The Angels of Mons - Arthur Machen (top 10 non fiction books of all time .txt) 📗

would be fine to sit on the cliffs in the pure sunlight. So he dressed and went out, and climbed up Giltar Point, and sat there enjoying the sweet air and the radiance of the sea, and the sight of the fringe of creaming foam about the grey foundations of St. Margaret's Island. Then he looked beyond and gazed at the new white monastery on Caldy, and wondered who the architect was, and how he had contrived to make the group of buildings look exactly like the background of a mediæval picture.

After about an hour of this and a couple of pipes, Smith confesses that he began to feel extremely drowsy. He was just wondering whether it would be pleasant to stretch himself out on the wild thyme that scented the high place and go to sleep till breakfast, when the mounting sun caught one of the monastery windows, and Smith stared sleepily at the darting flashing light till it dazzled him. Then he felt "queer." There was an odd sensation as if the top of his head were dilating and contracting, and then he says he had a sort of shock, something between a mild current of electricity and the sensation of putting one's hand into the ripple of a swift brook.

Now, what happened next Smith cannot describe at all clearly. He knew he was on Giltar, looking across the waves to Caldy; he heard all the while the hollow, booming tide in the caverns of the rocks far below him, And yet he saw, as if in a glass, a very different country—a level fenland cut by slow streams, by long avenues of trimmed trees.

"It looked," he says, "as if it ought to have been a lonely country, but it was swarming with men; they were thick as ants in an anthill. And they were all dressed in armour; that was the strange thing about it.

"I thought I was standing by what looked as if it had been a farmhouse; but it was all battered to bits, just a heap of ruins and rubbish. All that was left was one tall round chimney, shaped very much like the fifteenth-century chimneys in Pembrokeshire. And thousands and tens of thousands went marching by.

"They were all in armour, and in all sorts of armour. Some of them had overlapping tongues of bright metal fastened on their clothes, others were in chain mail from head to foot, others were in heavy plate armour.

"They wore helmets of all shapes and sorts and sizes. One regiment had steel caps with wide trims, something like the old barbers' basins. Another lot had knights' tilting helmets on, closed up so that you couldn't see their faces. Most of them wore metal gauntlets, either of steel rings or plates, and they had steel over their boots. A great many had things like battle-maces swinging by their sides, and all these fellows carried a sort of string of big metal balls round their waist. Then a dozen regiments went by, every man with a steel shield slung over his shoulder. The last to go by were cross-bowmen."

In fact, it appeared to Delamere Smith that he watched the passing of a host of men in mediæval armour before him, and yet he knew—by the position of the sun and of a rosy cloud that was passing over the Worm's Head—that this vision, or whatever it was, only lasted a second or two. Then that slight sense of shock returned, and Smith returned to the contemplation of the physical phenomena of the Pembrokeshire coast—blue waves, grey St. Margaret's, and Caldy Abbey white in the sunlight.

It will be said, no doubt, and very likely with truth, that Smith fell asleep on Giltar, and mingled in a dream the thought of the great war just begun with his smatterings of mediæval battle and arms and armour. The explanation seems tolerable enough.

But there is the one little difficulty. It has been said that Smith is now Lieutenant Smith. He got his commission last autumn, and went out in May. He happens to speak French rather well, and so he has become what is called, I believe, an officer of liaison, or some such term. Anyhow, he is often behind the French lines.

He was home on short leave last week, and said:

"Ten days ago I was ordered to ——. I got there early in the morning, and had to wait a bit before I could see the General. I looked about me, and there on the left of us was a farm shelled into a heap of ruins, with one round chimney standing, shaped like the 'Flemish' chimneys in Pembrokeshire. And then the men in armour marched by, just as I had seen them—French regiments. The things like battle-maces were bomb-throwers, and the metal balls round the men's waists were the bombs. They told me that the cross-bows were used for bomb-shooting.

"The march I saw was part of a big movement; you will hear more of it before long."

