The Altar Fire - Arthur Christopher Benson (the chimp paradox txt) 📗

the qualities themselves have their limitations. Two people may grow up under almost precisely similar influences, and yet remain different to the end; two characters may be placed in difficult and bracing circumstances; the effect upon one character is to train the quality of self-reliance, on the other to produce a moral collapse. Some people do their growing early and then stop altogether, becoming impervious to new opinions and new influences. Some people go on growing to the end.

If one develops one side of one's nature, as the intellectual or artistic, one probably suffers on the emotional or moral side. The pain which the perceptive man feels in surveying this process is apt to be very acute. He may see that he lacks certain qualities altogether and yet be unable to develop them. He may find in himself some patent and even gross fault, and be unable to cure it. The only hope for any of us is that we do not know the expansive force of our qualities, nor the size of the box; and therefore it is reasonable to go on trying and desiring; and as long as one can do that, it is clear that there is still room for growth. The worst shadow of all is to find, as one goes on, a certain indifference creeping over one. One accepts a fault as a part of one's nature; one ceases to care about what appears unattainable.

It may be said that this is a fatalistic theory, and leads to a mild inactivity; but the question rather is whether it is true, whether it is attested by experience. One improves, not by overlooking facts, in however generous and enthusiastic a spirit, but by facing facts, and making the best use one can of them. One must resolutely try to submit oneself to favourable conditions, fertilising influences. And much more must one do that in the case of those for whom one is responsible. In the case of my own two children, for instance, my one desire is to surround them with the best influences I can. Even there one makes mistakes, no doubt, because one cannot test the expansive power of their qualities; but one can observe the conditions under which they seem to develop best, and apply them. To lavish love and tenderness on some children serves to concentrate their thoughts upon themselves, and makes them expect to find all difficulties smoothed away; on other more generous natures, it produces a glow of responsive gratitude and affection, a desire to fulfil the hopes formed of them by those who love them. The most difficult cases of all are the cases of temperaments without loyal affection, but with much natural charm. Those are the people who get what is called 'spoilt,' because it is so much easier to believe in the existence of qualities which are superficially displayed than in qualities which lie too deep for facile expression. One comes across cases of children of intense emotional natures, and very little power of expressing their feelings, or of showing their affection. Of course, too, example is far more potent than precept, and it is very difficult for parents to simulate a high-mindedness and an affectionateness that they do not themselves possess, even if they are sincerely anxious that their children should grow up high-minded and affectionate. One of the darkest shadows of my present condition is the fear that any revelation of my own weakness and emptiness may discourage and distort my children's characters; and the watchfulness which this requires increases the strain under which I suffer, because it is a hard fact that an example set for a noble and an unselfish motive is not nearly so potent as an example set naturally, sweetly, and generously, with no particular consciousness of motive behind it at all.


July 18, 1889.


I have just heard of the sudden death of an old friend. Francis Willett was a writer of some distinction, whose acquaintance I made in my first years in London. He was a tall, slim man, dark of complexion, who would have been called very handsome, if it had not been for a rather burdened air that he wore. As it was, people tended rather to pity him, and to speak of him as somewhat of a mystery. I never knew anything about the background of his life. He must have had some small means of his own, and he lived in rooms, in rather an out-of-the-way street near Regent's Park. One used to see him occasionally in London, walking rapidly, almost always alone, and very rarely I encountered him at parties, always wearing a slightly regretful air, as though he were wishing himself away. He wrote a good deal, reviewed books, and, I suppose, contrived to make enough to live on by his pen. He once spoke of himself as being in the happy position of being able to exist without writing, but forced to purchase all small luxuries by work. He published two or three books of short stories and sketches of travel, delicate pieces of work, which had no great sale, but gave him a recognised position among men of letters. I drifted into a kind of friendship with him; we were members of the same club, and he sometimes used to flutter shyly into my rooms like a great moth; but he never asked me to his quarters.

