Castle of Terror - E. J. Liston (best love story novels in english .txt) 📗
- Author: E. J. Liston
- Performer: -
Book online «Castle of Terror - E. J. Liston (best love story novels in english .txt) 📗». Author E. J. Liston
In the ninth frame, Jenkins struck. Griffin stepped up, wiped his right hand carefully against the trousers he had donned, took aim with great care, and sent the ball down the side of the alley. It hooked in nicely and again hit the head pin directly, only this time the six, ten, four and seven pins were left standing. So badly shot was he by the bad break, that he fumbled the ball as he started for his second shot. But he recovered quickly and neatly made the spare, the four pin barely grazing the ten.
The score as they started the tenth frame was 206 for Griffin and 209 for Jenkins.
Jenkins knew he had to mark at the least to win, and a double to make it close if Griffin got a double. Minutes went by while Jenkins made his last sight. Then he took three quick steps and let the ball go. But just as he reached the foul line, Jenkins slipped. The grass had become slick with all the running being done on its surface. And the ball, instead of hooking, went straight in, and left a very bad railroad, the four-ten.
Griffin's sigh of relief was the only sound to break the silence, as Jenkins stepped up for his second shot. He knew there was but one chance to make it, one chance alone.
If he could but get the ball over just right, it could make the four slide over against the ten.
Thunderous roars rent the air, and piping screams of delight, as the giants and the dwarfs saw the dreaded four-ten split made! The strike Jenkins hit for his last shot was an anti-climax. The score stood at 249 for Jenkins.
"Nice shot," Griffin said as he stepped up. "But all I need is a double." He threw, and the ten pins fell. His second ball was also a strike.
"And just to show you how good I am," Griffin declared, as he held the ball for the last throw, "I'm going to make just four pins so you won't feel too bad."
Only he didn't! For what had happened to Jenkins, happened to him. His foot also slipped on the grass, and this time he got three pins. The score was tied.
Suddenly Jenkins sat down, removed his shoes and stood erect. He wasn't going to take a chance on his last ball, for that was the rule on a tie. One ball until the tie was broken, and a strike was just a strike. There was no question of what Jenkins threw the instant he released the ball. Right in the pocket!
Griffin's ball left the hard one, the ten pin. Griffin was still stooped, his hands on his hips and his face forlorn, when Jenkins' hand fell on his shoulder.
"I said I was taking you in, Griffin," Jenkins said. "And come hell or high water, I'm going to."
Griffin shrugged the hand off as he whirled on the other. "Don't be a fool!" he spat. "Do you think we're alive?"
"Rip Van Winkle was," Jenkins said, cryptically. "And I think we are, too."
"He is quite right, my friend," Loti said, as he stepped up to them. "I can send you back, both of you, back to the time and place of your leavetaking. This instant...."
Jenkins felt a wave of blackness wash over him, a terrible wrenching at his innards, and a sudden thrust. He opened his eyes and looked about. There was a pain in his left shoulder, and he could feel a sticky wetness running down his arm. Griffin stood before him, and in Griffin's eyes was a dazed look. Behind Griffin, the door to the pilot's cabin swung crazily. Before Griffin knew what hit him, Jenkins had leaped upon him. It took one blow, a terrific hook to the man's jaw, and Griffin slumped to the floor.
"What happened?" Jenkins asked as the stewardess bandaged his shoulder where Griffin's shot had caught him.
"Why," she said, "he shot, you went backward. Then, and it's the only way I can describe it, you both seemed to freeze up for an instant. The next thing I knew, you had recovered and the fight was over."
But Jenkins knew better. He knew that in those few seconds, space and time had changed for himself and Griffin, and it was a lucky bowling match which had brought them back.
End of the Project Gutenberg EBook of Castle of Terror, by E.J. Liston
*** END OF THIS PROJECT GUTENBERG EBOOK CASTLE OF TERROR ***
***** This file should be named 32876-h.htm or 32876-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/2/8/7/32876/
Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
Comments (0)