Due North or Glimpses of Scandinavia and Russia - Maturin Murray Ballou (best books to read all time .txt) 📗

the Crimean war that finally broke his proud self-reliance. He died, it is said, of a broken heart on the 2d of March, 1855.

Before leaving the subject of St. Isaac's Cathedral, let us refer to its interior, which is very beautiful, and to us seemed in far better taste than the gaudy though costly embellishments of the Spanish and Italian churches. The Greek religion banishes all statues, while it admits of paintings in the churches, as also any amount of chasing, carving, and gilding. The various columns of malachite and lapis-lazuli, together with the abundant mosaic and bronze work, are characterized by exquisite finish. The many life-size portraits of the disciples and saints in the former material present an infinite artistic detail. The small circular temple which forms the inmost shrine was the costly gift of Prince Demidof, who is the owner of the malachite mines of Siberia. The steps are of porphyry, the floor of variegated marble, the dome of malachite, and the walls of lapis-lazuli,--the whole being magnificently gilded. The intrinsic value of this unequalled shrine is estimated at a million dollars. Many others of the superb decorations of the interior are the gifts of wealthy citizens of St. Petersburg. The numerous battle-trophies which enter into the decoration of the interior of this cathedral seemed to us a little incongruous, though quite common in this country, and indeed in other parts of Europe. The banners of England, France, Turkey, and Germany are mingled together, telling the story of Russia's struggles upon the battlefield and of her victories. The keys of captured fortresses are also seen hanging in clusters upon the walls, flanked here and there by a silver lamp burning dimly before some pictured saint. The cost of constructing and furnishing St. Isaac's was over fifteen million dollars.

All art decorations and objects of _virtu_ which one finds in Russia seem to partake of other and various nationalities, a fact which is perhaps easily accounted for. The Empire is located between the East and the West, and has derived her tastes and art productions from both, as the influence of Asia and Europe are mingled everywhere. Assyria, China, India, Greece, Byzantium, France, and England, all contribute both artists and materials to adorn the Russian palaces, churches, and public buildings. The more practical Americans first built her railroads and first established her now famous machine-shops. Of originality there is very little; all is borrowed, as it were. There is no such thing as Russian art pure and simple; and yet over the broad territory which forms the dominion of the Tzar, we know there have been in the past centuries large, self-dependent communities, who must have been more or less skilled in the various arts, but of whom we know only what may be gathered from half-obliterated ruins of temples and of tombs. The obscurity which envelops the early periods of Russian history is well known to be more impenetrable than that of nearly any other civilized region of the globe. If there can be said to be a Russian style of architecture, it is a conglomerate, in which the Byzantine predominates, brought hither from Constantinople with Christianity.

St. Petersburg is not without its triumphal arches. Two very noble and elaborate structures of this character connect the city with its most important territories,--the one on the road to Narva, the other on that leading to Moscow. The first named is specially noticeable, and was built to commemorate the victorious return of the Russian troops in 1815. The arch is supported by lofty metal columns, and surmounted by a triumphal car drawn by six bronze horses, which have never made a journey abroad like those in the piazza of St. Mark. In the car is a colossal figure of Victory crowned with a laurel wreath and holding emblems of war.


CHAPTER XIII.


The Winter Palace. -- The Hermitage and its Riches. -- An Empress and her Fancies. -- A Royal Retreat. -- Russian Culture. -- Public Library. -- The Summer Garden. -- Temperature of the City. -- Choosing of the Brides. -- Peter's Cottage. -- Champ de Mars. -- Academy of Fine Arts. -- School of Mines. -- Precious Stones. -- The Imperial Home at Peterhoff. -- Curious and Interesting Buildings. -- Catherine's Oak. -- Alexander III. at Parade. -- Description of the Royal Family. -- Horse-Racing. -- The Empress's Companions.


Only Rome and Constantinople contain so many imperial residences as does St. Petersburg, within whose borders we recall twelve. Some idea may be formed of the size of the Winter Palace, from the fact that when in regular occupancy it accommodates six thousand persons connected with the royal household. With the exception of the Vatican and that at Versailles, it is the largest habitable palace in the world, and is made up of suites of splendid apartments, corridors, reception saloons, banqueting rooms, galleries, and halls. Among them is the Throne Room of Peter the Great, the Empress's Reception-Room, the Grand Drawing-Room, Hall of St. George, the Ambassadors' Hall, the Empress's Boudoir, and so on. The gem of them all, however, is the Salle Blanche, so called because the decorations are all in white and gold, by which an almost aerial lightness and fascination of effect is produced. It is in this apartment that the court fetes take place; and it may safely be said that no royal entertainments in Europe quite equal those given within the walls of the Winter Palace. One becomes almost dazed by the glare of gilt and bronze, the number of columns of polished marble and porphyry, the gorgeous hangings, the carpets, mosaics, mirrors, and candelabra. Many of the painted ceilings are wonderfully perfect in design and execution; while choice works of art are so abundant on all hands as to be confusing. The famous Banqueting Hall measures two hundred feet in length by one hundred in breadth. As we came forth from the grand entrance upon the square, it was natural to turn and scan the magnificent facade as a whole, and to remember that from the gates of this palace Catherine II. emerged on horseback, with a drawn sword in her hand, to put herself at the head of her army.