I discovered that he had done well at Oxford, and also that he had once, at all events, had considerable ambitions; but his health was not strong, he was extremely sensitive, and very fastidious about the quality of his work. I realised this on an occasion when he once entrusted me with a MS., and asked me if I would give him an opinion, as it was an experiment, and he did not feel sure of his ground; he added that there was no hurry about it. I put the MS. away in a despatch-box, and having at the time a press of work, I forgot about it. He never asked me for it, and I did not happen to open the box where it lay. Some months after I came upon it. I read it through, and thought it a fine and delicate piece of work. I wrote to him, apologising for my delay and speaking warmly of the piece, which was one of those rather uncomfortable stories, which is not quite long enough to make a book, and yet rather too long to put in a volume with other pieces. He wrote at once, thanking me for my opinion, and it was only by accident at a later date, when I happened to ask him what he was doing with the story, that he told me he had destroyed it. I expressed deep regret that he had done so; and he said with a smile that it was probably rather a foolish impulse that had decided him to make away with it. "The fact is," he said, "that you wrote very kindly about it, but you had had it in your hands so long, that I felt somehow that it could not have interested you--it really doesn't matter," he added, "I don't think it was at all successful." I apologised very humbly, and explained the circumstances. "Oh, please don't blame yourself in any way," he said, "I have not the least shadow of resentment in my mind about it. There is something wrong about my work; it doesn't interest people. I suppose it is that I can't let myself go." An interesting conversation followed, and he told me more than he ever told me before or since about himself. He confessed to being so critical of his own work, that his table-drawers were full of unfinished MSS. His usual experience was to begin a piece of work enthusiastically; to plan it all out, and to work at first with zest. "Then it begins to get all out of shape," he said, "there is no go about it; it all loses itself in subtleties and complexities of motive; one thing trips up another, and at last it all gets so tangled that I put it aside; if I could follow the track of one strong and definite emotion, it would be all right--but I am like the man in the story who changes the cow for the horse, and the horse for the pig, and the pig for the grindstone; and then the grindstone rolls into the river." He seemed to take it all very philosophically, and I ventured to say so. "Yes," he said, "I have learnt at last that that is how I am made; but I have been through a good many agonies of disgust and discouragement about it in old days--it is the same with everything I have touched. The bits of work that I have completed have all been done in a rush--if the mood lasts long enough, I am all right--and once or twice it has just lasted. I am like a swimmer," he went on, "who can only swim a certain distance; and if I judge the distance rightly, I can reach the point I desire to reach; but I generally judge the distance wrong; and half-way across I am seized with a sudden fright, and struggle back in terror."

By one of the strange coincidences that sometimes happen in this world, I took an unknown lady in to dinner a few days afterwards, and happened to mention Willett's name. "Do you know him?" she said. "Oh yes, of course you do!" she went on; "you are the Mr. S---- of whom he has spoken to me." I found that my neighbour was a distant relation of Willett's, and she told me a good deal about him. He was absolutely alone in the world; he had been left an orphan at an early age, and had spent his holidays with guardians and relations, with any one who would take pity on him. "He was a clever kind of boy," she said, "melancholy and diffident, always thinking that people disliked him. He used to give me the air of a person who was trying to find something, and who did not quite know where to look for it. He had a time of expansion at Oxford, where he made friends and did well; and then he came to London, and began to write. But the real tragedy of his life is this," she said. "He really fell in love, or as nearly as he could, with a very pretty and high-spirited girl, who took a great fancy to him, and pitied him from the bottom of her heart. For five years the thing went on. She would have married him at any time if he had asked her. But he did not. I suppose he could not face the idea of being married. He always seemed to be on the point of proposing to her, and then he would lose heart at the last minute. At last she got tired of waiting, and, I suppose, began to care for some one else; but she was very good to Francis, and never lost patience with him. At last she told him one day quietly that she was engaged, and hoped that they would always remain friends. I think, do you know, that it was almost more a relief to him than otherwise. I did my best to help him--marriage was the one thing he wanted; if he could only have been pushed into it, he would have made a perfect husband, because not only is he very much of a gentleman, but he could never bear to fail any one who depended on him; but he has got the unhappiest mind I know; the moment that he has formed a plan, and sees his way clear, he at once begins