Unbeaten Tracks in Japan - Isabella Lucy Bird (best historical biographies .txt) 📗
- Author: Isabella Lucy Bird
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These villages are full of shops. There is scarcely a house which does not sell something. Where the buyers come from, and how a profit can be made, is a mystery. Many of the things are eatables, such as dried fishes, 1.5 inch long, impaled on sticks; cakes, sweetmeats composed of rice, flour, and very little sugar; circular lumps of rice dough, called mochi; roots boiled in brine; a white jelly made from beans; and ropes, straw shoes for men and horses, straw cloaks, paper umbrellas, paper waterproofs, hair-pins, tooth- picks, tobacco pipes, paper mouchoirs, and numbers of other trifles made of bamboo, straw, grass, and wood. These goods are on stands, and in the room behind, open to the street, all the domestic avocations are going on, and the housewife is usually to be seen boiling water or sewing with a baby tucked into the back of her dress. A lucifer factory has recently been put up, and in many house fronts men are cutting up wood into lengths for matches. In others they are husking rice, a very laborious process, in which the grain is pounded in a mortar sunk in the floor by a flat-ended wooden pestle attached to a long horizontal lever, which is worked by the feet of a man, invariably naked, who stands at the other extremity.
In some women are weaving, in others spinning cotton. Usually there are three or four together--the mother, the eldest son's wife, and one or two unmarried girls. The girls marry at sixteen, and shortly these comely, rosy, wholesome-looking creatures pass into haggard, middle-aged women with vacant faces, owing to the blackening of the teeth and removal of the eyebrows, which, if they do not follow betrothal, are resorted to on the birth of the first child. In other houses women are at their toilet, blackening their teeth before circular metal mirrors placed in folding stands on the mats, or performing ablutions, unclothed to the waist. Early the village is very silent, while the children are at school; their return enlivens it a little, but they are quiet even at play; at sunset the men return, and things are a little livelier; you hear a good deal of splashing in baths, and after that they carry about and play with their younger children, while the older ones prepare lessons for the following day by reciting them in a high, monotonous twang. At dark the paper windows are drawn, the amado, or external wooden shutters, are closed, the lamp is lighted before the family shrine, supper is eaten, the children play at quiet games round the andon; and about ten the quilts and wooden pillows are produced from the press, the amado are bolted, and the family lies down to sleep in one room. Small trays of food and the tabako-bon are always within reach of adult sleepers, and one grows quite accustomed to hear the sound of ashes being knocked out of the pipe at intervals during the night. The children sit up as late as their parents, and are included in all their conversation.
I never saw people take so much delight in their offspring, carrying them about, or holding their hands in walking, watching and entering into their games, supplying them constantly with new toys, taking them to picnics and festivals, never being content to be without them, and treating other people's children also with a suitable measure of affection and attention. Both fathers and mothers take a pride in their children. It is most amusing about six every morning to see twelve or fourteen men sitting on a low wall, each with a child under two years in his arms, fondling and playing with it, and showing off its physique and intelligence. To judge from appearances, the children form the chief topic at this morning gathering. At night, after the houses are shut up, looking through the long fringe of rope or rattan which conceals the sliding door, you see the father, who wears nothing but a maro in "the bosom of his family," bending his ugly, kindly face over a gentle-looking baby, and the mother, who more often than not has dropped the kimono from her shoulders, enfolding two children destitute of clothing in her arms. For some reasons they prefer boys, but certainly girls are equally petted and loved. The children, though for our ideas too gentle and formal, are very prepossessing in looks and behaviour. They are so perfectly docile and obedient, so ready to help their parents, so good to the little ones, and, in the many hours which I have spent in watching them at play, I have never heard an angry word or seen a sour look or act. But they are little men and women rather than children, and their old-fashioned appearance is greatly aided by their dress, which, as I have remarked before, is the same as that of adults.
There are, however, various styles of dressing the hair of girls, by which you can form a pretty accurate estimate of any girl's age up to her marriage, when the coiffure undergoes a definite change. The boys all look top-heavy and their heads of an abnormal size, partly from a hideous practice of shaving the head altogether for the first three years. After this the hair is allowed to grow in three tufts, one over each ear, and the other at the back of the neck; as often, however, a tuft is grown at the top of the back of the head. At ten the crown alone is shaved and a forelock is worn, and at fifteen, when the boy assumes the responsibilities of manhood, his hair is allowed to grow like that of a man. The grave dignity of these boys, with the grotesque patterns on their big heads, is most amusing.
