Ghost Stories of an Antiquary - Montague Rhodes James (best large ebook reader .TXT) 📗

Canon Alberic's treasures, in which every moment revealed something more charming.

'Bless Canon Alberic!' said Dennistoun, who had an inveterate habit of talking to himself. 'I wonder where he is now? Dear me! I wish that landlady would learn to laugh in a more cheering manner; it makes one feel as if there was someone dead in the house. Half a pipe more, did you say? I think perhaps you are right. I wonder what that crucifix is that the young woman insisted on giving me? Last century, I suppose. Yes, probably. It is rather a nuisance of a thing to have round one's neck--just too heavy. Most likely her father has been wearing it for years. I think I might give it a clean up before I put it away.'

He had taken the crucifix off, and laid it on the table, when his attention was caught by an object lying on the red cloth just by his left elbow. Two or three ideas of what it might be flitted through his brain with their own incalculable quickness.

A penwiper? No, no such thing in the house. A rat? No, too black. A large spider? I trust to goodness not--no. Good God! a hand like the hand in that picture!

In another infinitesimal flash he had taken it in. Pale, dusky skin, covering nothing but bones and tendons of appalling strength; coarse black hairs, longer than ever grew on a human hand; nails rising from the ends of the fingers and curving sharply down and forward, grey, horny, and wrinkled.

He flew out of his chair with deadly, inconceivable terror clutching at his heart. The shape, whose left hand rested on the table, was rising to a standing posture behind his seat, its right hand crooked above his scalp. There was black and tattered drapery about it; the coarse hair covered it as in the drawing. The lower jaw was thin--what can I call it?--shallow, like a beast's; teeth showed behind the black lips; there was no nose; the eyes, of a fiery yellow, against which the pupils showed black and intense, and the exulting hate and thirst to destroy life which shone there, were the most horrifying features in the whole vision. There was intelligence of a kind in them--intelligence beyond that of a beast, below that of a man.

The feelings which this horror stirred in Dennistoun were the intensest physical fear and the most profound mental loathing. What did he do? What could he do? He has never been quite certain what words he said, but he knows that he spoke, that he grasped blindly at the silver crucifix, that he was conscious of a movement towards him on the part of the demon, and that he screamed with the voice of an animal in hideous pain.

Pierre and Bertrand, the two sturdy little serving-men, who rushed in, saw nothing, but felt themselves thrust aside by something that passed out between them, and found Dennistoun in a swoon. They sat up with him that night, and his two friends were at St Bertrand by nine o'clock next morning. He himself, though still shaken and nervous, was almost himself by that time, and his story found credence with them, though not until they had seen the drawing and talked with the sacristan.

Almost at dawn the little man had come to the inn on some pretence, and had listened with the deepest interest to the story retailed by the landlady. He showed no surprise.

'It is he--it is he! I have seen him myself,' was his only comment; and to all questionings but one reply was vouchsafed: 'Deux fois je l'ai vu: mille fois je l'ai senti.' He would tell them nothing of the provenance of the book, nor any details of his experiences. 'I shall soon sleep, and my rest will be sweet. Why should you trouble me?' he said.[2]

    [2] He died that summer; his daughter married, and settled at St Papoul. She never understood the circumstances of her father's 'obsession'.

We shall never know what he or Canon Alberic de Mauléon suffered. At the back of that fateful drawing were some lines of writing which may be supposed to throw light on the situation:

    _Contradictio Salomonis cum demonio nocturno. Albericus de Mauléone delineavit. V. Deus in adiutorium. Ps. Qui habitat. Sancte Bertrande, demoniorum effugator, intercede pro me miserrimo. Primum uidi nocte 12(mi) Dec. 1694: uidebo mox ultimum. Peccaui et passus sum, plura adhuc passurus. Dec. 29, 1701_.[3]

    [3] _i.e._, The Dispute of Solomon with a demon of the night. Drawn by Alberic de Mauléon. _Versicle_. O Lord, make haste to help me. _Psalm_. Whoso dwelleth xci.

    Saint Bertrand, who puttest devils to flight, pray for me most unhappy. I saw it first on the night of Dec. 12, 1694: soon I shall see it for the last time. I have sinned and suffered, and have more to suffer yet. Dec. 29, 1701.

    The 'Gallia Christiana' gives the date of the Canon's death as December 31, 1701, 'in bed, of a sudden seizure'. Details of this kind are not common in the great work of the Sammarthani.

I have never quite understood what was Dennistoun's view of the events I have narrated. He quoted to me once a text from Ecclesiasticus: 'Some spirits there be that are created for vengeance, and in their fury lay on sore strokes.' On another occasion he said: 'Isaiah was a very sensible man; doesn't he say something about night monsters living in the ruins of Babylon? These things are rather beyond us at present.'

