Complete Maupassant Original Short Stories - Guy de Maupassant (carter reed .TXT) 📗

chatted with him.

But a lost reputation is so difficult to regain and always remains so fragile that, in spite of the shy reserve of La Blanchotte, they already gossiped in the neighborhood.

As for Simon he loved his new papa very much, and walked with him nearly every evening when the day's work was done. He went regularly to school, and mixed with great dignity with his schoolfellows without ever answering them back.

One day, however, the lad who had first attacked him said to him:

"You have lied. You have not a papa named Philip."

"Why do you say that?" demanded Simon, much disturbed.

The youth rubbed his hands. He replied:

"Because if you had one he would be your mamma's husband."

Simon was confused by the truth of this reasoning; nevertheless, he retorted:

"He is my papa, all the same."

"That can very well be," exclaimed the urchin with a sneer, "but that is not being your papa altogether."

La Blanchotte's little one bowed his head and went off dreaming in the direction of the forge belonging to old Loizon, where Philip worked. This forge was as though buried beneath trees. It was very dark there; the red glare of a formidable furnace alone lit up with great flashes five blacksmiths; who hammered upon their anvils with a terrible din. They were standing enveloped in flame, like demons, their eyes fixed on the red-hot iron they were pounding; and their dull ideas rose and fell with their hammers.

Simon entered without being noticed, and went quietly to pluck his friend by the sleeve. The latter turned round. All at once the work came to a standstill, and all the men looked on, very attentive. Then, in the midst of this unaccustomed silence, rose the slender pipe of Simon:

"Say, Philip, the Michaude boy told me just now that you were not altogether my papa."

"Why not?" asked the blacksmith,

The child replied with all innocence:

"Because you are not my mamma's husband."

No one laughed. Philip remained standing, leaning his forehead upon the back of his great hands, which supported the handle of his hammer standing upright upon the anvil. He mused. His four companions watched him, and Simon, a tiny mite among these giants, anxiously waited. Suddenly, one of the smiths, answering to the sentiment of all, said to Philip:

"La Blanchotte is a good, honest girl, and upright and steady in spite of her misfortune, and would make a worthy wife for an honest man."

"That is true," remarked the three others.

The smith continued:

"Is it the girl's fault if she went wrong? She had been promised marriage; and I know more than one who is much respected to-day, and who sinned every bit as much."

"That is true," responded the three men in chorus.

He resumed:

"How hard she has toiled, poor thing, to bring up her child all alone, and how she has wept all these years she has never gone out except to church, God only knows."

"This is also true," said the others.

Then nothing was heard but the bellows which fanned the fire of the furnace. Philip hastily bent himself down to Simon:

"Go and tell your mother that I am coming to speak to her this evening." Then he pushed the child out by the shoulders. He returned to his work, and with a single blow the five hammers again fell upon their anvils. Thus they wrought the iron until nightfall, strong, powerful, happy, like contented hammers. But just as the great bell of a cathedral resounds upon feast days above the jingling of the other bells, so Philip's hammer, sounding above the rest, clanged second after second with a deafening uproar. And he stood amid the flying sparks plying his trade vigorously.

The sky was full of stars as he knocked at La Blanchotte's door. He had on his Sunday blouse, a clean shirt, and his beard was trimmed. The young woman showed herself upon the threshold, and said in a grieved tone:

"It is ill to come thus when night has fallen, Mr. Philip."

He wished to answer, but stammered and stood confused before her.

She resumed:

"You understand, do you not, that it will not do for me to be talked about again."

"What does that matter to me, if you will be my wife!"

No voice replied to him, but he believed that he heard in the shadow of the room the sound of a falling body. He entered quickly; and Simon, who had gone to bed, distinguished the sound of a kiss and some words that his mother murmured softly. Then, all at once, he found himself lifted up by the hands of his friend, who, holding him at the length of his herculean arms, exclaimed:

"You will tell them, your schoolmates, that your papa is Philip Remy, the blacksmith, and that he will pull the ears of all who do you any harm."

On the morrow, when the school was full and lessons were about to begin, little Simon stood up, quite pale with trembling lips:

"My papa," said he in a clear voice, "is Philip Remy, the blacksmith, and he has promised to pull the ears of all who does me any harm."

This time no one laughed, for he was very well known, was Philip Remy, the blacksmith, and was a papa of whom any one in the world would have been proud.

