Records Of A Girlhood Volume 1 (1 Of 2) - Frances Ann Kemble (sad books to read TXT) 📗
- Author: Frances Ann Kemble
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Still Too Deficient In Interest To Retain The Favor Of The Public. The
Character Of Camiola Is Extremely Noble And Striking, But That Of Her
Lover So Unworthy Of Her That The Interest She Excites Personally Fails
To Inspire One With Sympathy For Her Passion For Him. The Piece In This
Respect Has A Sort Of Moral Incoherency, Which Appears To Me, Indeed,
Not An Infrequent Defect In The Compositions Of These Great Dramatic
Pre-Shakespearites. There Is A Want Of Psychical Verisimilitude, A
Disjointed Abruptness, In Their Conceptions, Which, In Spite Of Their
Grand Treatment Of Separate Characters And The Striking Force Of
Particular Passages, Renders Almost Every One Of Their Plays
Inharmonious As A Whole, However Fine And Powerful In Detached Parts.
Their Selection Of Abnormal And Detestable Subjects Is A Distinct
Indication Of Intellectual Weakness Instead Of Vigor; Supreme Genius
Alone Perceives The Beauty And Dignity Of Human Nature And Human Life In
Their Common Conditions, And Can Bring To The Surface Of Vulgar,
Every-Day Existence The Hidden Glory That Lies Beneath It.
The Strictures Contained In These Girlish Letters On The Various Plays
In Which I Was Called To Perform The Heroines, Of Course Partake Of The
Uncompromising Nature Of All Youthful Verdicts. Hard, Sharp, And
Shallow, They Never Went Lower Than The Obvious Surface Of Things, And
Dealt Easily, After The Undoubting Youthful Fashion, With A Main Result,
Without Any Misgiving As To Conflicting Causes Or Painful Anxiety About
Contradictory Component Parts. At The Beginning Of Life, The Ignorant
Moral And Intellectual Standard Alike Have Definite Form And Decided
Color; Time, As It Goes On, Dissolves The Outline Into Vague
Indistinctness, And Reveals Lights And Shades So Various And
Innumerable, That Toward The End Of Life Criticism Grows Diffident,
Opinion Difficult, And Positive Judgment Almost Impossible.
My First London Season Was Now Drawing To An End, And Preparations Were
Begun For A Summer Tour In The Provinces. There Had Been Some Talk Of My
Beginning With Brighton, But For Some Reason Or Other This Fell Through.
BATH, May 31, 1830.
MY DEAR H----,
I Have Owed You An Answer, And A Most Grateful One, For Some Time
Past, For Your Kindness In Writing Me So Long A Letter As Your
Last; But When I Assure You That, What With Leave-Taking, Trying On
Dresses, Making Purchases, Etc., Etc., And All The Preparations For
Our Summer Tour, This Is The First Moment In Which I Have Been Able
To Draw A Long Breath For The Last Month, I Am Sure You Will
Forgive Me, And Believe, Notwithstanding My Long Silence, That I
Was Made Very Happy Indeed By Your Letter. I Bade Covent Garden And
Volume 1 Chapter 14 Pg 58My Dear London Audience Farewell On Friday Last, When I Acted Lady
Townley For The First Time. The House Was Crammed, And As The
Proprietors Had Fixed That Night For A Second Benefit Which They
Gave Me, I Was Very Glad That It Was So. I Was Very Nicely Dressed,
And To My Own Fancy Acted Well, Though I Dare Say My Performance
Was A Little Flat Occasionally. But Considering My Own Physical
Powers, And The Immense Size Of The Theatre, I Do Not Think I
Should Have Done Better On The Whole By Acting More Broadly; Though
I Suppose It Would Have Been More Effective, I Should Have Had To
Sacrifice Something Of Repose And Refinement To Make It So. I Was
Very Sorry To Leave My London Audience: They Welcomed My First
Appearance; They Knew The History Of Our Shipwrecked Fortunes, And
Though Perhaps Not One Individual Amongst Them Would Go A Mile Out
Of His Way To Serve Us, There Exists In Them, Taken Collectively, A
Kind Feeling And Respect For My Father, And An Indulgent Good-Will
Toward Me, Which I Do Not Hope To Find Elsewhere. I Like Bath Very
Much; I Have Not Been Here Since I Was Six Years Old, When I Spent
A Year Here In Hopes Of Being _Bettered_ By My Aunt, Mrs. Twiss. A
Most Forlorn Hope It Was. I Suppose In Human Annals There Never
Existed A More Troublesome Little Brat Than I Was For The Few Years
After My First Appearance On This Earthly Stage.
