Your United States - Arnold Bennett (e books free to read .TXT) 📗

you begin to recover your speech you will be struck dumb again....

Other houses, as has been seen, provide good meals for their employees at cost price. This house, then, will provide excellent meals, free of charge! It will install the most expensive kitchens and richly spacious restaurants. It will serve the delicate repasts with dignity. "Does all this lessen the wages?" No, not in theory. But in practice, and whether the management wishes or not, it must come out of the wages. "Why do you do it?" you ask the departmental chief, who apparently gets far more fun out of the contemplation of these refectories than out of the contemplation of premiums received and claims paid. "It is better for the employees," he says. "But we do it because it is better for us. It pays us. Good food, physical comfort, agreeable environment, scientific ventilation--all these things pay us. We get results from them." He does not mention horses, but you feel that the comparison is with horses. A horse, or a clerk, or an artisan--it pays equally well to treat all of them well. This is one of the latest discoveries of economic science, a discovery not yet universally understood.

I say you do not mention horses, and you certainly must not hint that the men in authority may have been actuated by motives of humanity. You must believe what you are told--that the sole motive is to get results. The eagerness with which all heads of model establishments would disavow to me any thought of being humane was affecting in its _naivete_; it had that touch of ingenuous wistfulness which I remarked everywhere in America--and nowhere more than in the demeanor of many mercantile highnesses. (I hardly expect Americans to understand just what I mean here.) It was as if they would blush at being caught in an act of humanity, like school-boys caught praying. Still, to my mind, the white purity of their desire to get financial results was often muddied by the dark stain of a humane motive. I may be wrong (as people say), but I know I am not (as people think).

The further you advance into the penetralia of this arch-exemplar of American organization and profusion, the more you are amazed by the imaginative perfection of its detail: as well in the system of filing for instant reference fifty million separate documents, as in the planning of a concert-hall for the diversion of the human machines.

As we went into the immense concert-hall a group of girls were giving an informal concert among themselves. When lunch is served on the premises with chronographic exactitude, the thirty-five minutes allowed for the meal give an appreciable margin for music and play. A young woman was just finishing a florid song. The concert was suspended, and the whole party began to move humbly away at this august incursion.

"Sing it again; do, please!" the departmental chief suggested. And the florid song was nervously sung again; we applauded, the artiste bowed as on a stage, and the group fled, the thirty-five minutes being doubtless up. The departmental chief looked at me in silence, content, as much as to say: "This is how we do business in America." And I thought, "Yet another way of getting results!"

But sometimes the creators of the organization, who had provided everything, had been obliged to confess that they had omitted from their designs certain factors of evolution. Hat-cupboards were a feature of the women's offices--delightful specimens of sound cabinetry. And still, millinery was lying about all over the place, giving it an air of feminine occupation that was extremely exciting to a student on his travels. The truth was that none of those hats would go into the cupboards. Fashion had worsted the organization completely. Departmental chiefs had nothing to do but acquiesce in this startling untidiness. Either they must wait till the circumference of hats lessened again, or they must tear down the whole structure and rebuild it with due regard to hats.

Finally, we approached the sacred lair and fastness of the president, whose massive portrait I had already seen on several walls. Spaciousness and magnificence increased. Ceilings rose in height, marble was softened by the thick pile of carpets. Mahogany and gold shone more luxuriously. I was introduced into the vast antechamber of the presidential secretaries, and by the chief of them inducted through polished and gleaming barriers into the presence-chamber itself: a noble apartment, an apartment surpassing dreams and expectations, conceived and executed in a spirit of majestic prodigality. The president had not been afraid. And his costly audacity was splendidly justified of itself. This man had a sense of the romantic, of the dramatic, of the fit. And the qualities in him and his _etat major_ which had commanded the success of the entire enterprise were well shown in the brilliant symbolism of that room's grandiosity.... And there was the president's portrait again, gorgeously framed.

He came in through another door, an old man of superb physique, and after a little while he was relating to me the early struggles of his company. "My wife used to say that for ten years she never saw me," he remarked.

I asked him what his distractions were, now that the strain was over and his ambitions so gloriously achieved. He replied that occasionally he went for a drive in his automobile.

"And what do you do with yourself in the evenings?" I inquired.

He seemed a little disconcerted by this perhaps unaccustomed bluntness.

"Oh," he said, casually, "I read insurance literature."

He had the conscious mien and manners of a reigning prince. His courtesy and affability were impeccable and charming. In the most profound sense this human being had succeeded, for it was impossible to believe that, had he to live his life again, he would live it very differently.