Another confidence of his impressed me rather, and I sympathized with it. We had been, last year, to Comminges, to see Canon Alberic's tomb. It is a great marble erection with an effigy of the Canon in a large wig and soutane, and an elaborate eulogy of his learning below. I saw Dennistoun talking for some time with the Vicar of St Bertrand's, and as we drove away he said to me: 'I hope it isn't wrong: you know I am a Presbyterian--but I--I believe there will be "saying of Mass and singing of dirges" for Alberic de Mauléon's rest.' Then he added, with a touch of the Northern British in his tone, 'I had no notion they came so dear.'

 

    * * * * *

 

The book is in the Wentworth Collection at Cambridge. The drawing was photographed and then burnt by Dennistoun on the day when he left Comminges on the occasion of his first visit.

 

LOST HEARTS

It was, as far as I can ascertain, in September of the year 1811 that a post-chaise drew up before the door of Aswarby Hall, in the heart of Lincolnshire. The little boy who was the only passenger in the chaise, and who jumped out as soon as it had stopped, looked about him with the keenest curiosity during the short interval that elapsed between the ringing of the bell and the opening of the hall door. He saw a tall, square, red-brick house, built in the reign of Anne; a stone-pillared porch had been added in the purer classical style of 1790; the windows of the house were many, tall and narrow, with small panes and thick white woodwork. A pediment, pierced with a round window, crowned the front. There were wings to right and left, connected by curious glazed galleries, supported by colonnades, with the central block. These wings plainly contained the stables and offices of the house. Each was surmounted by an ornamental cupola with a gilded vane.

An evening light shone on the building, making the window-panes glow like so many fires. Away from the Hall in front stretched a flat park studded with oaks and fringed with firs, which stood out against the sky. The clock in the church-tower, buried in trees on the edge of the park, only its golden weather-cock catching the light, was striking six, and the sound came gently beating down the wind. It was altogether a pleasant impression, though tinged with the sort of melancholy appropriate to an evening in early autumn, that was conveyed to the mind of the boy who was standing in the porch waiting for the door to open to him.

The post-chaise had brought him from Warwickshire, where, some six months before, he had been left an orphan. Now, owing to the generous offer of his elderly cousin, Mr Abney, he had come to live at Aswarby. The offer was unexpected, because all who knew anything of Mr Abney looked upon him as a somewhat austere recluse, into whose steady-going household the advent of a small boy would import a new and, it seemed, incongruous element. The truth is that very little was known of Mr Abney's pursuits or temper. The Professor of Greek at Cambridge had been heard to say that no one knew more of the religious beliefs of the later pagans than did the owner of Aswarby. Certainly his library contained all the then available books bearing on the Mysteries, the Orphic poems, the worship of Mithras, and the Neo-Platonists. In the marble-paved hall stood a fine group of Mithras slaying a bull, which had been imported from the Levant at great expense by the owner. He had contributed a description of it to the _Gentleman's Magazine_, and he had written a remarkable series of articles in the _Critical Museum_ on the superstitions of the Romans of the Lower Empire. He was looked upon, in fine, as a man wrapped up in his books, and it was a matter of great surprise among his neighbours that he should ever have heard of his orphan cousin, Stephen Elliott, much more that he should have volunteered to make him an inmate of Aswarby Hall.

Whatever may have been expected by his neighbours, it is certain that Mr Abney--the tall, the thin, the austere--seemed inclined to give his young cousin a kindly reception. The moment the front-door was opened he darted out of his study, rubbing his hands with delight.

'How are you, my boy?--how are you? How old are you?' said he--'that is, you are not too much tired, I hope, by your journey to eat your supper?'

'No, thank you, sir,' said Master Elliott; 'I am pretty well.'

'That's a good lad,' said Mr Abney. 'And how old are you, my boy?'

It seemed a little odd that he should have asked the question twice in the first two minutes of their acquaintance.

'I'm twelve years old next birthday, sir,' said Stephen.

'And when is your birthday, my dear boy? Eleventh of September, eh? That's well--that's very well. Nearly a year hence, isn't it? I like--ha, ha!--I like to get these things down in my book. Sure it's twelve? Certain?'

'Yes, quite sure, sir.'

'Well, well! Take him to Mrs Bunch's room, Parkes, and let him have his tea--supper--whatever it is.'

'Yes, sir,' answered the staid Mr Parkes; and conducted Stephen to the lower regions.

Mrs Bunch was the most comfortable and human person whom Stephen had as yet met at Aswarby. She made him completely at home; they were great friends in a quarter of an hour: and great friends they remained. Mrs Bunch had been born in the neighbourhood some fifty-five years before the date of Stephen's arrival, and her residence at the Hall was of twenty years' standing. Consequently, if anyone knew the ins and outs of the house and the district, Mrs Bunch knew them; and she was by no means disinclined to communicate her information.

Certainly there were plenty of things about the Hall and the Hall gardens which Stephen, who was of an adventurous and inquiring turn, was anxious to have explained to him. 'Who built the temple at the end of the laurel walk? Who was the old man whose picture hung on the staircase, sitting at a table, with a skull under his hand?' These and many