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of modern learning."[75] Nor was his sympathy with the reformers any more marked. Besant further adds, "It was at that time all important that, as in England, the scholars should range themselves on the Protestant side. Rabelais refused to do this. More, he set an example which deterred other scholars, and kept them, in sheer impatience, in the enemy's camp."[76]

The great literary work of Rabelais is embodied in a series of chronicles, the first of which is called "Gargantua" and the second, "Pantagruel." It is believed that these were popular names of giants in the Middle Ages. In these books we find Rabelais's pedagogy.[77] The giant Gargantua attends a school in which scholastic methods are employed. The author skillfully ridicules the methods, and shows the utter inefficiency of the instruction by contrasting the result in Gargantua and Eudemon, a page of the king. Gargantua, a man of fifty-five, is introduced to Eudemon, a boy of twelve. The former is awkward, bashful, and does not know what to say, while the latter meets Gargantua cap in hand, with open countenance, ruddy lips, steady eyes, and with modesty becoming a youth. In reply to the polite and intelligent conversation of the lad, Gargantua "falls to crying like a cow, casting down his face, and hiding it with his cap." Compayré says, "In these two pupils, so different in manner, Rabelais has personified two contrasted methods of education: that which, by mechanical exercises of memory, enfeebles and dulls the intelligence; and that which, with large grants of liberty, develops intelligences and frank and open characters."

The deficiencies of the old education (the scholastic) being thus shown, Rabelais places his pupil under Ponocrates, Eudemon's teacher, who has produced such practical results. He then opens up his system of pedagogy in the plan pursued for the redemption of Gargantua.

Realism in Education.—Compayré's estimate of this pedagogy is as follows: "The pedagogy of Rabelais is the first appearance of what may be called realism in instruction, in distinction from the scholastic formalism. The author of 'Gargantua' turns the mind of the young man toward objects truly worthy of occupying his attention. He catches a glimpse of the future reserved to scientific education, and to the study of nature. He invites the mind, not to the labored subtleties and complicated tricks which scholasticism had brought into fashion, but to manly efforts, and to a wide unfolding of human nature."[78]

In comparing Rabelais with Lucretius, Walter Besant says, "Both, at an interval of fifteen hundred years, anticipated the nineteenth century in its restless discontent of old beliefs, its fearless questioning, its advocacy of scientific research."[79] Compayré thinks that Rabelais is "certainly the first, in point of time, of that grand school of educators who place the sciences in the first rank among the studies of human thought."[80] It would seem, then, that the author of "Gargantua" is worthy of a most honorable place among educational writers. Rabelais began a movement, which was destined to revolutionize educational methods.

The educational scheme of Rabelais embraced the study of letters, of nature, of science, of morals and religion, of the physical well-being,—in short, of everything necessary, as Herbert Spencer would say, to complete living.


MONTAIGNE[81] (1533-1592)

Of a very different character from Rabelais was Montaigne. Rabelais was radical and extravagant, Montaigne conservative and discreet; Rabelais sought development of all the faculties alike, Montaigne gave preference to the training of the judgment; Rabelais would thoroughly master every branch of human knowledge, Montaigne was content to skim over the sciences. And yet, Montaigne must be recognized as an important factor in education, not only for his own teachings, but because undoubtedly Bacon, Locke, Rousseau, and other apostles of reform were greatly influenced by him. Bacon furthered Montaigne's theories concerning the importance of science, and by his inductive method rendered the world a far greater service than his great French contemporary. Locke enlarged upon Montaigne's ideas of physical training. Rousseau accepted a vital doctrine of Montaigne in the following words: "He (Émile) possesses a universal capacity, not in point of actual knowledge, but in the faculty of acquiring it; an open, intelligent genius adapted to everything, and, as Montaigne says, if not instructed, capable of receiving instruction."

Montaigne's father was a French nobleman, who fully appreciated the responsibility laid upon him in the education of his son. Doubtless his training had much to do in shaping the pedagogy of the illustrious son. It was wise, mild but firm, natural, and thorough. The tutors and servants who surrounded him were allowed to speak only in Latin. That tongue thus became as familiar as his native tongue. Indeed, it is said, that at the age of six he was so proficient in the language of Cicero, that the best Latinists of the time feared to address him. Nor was his knowledge confined to Latin alone. He was instructed in modern lore as well. At the age of six he was placed in the college of Guienne, where he remained seven years. His experience there, so contrary to that under which he had been brought up, led him to be utterly opposed to corporal punishment. Of the methods of discipline employed in the school, he says, "The discipline of most of our colleges has always displeased me. They are veritable jails in which youth is held prisoner. The pupils are made vicious by being punished before they become so. Pay a visit there when they are at their work; you will hear nothing but cries,—children under execution, and masters drunk with fury. What a mode of creating in these tender and timid souls an appetite for their lessons, to conduct them to their tasks with a furious countenance, rod in hand!—it is an iniquitous and pernicious fashion. How much more becoming it would be to see the classroom strewed with leaves and flowers than with blood-stained stumps of birch rods! I would have painted up there scenes of joy and merriment, Flora and the Graces, as Speusippus had his school of philosophy: where they are to gain profit, there let them find happiness too. One ought to sweeten all food that is wholesome, and put bitter into what is dangerous."[82]