Such a type of man is, of course, to be found in nearly every country; but the type flourishes with a unique profusion and perfection in the United States; and in its more prominent specimens the distinguishing idiosyncrasy of the average American successful man of business is magnified for our easier inspection. The rough, broad difference between the American and the European business man is that the latter is anxious to leave his work, while the former is anxious to get to it. The attitude of the American business man toward his business is pre-eminently the attitude of an artist. You may say that he loves money. So do we all--artists particularly. No stock-broker's private journal could be more full of dollars than Balzac's intimate correspondence is full of francs. But whereas the ordinary artist loves money chiefly because it represents luxury, the American business man loves it chiefly because it is the sole proof of success in his endeavor. He loves his business. It is not his toil, but his hobby, passion, vice, monomania--any vituperative epithet you like to bestow on it! He does not look forward to living in the evening; he lives most intensely when he is in the midst of his organization. His instincts are best appeased by the hourly excitements of a good, scrimmaging commercial day. He needs these excitements as some natures need alcohol. He cannot do without them.

On no other hypothesis can the unrivaled ingenuity and splendor and ruthlessness of American business undertakings be satisfactorily explained. They surpass the European, simply because they are never out of the thoughts of their directors, because they are adored with a fine frenzy. And for the same reason they are decked forth in magnificence. Would a man enrich his office with rare woods and stuffs and marbles if it were not a temple? Would he bestow graces on the environment if while he was in it the one idea at the back of his head was the anticipation of leaving it? Watch American business men together, and if you are a European you will clearly perceive that they are devotees. They are open with one another, as intimates are. Jealousy and secretiveness are much rarer among them than in Europe. They show off their respective organizations with pride and with candor. They admire one another enormously. Hear one of them say enthusiastically of another: "It was a great idea he had--connecting his New York and his Philadelphia places by wireless--a great idea!" They call one another by their Christian names, fondly. They are capable of wonderful friendships in business. They are cemented by one religion--and it is not golf. For them the journey "home" is often not the evening journey, but the morning journey. Call this a hard saying if you choose: it is true. Could a man be happy long away from a hobby so entrancing, a toy so intricate and marvelous, a setting so splendid? Is it strange that, absorbed in that wondrous satisfying hobby, he should make love with the nonchalance of an animal? At which point I seem to have come dangerously near to the topic of the singular position of the American woman, about which everybody is talking....


V


TRANSIT AND HOTELS

The choice of such a trite topic as the means of travel may seem to denote that my observations in the United States must have been superficial. They were. I never hoped that they would be otherwise. In seven weeks (less one day) I could not expect to penetrate very far below the engaging surface of things. Nor did I unnaturally attempt to do so; for the evidence of the superficies is valuable, and it can only be properly gathered by the stranger at first sight. Among the scenes and phenomena that passed before me I of course remember best those which interested me most. Railroads and trains have always appealed to me; I have often tried to express my sense of their romantic savor. And I was eager to see and appreciate these particular manifestations of national character in America.

It happily occurred that my first important journey from New York was on the Pennsylvania Road.

"I'll meet you at the station," I said to my particular friend.

"Oh no!" he answered, positively. "I'll pick you up on my way."

The fact was that not for ten thousand dollars would he have missed the spectacle of my sensations as I beheld for the first time the most majestic terminus in the world! He alone would usher me into the gates of that marvel! I think he was not disappointed. I frankly surrendered myself to the domination of this extraordinary building. I did not compare. I knew there could be no comparison. Whenever afterward I heard, as I often did, enlightened, Europe-loving citizens of the United States complain that the United States was all very well, but there was no art in the United States, the image of this tremendous masterpiece would rise before me, and I was inclined to say: "Have you ever crossed Seventh Avenue, or are you merely another of those who have been to Europe and learned nothing?" The Pennsylvania station is full of the noble qualities that fine and heroic imagination alone can give. That there existed a railroad man poetic and audacious enough to want it, architects with genius powerful enough to create it, and a public with heart enough to love it--these things are for me a surer proof that the American is a great race than the existence of any quantity of wealthy universities, museums of classic art, associations for prison reform, or deep-delved safe-deposit vaults crammed with bonds. Such a monument does not spring up by chance; it is part of the slow flowering of a nation's secret spirit!

The terminus emerged brilliantly from an examination of the complicated detail, both esthetic and practical, that is embedded in the apparent