Would that these much-exposed skulls were always smooth and clean! It is painful to see the prevalence of such repulsive maladies as scabies, scald-head, ringworm, sore eyes, and unwholesome-looking eruptions, and fully 30 per cent of the village people are badly seamed with smallpox.
LETTER X--(Completed)
Shops and Shopping--The Barber's Shop--A Paper Waterproof--Ito's Vanity--Preparations for the Journey--Transport and Prices--Money and Measurements.
I have had to do a little shopping in Hachiishi for my journey. The shop-fronts, you must understand, are all open, and at the height of the floor, about two feet from the ground, there is a broad ledge of polished wood on which you sit down. A woman everlastingly boiling water on a bronze hibachi, or brazier, shifting the embers about deftly with brass tongs like chopsticks, and with a baby looking calmly over her shoulders, is the shopwoman; but she remains indifferent till she imagines that you have a definite purpose of buying, when she comes forward bowing to the ground, and I politely rise and bow too. Then I or Ito ask the price of a thing, and she names it, very likely asking 4s. for what ought to sell at 6d. You say 3s., she laughs and says 3s. 6d.; you say 2s., she laughs again and says 3s., offering you the tabako- bon. Eventually the matter is compromised by your giving her 1s., at which she appears quite delighted. With a profusion of bows and "sayo naras" on each side, you go away with the pleasant feeling of having given an industrious woman twice as much as the thing was worth to her, and less than what it is worth to you!
There are several barbers' shops, and the evening seems a very busy time with them. This operation partakes of the general want of privacy of the life of the village, and is performed in the raised open front of the shop. Soap is not used, and the process is a painful one. The victims let their garments fall to their waists, and each holds in his left hand a lacquered tray to receive the croppings. The ugly Japanese face at this time wears a most grotesque expression of stolid resignation as it is held and pulled about by the operator, who turns it in all directions, that he may judge of the effect that he is producing. The shaving the face till it is smooth and shiny, and the cutting, waxing, and tying of the queue with twine made of paper, are among the evening sights of Nikko.
Lacquer and things curiously carved in wood are the great attractions of the shops, but they interest me far less than the objects of utility in Japanese daily life, with their ingenuity of contrivance and perfection of adaptation and workmanship. A seed shop, where seeds are truly idealised, attracts me daily. Thirty varieties are offered for sale, as various in form as they are in colour, and arranged most artistically on stands, while some are put up in packages decorated with what one may call a facsimile of the root, leaves, and flower, in water-colours. A lad usually lies on the mat behind executing these very creditable pictures--for such they are--with a few bold and apparently careless strokes with his brush. He gladly sold me a peony as a scrap for a screen for 3 sen. My purchases, with this exception, were necessaries only--a paper waterproof cloak, "a circular," black outside and yellow inside, made of square sheets of oiled paper cemented together, and some large sheets of the same for covering my baggage; and I succeeded in getting Ito out of his obnoxious black wide-awake into a basin-shaped hat like mine, for, ugly as I think him, he has a large share of personal vanity, whitens his teeth, and powders his face carefully before a mirror, and is in great dread of sunburn. He powders his hands too, and polishes his nails, and never goes out without gloves.
To-morrow I leave luxury behind and plunge into the interior, hoping to emerge somehow upon the Sea of Japan. No information can be got here except about the route to Niigata, which I have decided not to take, so, after much study of Brunton's map, I have fixed upon one place, and have said positively, "I go to Tajima." If I reach it I can get farther, but all I can learn is, "It's a very bad road, it's all among the mountains." Ito, who has a great regard for his own comforts, tries to dissuade me from going by saying that I shall lose mine, but, as these kind people have ingeniously repaired my bed by doubling the canvas and lacing it into holes in the side poles, {9} and as I have lived for the last three days on rice, eggs, and coarse vermicelli about the thickness and colour of earth-worms, this prospect does not appal me! In Japan there is a Land Transport Company, called Riku-un-kaisha, with a head-office in Tokiyo, and branches in various towns and villages. It arranges for the transport of travellers and merchandise by pack-horses and coolies at certain fixed rates, and gives receipts in due form. It hires the horses from the farmers, and makes a moderate profit on each transaction, but saves the traveller from difficulties, delays, and extortions. The prices vary considerably in different districts, and are regulated by the price of forage, the state of the roads, and the number of hireable horses. For a ri, nearly 2.5 miles, they charge from 6 to 10 sen for a horse and the man who leads it, for a kuruma with one man from 4
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