Here we find a strong plea for humane forms of punishment and a severe criticism of the prevailing practice of flogging, a practice which did not cease until long after Montaigne's time. It is an equally forcible plea for beautiful and pleasant schoolrooms, decorated with works of art intended to awaken and cultivate the aesthetic sense of the children, while contributing to their happiness. It has been left to the educators of the end of the nineteenth century to take up and seriously act upon this suggestion made over three hundred years ago. "The purpose of education," said Montaigne, "is the training, not of a grammarian, or a logician, but of a complete gentleman." Education should be of a practical nature. The child must become familiar with the things about him. He must learn his own language first and then that of his neighbors, and languages should all be learned by conversation.

A decided weakness in his system is found in his ideas concerning women. He made no provision for their education, and, indeed, expressed great contempt for their abilities of either mind or heart.

Montaigne's chief literary work is his "Essays." Compayré pronounces Montaigne's pedagogy, "a pedagogy of good sense," and further adds that he has "remained, after three centuries, a sure guide in the matter of intellectual education."

Observation and experience were to be abundantly employed, and visits to other lands, together with intercourse with intelligent men everywhere, were to "sharpen our wits by rubbing them upon those of others."

To sum up, we may say that the pedagogy of Montaigne teaches the training and use of the senses; the study of science; the learning of the mother tongue first by conversation, and then the language of our neighbors with whom we come in contact; the abolition of corporal punishment, and the beautifying of schoolrooms. This surely is no small contribution to education. His definition of education is worthy of note. He says, "It is not the mind only, nor the body, but the whole man that is to be educated."[83]

Summary of Educational Progress during the Sixteenth Century.—1. Humanism had reached its climax and begun to decline. It stimulated invention and discovery; it revived classic literature and put it in such form that it could be used; it emancipated the mind; it prepared the way for later reforms; it produced great educators such as Petrarch, Erasmus, and Reuchlin.

2. The Reformation took up the educational work of humanism, and carried it forward. It instituted primary education, the education of the masses, compulsory education and parental responsibility therefor; it asserted the right and duty of the State to demand and secure universal education; it elevated and gave dignity to the office of teacher; it formulated several school systems, and laid the foundation of the present German school system. Among its great educators were Luther, Melanchthon, Sturm, and Neander.

3. The Jesuits established a remarkable system of schools, noted for their thoroughness, for their singleness of purpose, for their rapid growth, and for their trained teachers. They gave little attention to primary education, but sought to reach the higher classes. Emulation was the principal incentive employed.

4. Opposed to the Jesuit education was that of the Port Royalists. They appealed to the intelligence of the children and cultivated the sense-perceptions. They invented the phonic method of spelling.

5. Sturm's celebrated course of study was introduced during this century at Strasburg.

6. The method of double translations in learning a language was taught by Ascham and Sturm.

7. In Rabelais we find the first appearance of realism, which bore rich fruit in later scientific education.

8. Montaigne opposed the use of the rod, and taught that the schoolroom should be made attractive. He also advocated the study of modern languages by conversation, and gave science an honorable place in the curriculum.

It thus appears that the sixteenth century surpassed many previous eras in its contributions to educational progress.

FOOTNOTES:

[73] H. M. Skinner, "The Schoolmaster in Literature," p. 20.

[74] For special reference see Besant's "Rabelais."

[75] "Rabelais," 192.

[76] Ibid., 193.

[77] "Schoolmaster in Comedy and Satire," 9-33.

[78] "History of Pedagogy," p. 91.

[79] "Rabelais," p. 187.

[80] "History of Pedagogy," p. 96.

[81] See Collins, "Montaigne."

[82] Collins, "Montaigne," p. 14.

[83] A good summary of Montaigne's educational ideas may be found in Collins's "Montaigne," p. 102.






CHAPTER XXXII EDUCATION DURING THE SEVENTEENTH CENTURY


Literature.Taylor, History of Germany; Guizot, History of Civilization; Schiller, The Thirty Years' War; Dyer, Modern Europe; Lewis, History of Germany; Macaulay, History of England.

Political and Historical Conditions.—The seventeenth century was remarkable for the wars for religious supremacy. The Reformation had challenged the authority of the Church, aroused a questioning spirit, and instilled into men's minds a love for religious liberty. During the latter half of the sixteenth century, Europe had swayed back and forth between Protestantism and Catholicism, according as success in arms had favored one side or the other. The spirit of Protestantism had taken possession more especially of the common people, who formed the bone and sinew of the

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