End of this Project Gutenberg Etext of Original Short Stories, Vol. 11. by Guy de Maupassant

ORIGINAL SHORT STORIES, Vol. 12.

By Guy de Maupassant

GUY DE MAUPASSANT ORIGINAL SHORT STORIES Translated by ALBERT M. C. McMASTER, B.A. A. E. HENDERSON, B.A. MME. QUESADA and Others

VOLUME XII.

THE CHILD A COUNTRY EXCURSION ROSE ROSALIE PRUDENT REGRET A SISTER'S CONFESSION COCO A DEAD WOMAN'S SECRET A HUMBLE DRAMA MADEMOISELLE COCOTTE THE CORSICAN BANDIT THE GRAVE

THE CHILD

Lemonnier had remained a widower with one child. He had loved his wife devotedly, with a tender and exalted love, without a slip, during their entire married life. He was a good, honest man, perfectly simple, sincere, without suspicion or malice.

He fell in love with a poor neighbor, proposed and was accepted. He was making a very comfortable living out of the wholesale cloth business, and he did not for a minute suspect that the young girl might have accepted him for anything else but himself.

She made him happy. She was everything to him; he only thought of her, looked at her continually, with worshiping eyes. During meals he would make any number of blunders, in order not to have to take his eyes from the beloved face; he would pour the wine in his plate and the water in the salt-cellar, then he would laugh like a child, repeating:

"You see, I love you too much; that makes me crazy."

She would smile with a calm and resigned look; then she would look away, as though embarrassed by the adoration of her husband, and try to make him talk about something else; but he would take her hand under the table and he would hold it in his, whispering:

"My little Jeanne, my darling little Jeanne!"

She sometimes lost patience and said:

"Come, come, be reasonable; eat and let me eat."

He would sigh and break off a mouthful of bread, which he would then chew slowly.

For five years they had no children. Then suddenly she announced to him that this state of affairs would soon cease. He was wild with joy. He no longer left her for a minute, until his old nurse, who had brought him up and who often ruled the house, would push him out and close the door behind him, in order to compel him to go out in the fresh air.

He had grown very intimate with a young man who had known his wife since childhood, and who was one of the prefect's secretaries. M. Duretour would dine three times a week with the Lemonniers, bringing flowers to madame, and sometimes a box at the theater; and often, at the end of the dinner, Lemonnier, growing tender, turning towards his wife, would explain: "With a companion like you and a friend like him, a man is completely happy on earth."

She died in childbirth. The shock almost killed him. But the sight of the child, a poor, moaning little creature, gave him courage.

He loved it with a passionate and sorrowful love, with a morbid love in which stuck the memory of death, but in which lived something of his worship for the dead mother. It was the flesh of his wife, her being continued, a sort of quintessence of herself. This child was her very life transferred to another body; she had disappeared that it might exist, and the father would smother it in with kisses. But also, this child had killed her; he had stolen this beloved creature, his life was at the cost of hers. And M. Lemonnier would place his son in the cradle and would sit down and watch him. He would sit this way by the hour, looking at him, dreaming of thousands of things, sweet or sad. Then, when the little one was asleep, he would bend over him and sob.

The child grew. The father could no longer spend an hour away from him; he would stay near him, take him out for walks, and himself dress him, wash him, make him eat. His friend, M. Duretour, also seemed to love the boy; he would kiss him wildly, in those frenzies of tenderness which are characteristic of parents. He would toss him in his arms, he would trot him on his knees, by the hour, and M. Lemonnier, delighted, would mutter:

"Isn't he a darling? Isn't he a darling?"

And M. Duretour would hug the child in his arms and tickle his neck with his mustache.

Celeste, the old nurse, alone, seemed to have no tenderness for the little one. She would grow angry at his pranks, and seemed impatient at the caresses of the two men. She would exclaim:

"How can you expect to bring a child up like that? You'll make a perfect monkey out of him."

Years went by, and Jean was nine years old. He hardly knew how to read; he had been so spoiled, and only did as he saw fit. He was willful, stubborn and quick-tempered. The father always gave in to him and let him have his own way. M. Duretour would always buy him all the toys he wished, and he fed him on cake and candies. Then Celeste would grow angry and exclaim:

"It's a shame, monsieur, a shame. You are