My Tropic Isle - Edmund James Banfield (little bear else holmelund minarik .txt) 📗

the coral garden with mischievous recklessness.

The sounds of this most stilly night are almost wholly of the faintly pulsing sea--sibilant and soft. Twice have the big-eyed stone plovers piped demoniacally. Once there were flutterings among the nutmeg pigeons in the star-proof jungle of the crowded inlet to the south. A cockatoo has shrieked out in dismay at some grim nightmare of a snake. Two swamp pheasants have assured each other in bell-like cadences that the night is far spent, and all is well.

As the moon sinks a ghostly silence prevails. Even the subdued tones of the sea are hushed. Though I listen with aching intentness no sense of sound comes to my relief. Thus must it be to be bereft of hearing. This death-like pause, this awful blank, this tense, anxious lapse, this pulseless, stifling silence is brief. A frail moan, just audible, comes from the direction of the vanishing moon. There is a scarcely perceptible stir in the warm air--a sensation of coming coolness rather than of motion, and a faint odour of brine. A mile out across the channel a black band has settled on the shining water.

How entrancing these night-tinted sights and soft sounds! While I loll and peer and listen I am alert and still, for the primitive passions of the universe are shyly exercised. To be sensitive to them all the faculties must be acutely strained. With this lisping, coaxing, companionable sea the serene and sparkling sky, the glow beyond the worlds, the listening isles--demure and dim--the air moist, pacific and fragrant--what concern of mine if the smoky messenger from the stuffy town never comes? This is the quintessence of life. I am alive at last. Such keen tingling, thrilling perceptions were never mine before. Now do I realise the magnificent, the prodigious fact of being. Mine not only a part in the homely world, but a fellowship with the glorious firmament.

It is night--the thoughtful, watchful, wakeful, guardian night, with no cloud to sully its tremulous radiance. How pretty a fable, I reflect, would the ancients have associated with the Southern Cross, shimmering there in the serene sky! Dare I, at this inspiring moment, attempt what they missed, merely because they lacked direct inspiration? Those who once lived in Egypt saw the sumptuous southern jewel, and it may again glitter vainly for the bewilderment of the Sphinx if the lazy world lurches through space long enough. Yes, let me invent a myth--and not tell it, but rather think of the origin of the Milky Way and so convince myself of the futility of modern inventions.

Juno's favourite flowers were, it is written, the dittany (a milk-like plant), the flaunting poppy, and the fragrant lily. Once, as she slept, Jupiter placed the wonderfully begotten Hercules to her alien, repugnant breasts. Some of the milk dripped and as it fell was dissipated in the heavens--and there is the Milky Way. Other drops reached the earth and, falling on the lily, which hitherto had been purple, purified it to whiteness. In similar guise might the legend of the Southern Cross be framed--but who has the audacity to reveal it! And have not the unimaginative blacks anticipated the stellar romance?

As I gaze into those serene and capricious spaces separating the friendly stars I am relieved of all consciousness of sense of duration. Time was not made for such ecstasies, which are of eternity. The warm sand nurses my body. My other self seeks consolation among the planets.


"Thin huge stage presenteth naught but show
Whereon the stars in secret influence comment."


A grey mist masks the winding of a mainland river. Isolated blotches indicate lonely lagoons and swamps where slim palms and lank tea-trees stand in crowded, whispering ranks knee-deep in dull brown water. The mist spreads. Black hilltops are as islands jutting out from a grey supermundane sea.

Come! Let me bid defiance to this clumsy dragon of vapour worming its ever-lengthening, ever-widening tail out from the close precincts of a mangrove creek. Shock-headed it rolls and squirms. Soft-headed, too, for the weakest airs knead and mould it into ever-varying shapes. Now it has a lolling, impudent tongue--a truly unruly member, wagging disrespectfully at the decent night. Now a perky top-knot, and presently no head at all. Lumbering, low-lying, cowardly--a plaything, a toy, a mockery, a sport for the wilful zephyrs. Now it lifts a bully head as it creeps unimpeded across the sea and spreads, infinitely soft, all-encompassing. As if by magic the mainland is blotted out. The sea is dark and death-like, the air clammy, turgid, and steamy. Heavy vapour settles upon the hills of the Island, descending slowly and with the passivity of fate, until there is but a thin stratum of clear air between the gloomy levels and the portentous pall.

Lesser islands to the south are merely cloud-capped. This lower level with blurred and misty edges may not be further compressed, but the air is warm, thick, sticky, and so saturated with vegetable odours that even the salt of the sea has lost its savour.

A low, quavering whistle heralds the approach of a nervous curlew, running and pausing, and stamping, its script--an erratic scrawl of fleurs-de-lis--on the easy sand. Halting on the verge of the water, it furtively picks up crabs as if it were a trespasser, conscious of a shameful or wicked deed and fearful of detection. It is not night nor yet quite day, but this keen-eyed, suspicious bird knows all the permanent features of the sand-spit. The crouching, unaccustomed shape bewilders it; it pipes inquiringly, stops, starts with quick, agitated steps, snatches a crab--a desperate deed--and flies off with a penetrating cry of warning.

