible return; and evidently he is set on receiving that tangible return.

At seven o'clock Eliceo was back, but without leopard skins. He handed me this letter:

"SENOR LONDON:

"I wish to instil in you the belief that I lost to-day, at