The Hermitage, of which the world has read and heard so much, is a spacious building adjoining the Winter Palace, with which it is connected by a covered gallery, and is of itself five hundred feet long. It is not, as its name might indicate, a solitude, but a grand and elaborate palace in itself, built by Catherine II. for a picture-gallery, a museum, and a resort of pleasure. It contains to-day one of the largest as well as the most precious collections of paintings in the world, not excepting those of Rome, Florence, or Paris. The catalogue shows twenty originals by Murillo, six by Velasquez, sixty by Rubens, thirty-three by Vandyke, forty by Teniers, the same number by Rembrandt, six by Raphael, and many by other famous masters. The Spanish collection, so designated, was sold to the Russian Government by the late King of Holland. The more modern French and Dutch schools are also well represented in this collection, particularly the latter. Among the many pieces of antique sculpture in the halls devoted to statuary, is the remarkable Venus known as the Venus of the Hermitage, found at Castle Gandolfo, and which is favorably compared by professional critics to the Venus di Medici. The series of Greek and Etruscan vases, with many superb examples of malachite from Siberia (over one thousand in all), are quite unequalled elsewhere, and embrace the famous vase of Cumae from the Campana collection, as well as the silver vase of Nicopol and the golden vase of Kertch. The treasury of gems exhibited to the visitor is believed to be the finest and most valuable collection in the world. It includes the well-known Orlof diamond, whose history is as interesting as that of the Kohinoor (Mountain of Light), now in the English Royal Treasury, and which it exceeds in weight by a little over eight carats. This brilliant stone was bought by Count Orlof for the Empress Catherine of Russia, and is considered to have an intrinsic value of about eight hundred thousand dollars. The intimate relation of Russia with Persia and India in the past has made her the recipient of vast treasures in gems; while of late years the mines of the Urals, within her own territory, have proved an exhaustless Fortunatus's purse. The interior of the Hermitage is decorated with Oriental luxuriance tempered by Western refinement. The gilding is brilliant, the frescos elaborate to the last degree, and the masses of amber, lapis-lazuli, gold, silver, and precious gems are a never-ending surprise. Here are also preserved the private libraries that once belonged to Zimmermann, Voltaire, and Diderot, besides those of several other men of letters. There is a Royal Theatre under the same roof, where plays used to be performed by amateurs from the court circles for the gratification of the Empress Catherine, the text of which was not infrequently written by herself.

The Empress indulged her royal fancy to its full bent in the use she made of the Hermitage. On the roof was created a marvellous garden planted with choicest flowers, shrubs, and even trees of considerable size. This conservatory was heated in winter by subterranean fires, and sheltered by glass from the changeable weather at all times. At night these gardens were illumined by fancy-colored lamps; and report says that in the artificial groves and beneath the screen of tropical plants scenes not quite decorous in a royal household were often enacted. The will of the Empress was law; no one might question the propriety of her conduct. Famous men from far and near became her guests, musicians displayed their special talents, and various celebrities their wit. With all her recklessness, dissipation, and indelicacy, Catherine II. was a woman of great intellectual power and of keen insight, possessing remarkable business capacity. Well has she been called the Semiramis of the North. One evidence of her practical character was evinced by her promotion of emigration from foreign countries. By liberal gratuities transmitted through her diplomatic agents in Western Europe, she induced artisans and farmers to remove to her domain, and placing these people in well-selected centres did much towards civilizing the semi-barbarous hordes over whom she ruled. The visitor to the Academy of Arts at St. Petersburg will not fail to regard with interest a fine original portrait of the Empress, representing a woman of commanding presence, with a large handsome figure, big gray eyes, and blooming complexion.

Among other royal residences the Marble Palace erected by Catherine for Prince Gregory Orlof stands but a short distance from the Hermitage eastward. The Castle of St. Michael situated near the Fontanka Canal was built by the Emperor Paul; and here he met his sanguinary death. This structure is magnificently decorated. Close at hand on the canal is the modern Michael Palace, before which Alexander II. fell shattered by a Nihilist bomb on the 13th day of March, 1881. Fortunately it also killed the miserable assassin who threw it. The Taurida Palace presented by Catherine to her favorite Potemkin is still a wonder of elegance, and is considered an object of much interest to strangers, to whom it is freely shown at the expense of the usual gratuities, though it is now occupied by an humble branch of the imperial family. The ball-room is of enormous proportions: here the musicians were originally suspended in the chandeliers! When this gorgeous apartment was fully prepared for a public entertainment, it required twenty thousand candles to light it properly. The Amirtchkoff Palace situated on the Nevsky Prospect is a favorite town residence of the Emperor Alexander III. To the newly arrived visitor it would