A long-billed shore plover takes up the alarm, and blunderingly races towards instead of from me, whimpering "plin, plin" as it passes and, still curious though alert, steps and bobs and ducks--all its movements and flight impulsive and staccato.

The grey mist whitens. A luminous patch indicates the east. The light increases. The cumbersome vapour is sopped up by the sun, and the coo-hooing of many pigeons makes proclamation of the day. Detached and erratic patches of ripples appear--tiptoe touches of sportful elves tripping from the isles to the continent, whisking merrily, the faintest flicks of dainty toes making the glad sea to smile. Parcelled into shadows, bold, yet retreating, the dimness of the night, purple on the glistening sea, stretches from the isles towards the long, orange-tinted beach.

Let there be no loitering of the shadows. The gloomy isles have changed from black to purple and from purple to blue, and as the imperious sun flashes on the mainland a smudge of brown, blurred and shifting, in the far distance--the only evidence of the existence of human schemes and agitations--the only stain on the celestial purity of the morning--betokens the belated steamer for the coming of which the joy-giving watches of the tropic night have been kept.


CHAPTER VIII



READING TO MUSIC

"Silence was pleased."


As I lounged at mine ease on the veranda, serenely content with the pages of a favourite author, I became conscious of an unusual sound-vague, continuous, rhythmic. Disinclined to permit my thoughts to wander from the text, at the back of my mind a dim sensation of uneasiness, almost of resentment, because of the slight audible intrusion betrayed itself. Close, as firmly as I could, my mental ear the sound persisted externally, softly but undeniably. Having overcome the first sensation of uneasiness, I studied the perfect prose without pausing to reflect on the origin of the petty disturbance. In a few minutes the annoyance--if the trivial distraction deserved so harsh an epithet--changed, giving place to a sense of refined pleasure almost as fatal to my complacency, for it compelled me to think apart. What was this new pleasure? Ah! I was reading to an accompaniment--a faint, far-off improvisation just on the verge of silence, too scant and elusive for half-hearted critical analysis.

This reading of delightful prose, while the tenderest harmony hummed in my cars, was too rare to be placidly enjoyed. Frail excitement foreign to the tranquil pages could not be evaded. The most feeble and indeterminate of sounds, those which merely give a voice to the air eventually, quicken the pulse.

An eloquent and learned man says that the mechanical operation of sounds in quickening the circulation of the blood and the spirits has more effect upon the human machine than all the eloquence of reason and honour. So the printed periods became more sonorous, the magic of the words more vivid. The purified meaning of the author, the exaltation he himself must have felt, were realised with a clearer apprehension. But the very novelty of the emotional undertaking drew me reluctantly from that which was becoming a lulling musical reverie.

Still, fain to read, but with the niceties of the art embarrassed, I began to question myself. Whence this pleasant yet provoking refrain? Not of the sea, for a glassy calm had prevailed all day; not of the rain which pattered faintly on the roof. This sound phantom that determinedly beckoned me from my book--whence, and what was it?

Listening attentively and alert, the mystery of it vanished. It was the commotion, subdued by the distance of three-quarters of a mile, of thousands of nutmeg pigeons--a blending of thousands of simultaneous "coo-hoos" with the rustling and beating of wings upon the thin, slack strings of casuarinas. The swaying and switching of the slender-branched and ever-sighing trees with the courageous notes of homing birds had created the curious melody with which my reading had fallen into tune.

And the sound was audible at one spot only. The acoustic properties of the veranda condensed and concentrated it within a narrow area, beyond which was silence. Chance had selected this aerial whirlpool for my reading.

Again taking my ease, the mellow "roaring" of the multitude of gentle doves commingling with the aeolian blandness of trees swinging under the weight of the restless birds, became once more an idealistic accompaniment to the book. I read, or rather declaimed inarticulately, to the singularly pleasing strain until light and sound failed--the one as softly and insensibly as the other. I had enjoyed a new sensation.

Relieved of the agreeable pressure of the text, my thoughts turned to the consideration of bird voices--more to the notes of pigeons, their variety and range. There are sounds, little in volume and rather flat than sharp, rather moist than dry, which seem to carry farther under favouring atmospheric conditions than louder and more acute noises. The easy contours of soothing sounds created in the air seem to resemble the lazy swell of the sea; while fleeter though less sustained noises may be compared to jumpy waves caused by a smart breeze. Pitched in a minor key sounds roll along with little friction and waste, whereas a louder, shriller stinging note may find in the still air a less pliant medium. The cooing of pigeons--a sound of low velocity--has a longer range than the shrieking of parrots. My pet echo responds to an undertone. A loud and prolonged yell jars on its sensitiveness--for it is a shy echo, little used to abrupt and boisterous disturbances. A boy boo-hooting into an empty barrel soon catches the key to which it responds. He adjusts his rhythms to those of the barrel, which becomes for the time being his butt. "Straining harsh discords and unpleasing sharps," he girds at its acoustic soul until it finds responsive voice and grunts or babbles or bellows in consonance with his. Only when the vibrations--subdued or lusty--correspond with the vocal content of the barrel are the responses sensitive and in accord. On this stilly, damp evening the air in the corner of the veranda