The Silent House - Fergus Hume (book recommendations website txt) 📗

daughter said came from over-study, but which I discovered afterwards was due to habitual indulgence in morphia and other drugs. His daughter watched him closely, and—not having a will of his own by reason of his weak brain—he submitted passively to her guidance. I heard by a side wind that Vrain was rich, and had a splendid mansion in the country; so I hinted to Lydia that as it seemed difficult to get her a young husband, it would be better for her to marry a rich old one. At that time Lydia was in love with, and almost engaged to, Count Ercole Ferruci, a penniless Italian nobleman, who courted my pretty girl less for her beauty than for her supposed wealth. When I suggested that Lydia should marry Vrain, she refused at first to entertain the idea; but afterwards, seeing that the man was old and weak, she thought it would be a good thing as his wife to inherit his money, and then, as his widow, to marry Ferruci. I think, also, that the pointed dislike which Diana Vrain manifested for us both—although I am bound to say she hated Lydia more than she did me—had a great deal to do with my daughter marrying Vrain. However, the end of it was that Lydia broke off her engagement with Ferruci—and very mad he was at losing her—and married Mark Vrain in Florence.

"After the marriage the old man, who at that time was quite infatuated with Lydia, made a will leaving her his assurance money of £20,000, but the house near Bath, and the land, he left to Diana. I am bound to say that Lydia behaved very well in this matter, as she could have had all the money and land, but she was content with the assurance money, and did not rob Diana Vrain of her birthright. Yet Diana hated her, and still hates her; but I ask any one who reads this confession if my dear Lyddy is not the better woman of the two? Who dares to say that such a sweet girl is guilty of the crimes she is charged with?

"Well, the marriage took place, and we all journeyed home to Berwin Manor; but here things went from bad to worse. Old Vrain took again to his morphia, and nothing would restrain him; then Lydia and Diana fought constantly, and each wished the other out of the house. I tried to keep the peace, and blamed Lyddy—who is no saint, I admit—for the way in which she was treating Diana. With Miss Vrain I got on very well, and tried to make things easy for her; but in the end the ill-will between her and my Lydia became so strong that Diana left the house, and went out to Australia to live with some relatives.

"So Lydia and I and old Vrain were left alone, and I thought that everything would be right. So it would have been if Lydia had not put matters wrong again by inviting Ferruci over to stay. But she would insist upon doing so, and although I begged and prayed and commanded her not to have so dangerous a man in the house, she held her own; and in the face of my remonstrances, and those of her husband, Count Ferruci came to stay with us.

"From the moment he entered the house there was nothing but trouble. Vrain became jealous, and, mad with drugs he took, often treated Lydia with cruelty and violence, and she came to me for protection. I spoke to Vrain, and he insulted me, wishing to turn me out of the house; but for Lydia's sake I remained. Then a Miss Tyler came to stay, and falling in love with Count Ferruci, grew jealous of Lydia, and made trouble with Vrain. The end of it was that after a succession of scenes, in which the old man behaved like the lunatic he was, he left the house, and not one of us knew where he went to. That was the last Lydia saw of her husband.

"After that trouble I insisted that Count Ferruci should leave the house; also Miss Tyler. They both did, but came back at times to pay Lydia a visit. We tried to find Vrain, but could not, as he had vanished altogether. Ferruci, I saw, was in love with Lydia, and she with him, but neither the one nor the other hinted at a future marriage should Vrain die. I do not say that Lydia was a fond wife to Vrain, but he treated her so badly that he could not expect her to be; and I dare say I am the one to blame all through, as I made Lydia marry Vrain when she loved Ferruci. But I did it all for the best, so as to get money for my dear girl; and if it has turned out for the worst, my inordinate affection for my child is to blame. All I have done has been for Lydia's sake; all Ferruci did was for Lydia's sake, as he truly loved her; but I swear by all that I hold most holy that Lydia knew not how either of us was working to secure her happiness. Well, Ferruci is dead, and I am in jail, so we have paid in full for our wickedness.