This Town Reminds Me A Little Of Edinburgh. How Glad I Shall Be To
See Edinburgh Once More! I Expect Much Pleasure, Too, From The
Pleasure Of My Aunt Dall, Who Some Years Ago Spent Some Very Happy
Time In Edinburgh, And Who Loves It From Association. And Then,
Dear H----, I Am Looking Forward To Seeing You Once More; I Shall
Be With You Somewhere In The Beginning Of June. I Have Had My First
Rehearsal Here This Morning, "Romeo And Juliet;" The Theatre Is
Much Smaller Than Covent Garden, Which Rather Inconveniences Me, As
A Novelty, But The Audience Will Certainly Benefit By It. My
Fellow-Laborers Amuse Me A Good Deal; Their Versions Of Shakespeare
Are Very Droll. I Wonder What Your Irish Ones Will Be. I Am
Fortunate In My Romeo, Inasmuch As He Is One Of My Cousins; He Has
The Family Voice And Manner Very Strongly, And At Any Rate Does Not
Murder The Text Of Shakespeare. I Have No More Time To Spare Now,
For I Must Get My Tea And Go To The Theater. I Must Tell You,
Though, Of An Instance Of Provincial Prudery (Delicacy, I Suppose I
Ought To Call It) Which Edified Us Not A Little At Rehearsal This
Morning: The Mercutio, On Seeing The Nurse And Peter, Called Out,
"A Sail, A Sail!" And Terminated The Speech In A Significant
Whisper, Which, Being Literally Inaudible, My Mother, Who Was With
Me On The Stage, Very Innocently Asked, "Oh, Does The Gentleman
Leave Out The Shirt And The Smock?" Upon Which We Were Informed
That "Body Linen" Was Not So Much As To Be Hinted At Before A Truly
Refined Bath Audience. How Particular We Are Growing--_In Word!_ I
Am Much Afraid My Father Will Shock Them With The Speech Of That
Scamp Mercutio In All Its Pristine Purity And Precision. Good-By,
Dear H----. Ever Your Affectionate
F. A. K.
P.S.--My Mother Desires To Be Particularly Remembered To You. I
Want To Revive Massinger's "Maid Of Honor;" I Want To Act Camiola.
Volume 1 Chapter 14 Pg 59The Necessity For Carrying With Us Into The Provinces A Sufficient
Number Of Various Parts, And Especially Of Plays In Which My Father And
Myself Could Fill The Principal Characters, And So Be Tolerably
Independent Of Incompetent Coadjutors, Was The Reason Of My Coming Out
In The Play Of "The Provoked Husband," Before Leaving London. The
Passage In This Letter About Lady Townley Sufficiently Shows How Bad My
Performance Of It Must Have Been, And How Absolutely In The Dark I Was
With Regard To The Real Style In Which The Part Should Be Played. The
Fine Lady Of My Day, With The Unruffled Insipidity Of Her _Low_ Spirits
(High Spirits Never Came Near Her) And The Imperturbable Composure Of
Her Smooth Insolence, Was As Unlike The Rantipole, Racketing High-Bred
Woman Of Fashion Of Sir John Vanbrugh's Play As The Flimsy Elegance Of
My Silver-Embroidered, Rose-Colored Tulle Dress Was Unlike The Elaborate
Splendor Of Her Hooped And Feathered And High-Heeled, Patched-And-Powdered
Magnificence, With Its Falling Laces And Standing Brocades. The Part Of
Lady Townley Was Not Only Beyond My Powers, But Has Never Been Seen On
The English Stage Since The Days Of Mrs. Abington And Miss Farren, The
Latter Elegant And Spirited Actress Being Held By Those Who Had Seen
Both Less Like The Original Great Lady Than Her Predecessor; While Even
The Théâtre Français, Where Consummate Study And Reverend Tradition Of
Elder Art Still Prevail, Has Lost More And More The Secret Of _La Grande
Manière_ In A Gradual Descent From The _Grande Dame_ Of Mademoiselle
Contat To The Pretty, Graceful _Femme Comme Il Faut_ Of Mademoiselle
Plessis; For Even The Exquisite Célimène Of Mademoiselle Mars Was But A
"Pale Reflex" Of Molière's Brilliant Coquette, As Played By Her Great
Instructress, Contat. The Truth Is, That Society No Longer Possesses Or
Produces That Creature, And A Good Deal Of Reading, Not Of A Usual Or
Agreeable Kind, Would Alone Make One Familiar Enough With Lady Townley
And Her Like To Enable An Actress Of The Present Day To Represent Her
With Any Verisimilitude. The Absurd Practice, Too, Of Dressing All The
Serious Characters Of The Piece In Modern Costume, And All The Comic
Ones In That Of The Time At Which It Was Written, Renders The Whole
Ridiculously Incoherent And Manifestly Impossible, And Destroys It As A
Picture Of The Manners Of Any Time; For Even Stripped Of Her Hoop And
Powder, And Her More Flagrant Coarseness Of Speech, Lady Townley Is
Still As Unlike, In Manners, Language, And Deportment, Any Modern Lady,
As She Is Unlike The Woman Of Fashion Of Hogarth's Time, Whose Costume
She Has Discarded.
The Event Fully Justified My Expectation Of Far Less Friendly Audiences
Out Of London Than Those I Had Hitherto Made My Appeals To. None Of The
Personal Interest That Was Felt For Me There Existed Elsewhere, And I
Had To Encounter The Usual Opposition, Always Prepared To Cavil, In The
Provinces, At The Metropolitan Verdict Of Merit, As A Mere Exhibition Of
Independent Judgment; And To Make Good To The Expectations Of The
Country Critics The Highly Laudatory Reports Of The London Press, By
Which The Provincial Judges Scorned To Have A Decision Imposed Upon
Them. Not Unnaturally, Therefore, I Found A Much Less Fervid Enthusiasm
In My Audiences--Who Were, I Dare Say, Quite Justified In Their
Disappointment--And A Far Less Eulogistic Tone In The Provincial Press
With Regard To My Performances. Our Houses, However, Were Always Very
Crowded, Which Was The Essential Point, And For My Own Part I Was Quite
Volume 1 Chapter 14 Pg 60Satisfied With The Notices And Applause Which Were Bestowed On Me. My
Cousin, John Mason, Was The Romeo To Whom I Have Referred In This
Letter. He Was My Father's Sister's Son, And, Like So Many Members Of
Our Family, He And One Of His Brothers And His Sister Had Made
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