The Bowmen And Other Noble Ghosts

By "The Londoner"

There was a journalist—and the Evening News reader well knows the initials of his name—who lately sat down to write a story.

* *

Of course his story had to be about the war; there are no other stories nowadays. And so he wrote of English soldiers who, in the dusk on a field of France, faced the sullen mass of the oncoming Huns. They were few against fearful odds, but, as they sent the breech-bolt home and aimed and fired, they became aware that others fought beside them. Down the air came cries to St. George and twanging of the bow-string; the old bowmen of England had risen at England's need from their graves in that French earth and were fighting for England.

* *

He said that he made up that story by himself, that he sat down and wrote it out of his head. But others knew better. It must really have happened. There was, I remember, a clergyman of good credit who told him that he was clean mistaken; the archers had really and truly risen up to fight for England: the tale was all up and down the front.

For my part I had thought that he wrote out of his head; I had seen him at the detestable job of doing it. I myself have hated this business of writing ever since I found out that it was not so easy as it looks, and I can always spare a little sympathy for a man who is driving a pen to the task of putting words in their right places. Yet the clergyman persuaded me at last. Who am I that I should doubt the faith of a clerk in holy orders? It must have happened. Those archers fought for us, and the grey-goose feather has flown once again in English battle.

* *

Since that day I look eagerly for the ghosts who must be taking their share in this world-war. Never since the world began was such a war as this: surely Marlborough and the Duke, Talbot and Harry of Monmouth, and many another shadowy captain must be riding among our horsemen. The old gods of war are wakened by this loud clamour of the guns.

* *

All the lands are astir. It is not enough that Asia should be humming like an angry hive and the far islands in arms, Australia sending her young men and Canada making herself a camp. When we talk over the war news, we call up ancient names: we debate how Rome stands and what is the matter with Greece.

* *

As for Greece, I have ceased to talk of her. If I wanted to say anything about Greece I should get down the Poetry Book and quote Lord Byron's fine old ranting verse. "The mountains look on Marathon—and Marathon looks on the sea." But "standing on the Persians' grave" Greece seems in the same humour that made Lord Byron give her up as a hopelessly flabby country.

* *

"'Tis Greece, but living Greece no more" is as true as ever it was. That last telegram of the Kaiser must have done its soothing work. You remember how it ran: the Kaiser was too busy to make up new phrases. He telegraphed to his sister the familiar Potsdam sentence: "Woe to those who dare to draw the sword against me." I am sure that I have heard that before. And he added—delightful and significant postscript!—"My compliments to Tino."

* *

And Tino—King Constantine of the Hellenes—understood. He is in bed now with a very bad cold, and like to stay in bed until the weather be more settled. But before going to bed he was able to tell a journalist that Greece was going quietly on with her proper business; it was her mission to carry civilisation to the world. Truly that was the mission of ancient Greece. What we get from Tino's modern Greece is not civilisation but the little black currants for plum-cake.

* *

But Rome. Greece may be dead or in the currant trade. Rome is alive and immortal. Do not talk to me about Signor Giolitti, who is quite sure that the only things that matter in this new Italy, which is old Rome, are her commercial relations with Germany. Rome of the legions, our ancient mistress and conqueror, is alive to-day, and she cannot be for an ignoble peace. Here in my newspaper is the speech of a poet spoken in Rome to a shouting crowd: I will cut out the column and put it in the Poetry Book.

* *

He calls to the living and to the dead: "I saw the fire of Vesta, O Romans, lit yesterday in the great steel works of Liguria, The fountain of Juturna, O Romans, I saw its water run to temper armour, to chill the drills that hollow out the bore of guns." This is poetry of the old Roman sort. I imagine that scene in Rome: the latest poet of Rome calling upon the Romans in the name of Vesta's holy fire, in the name of the springs at which the Great Twin Brethren washed their horses. I still believe in the power and the ancient charm of noble words. I do not think that Giolitti and the stockbrokers will keep old Rome off the old roads where the legions went.

Postscript

While this volume was passing through the press, Mr. Ralph Shirley, the Editor of "The Occult