"I had no idea of getting rid of Vrain until one day Ferruci took me aside and told me that he had found Vrain at Salisbury. He stated that the man was still taking morphia, but in spite of his excesses had so strong a constitution that it appeared he would live for many years. The Count then said that he loved Lydia dearer than life, and wished to marry her if Vrain could be got out of the way. I cried out against murder being done, as I never entertained such an idea for a moment; but Ferruci denied that he wished to harm the man. He wanted him put away in a lunatic asylum, and when I asked him how even then he could marry Lydia, he suggested his scheme of substituting a sickly and dying man for Vrain. The scheme—which was entirely invented by the Count—was as follows:

"Ferruci said that in a minor London theatre he had seen an actor called Clear, who was wonderfully like Vrain, save that he had no scar on the cheek, and had a moustache, whereas Vrain was always clean-shaved. He had made the acquaintance of the actor—Michael Clear was his full name—and of his wife. They proved to be hard up and mercenary, so Ferruci had no difficulty in gaining over both for his purpose. For a certain sum of money (which was to be paid to Mrs. Clear when her husband was dead and the Count, married to Lydia, was possessed of the assurance money) Clear agreed to shave off his moustache and personate Vrain. Ferruci, who was something of a chemist, created by means of some acid a scar on Clear's cheek like that on Vrain's, so that he resembled my son-in-law in every way save that he had lost one little finger.

"Ferruci wanted me to join him in the conspiracy so that I could watch Clear impersonating Vrain, while he himself kept his eye on the real Vrain, who was to be received into Mrs. Clear's house at Bayswater and passed off as her husband. All Mrs. Clear wanted was the money, as—long since wearied of her drunken husband—she did not care if he lived or died. Clear, on his part, knowing that he could not live long, was quite willing to play the part of Vrain on condition that he had plenty to eat and drink, and could live in idleness and luxury. His wishes in this direction cost us a pretty penny, as he bought everything of the best.

"To this plot I refused consent until I saw how Vrain was: so when Ferruci brought him from Salisbury—where he was hiding—to London, I had an interview with him. He proved to be so stupefied with drugs that he hardly knew me, so, seeing that my Lydia would get no good out of her life by being tied to such a husband, I determined that I would assist Ferruci, on the understanding, of course, that Vrain was to be well looked after in every way. We agreed that when Clear died, and his body was identified as Vrain's, that the real man should be put in an asylum, which was—and I am sure every one will agree with me—the best place for him.

"All this being arranged, I went out to look for a house in a secluded part of the town, in which Clear—under the name of Berwin—should live until he died as Vrain. I did not wish to see about the house in my new character, lest I should be recognised, if there was any trouble over the assurance money; to complicate matters, I determined to disguise myself as the real Vrain. Of course, Clear personated Vrain as Lydia had last seen him, that is, clean-shaven, and neat in his dress. But the real Vrain, neglecting his personal appearance, had cultivated a long, white beard, and wore a black velvet skull-cap to conceal a baldness which had come upon him. I disguised myself in this fashion, therefore, and went to Pimlico under the name of Wrent."

CHAPTER XXXII THE CONFESSION (Continued)

"In Geneva Square, Pimlico, I found the house I wanted. It was No. 13, and was said to be haunted, as cries had been heard in it at night, and lights had been seen flitting from window to window when no one was in the house. I looked at it without entering, or calling on the landlord, and then I went into Jersey Street to see the back. The house in the same section with it was kept by a Mrs. Bensusan, who took in lodgers. Her rooms were vacant, and as it suited me very well that I should be a neighbour to Clear, I took the rooms. They proved—as I shall explain—better for our purpose than I was aware of.

"When I told Ferruci of my discovery, he gave Clear money and made him hire the house and furnish two rooms for himself. I supplied the money. In this way Clear, calling himself Berwin, which was the name of Vrain's house in the country, came to live in Pimlico. We also removed the real Vrain to Mrs. Clear's at Bayswater, and he passed as her husband. So weak were his brains, and so cowed was his spirit, that there was no difficulty in keeping him in the house, and the neighbours were told merely that Clear was ill.

"For my part, I took up my abode in Jersey Street under the name of Wrent, and met Clear outside on occasions when it was necessary for me to see him; but I never entered the house—for obvious reasons.

"I was constantly afraid lest Clear, in his drunken fits—for he was always more or less drunk—should reveal our secret, and I took as my bedroom an apartment in Mrs. Bensusan's out of the window of which I could overlook the back of No. 13. One night, when I was watching, I saw a dark figure glide into Mrs. Bensusan's yard and climb over the fence, only to disappear. I was terribly alarmed, and wondering what was wrong, I put on my clothes and hurried downstairs into the yard. Also I climbed over the fence into the yard of No. 13. Here I could not see where the figure had disappeared to, as the doors and windows at the back of the house were all locked. I could not conjecture who the woman was—for it was a woman I