Travels in China - Sir John Barrow (drm ebook reader .TXT) 📗

The manufacture of silks has been established in China at a period so remote, as not to be ascertained from history; but the time when the cotton plant was first brought from the northern parts of India into the southern provinces of China is known, and noticed in their annals. That species of the cotton plant, from which is produced the manufacture usually called nankin cotton, is said to loose its peculiar yellow tint in the course of two or three years when cultivated in the southern provinces, owing, in all probability, to the great heat of the weather and continued sunshine. I have raised this particular species at the Cape of Good Hope where, upon the same plant, as well as on others produced from its seed, the pods were as full and the tint of as deep a yellow in the third year as in the first. As is generally the case in most of their manufactures, those of silk and cotton do not appear to have lately undergone progressive improvement. The want of proper encouragement from the government, and the rigid adherence to ancient usage, have rendered indeed all their fabrics stationary.

Of all the mechanical arts that in which they seem to have attained the highest degree of perfection is the cutting of ivory. In this branch they stand unrivalled, even at Birmingham, that great nursery of the arts and manufactures where, I understand, it has been attempted by means of a machine to cut ivory fans and other articles, in imitation of those of the Chinese; but the experiment, although ingenious, has not hitherto succeeded to that degree, so as to produce articles fit to vie with those of the latter. Nothing can be more exquisitely beautiful than the fine open work displayed in a Chinese fan, the sticks of which would seem to be singly cut by the hand, for whatever pattern may be required, or a shield with coat of arms, or a cypher, the article will be finished according to the drawing at the shortest notice. The two outside sticks are full of bold sharp work, undercut in such a manner as could not be performed any other way than by the hand. Yet the most finished and beautiful of these fans may be purchased at Canton for five to ten Spanish dollars[19]. Out of a solid ball of ivory, with a hole in it not larger than half an inch in diameter, they will cut from nine to fifteen distinct hollow globes, one within another, all loose and capable of being turned round in every direction, and each of them carved full of the same kind of open work that appears on the fans. A very small sum of money is the price of one of these difficult trifles. Models of temples, pagodas, and other pieces of architecture, are beautifully worked in ivory; and from the shavings, interwoven with pieces of quills, they make neat baskets and hats, which are as light and pliant as those of straw. In short, all kinds of toys for children, and other trinkets and trifles, are executed in a neater manner and for less money in China, than in any other part of the world.

The various uses, to which that elegant species of reed called the bamboo is applied, would require a volume to enumerate. Their chairs, their tables, their skreens, their bedsteads and bedding, and many other household moveables, are entirely constructed of this hollow reed, and some of them in a manner sufficiently ingenious and beautiful. It is used on board ships for poles, for sails, for cables, for rigging, and for caulking. In husbandry for carts, for wheelbarrows, for wheels to raise water, for fences, for sacking to hold grain, and a variety of other utensils. The young shoots furnish an article of food; and the wicks of their candles are made of its fibres. It serves to embellish the garden of the prince, and to cover the cottage of the peasant. It is the instrument, in the hand of power, that keeps the whole empire in awe. In short, there are few uses to which a Chinese cannot apply the bamboo, either entire or split into thin laths, or further divided into fibres to be twisted into cordage, or macerated into a pulp to be manufactured into paper.

That "there is nothing new under the sun," was the observation of a wise man in days of yore. Impressed with the same idea an ingenious and learned modern author[20] has written a book to prove, that all the late discoveries and inventions of Europe were known to the ancients. The discovery of making paper from straw, although new, perhaps, in Europe, is of very ancient date in China. The straw of rice and other grain, the bark of the mulberry-tree, the cotton shrub, hemp, nettles, and various other plants and materials, are employed in the paper manufactories of China, where sheets are prepared of such dimensions, that a single one may be had to cover the whole side of a moderate sized room. The finer sort of paper for writing upon has a surface as smooth as vellum, and is washed with a strong solution of alum to prevent the ink from sinking. Many old persons and children earn a livelihood by washing the ink from written paper, which, being afterwards beaten and boiled to a paste, is re-manufactured into new sheets; and the ink is also separated from the water, and preserved for future life. To this article of their manufacture the arts in our own country owe so many advantages, that little requires to be said in its favour. The Chinese, however, acknowledge their obligations to the Coreans for the improvements in making ink, which, not many centuries ago, were received from them.

As to the art of printing, there can be little doubt of its antiquity in China, yet they have never proceeded beyond a wooden block. The nature, indeed, of the character is such, that moveable types would scarcely be practicable. It is true, the component parts of the characters are sufficiently simple and few in number; but the difficulty of putting them together upon the frame, into the multitude of forms of which they are capable, is perhaps not to be surmounted.

Like the rest of their inventions the chain-pump which, in Europe, has been brought to such perfection as to constitute an essential part of ships of war and other large vessels, continues among the Chinese nearly in its primitive state, the principal improvement since its first invention consisting in the substitution of boards or basket-work for wisps of straw. Its power with them has never been extended beyond that of raising a small stream of water up an inclined plane, from one reservoir to another, to serve the purposes of irrigation. They are of different sizes, some worked by oxen, some by treading in a wheel, and others by the hand.

The great advantages attainable from the use of mechanical powers are either not understood or, purposely, not employed. In a country of such vast population, machinery may perhaps be considered as detrimental especially as, at least, nine-tenths of the community must derive their subsistence from manual labour. It may be a question, not at all decided in their minds, whether the general advantages of facilitating labour, and gaining time by means of machinery, be sufficient to counterbalance the individual distress that would, for a time, be occasioned by the introduction of such machinery. Whatever the reason may be, no such means are to be met with in the country. Among the presents that were carried out for the Emperor were an apparatus for the air pump, various articles for conducting a set of experiments in electricity, and the models of a complete set of mechanical powers placed upon a brass pillar. The Emperor, happening to cast his eye upon them, enquired of the eunuch in waiting for what they were intended. This mutilated animal, although he had been daily studying the nature and use of the several presents, in order to be able to say something upon them when they should be exhibited to his master, could not succeed in making his Imperial Majesty comprehend the intention of the articles in question. "I fancy," says the old monarch, "they are meant as playthings for some of my great grandchildren."

The power of the pulley is understood by them, and is applied on board all their large vessels, but always in a single state; at least, I never observed a block with more than one wheel in it. The principle of the lever should also seem to be well known, as all their valuable wares, even silver and gold, are weighed with the steelyard: and the tooth and pinion wheels are used in the construction of their self-moving toys, and in all their rice-mills that are put in motion by a water wheel. But none of the mechanical powers are applied on the great scale to facilitate and to expedite labour. Simplicity is the leading feature in all their contrivances that relate to the arts and manufactures. The tools of every artificer are of a construction the most simple that it should seem possible to make them, and yet each tool is so contrived as to answer several purposes. Thus, the bellows of the blacksmith, which is nothing more than a hollow cylinder of wood, with a valvular piston, beside blowing the fire, serves for his seat when set on end, and as a box to contain the rest of his tools. The barber's bamboo basket, that contains his apparatus, is also the seat for his customers. The joiner makes use of his rule as a walking stick, and the chest that holds his tools serves him as a bench to work on. The pedlar's box and a large umbrella are sufficient for him to exhibit all his wares, and to form his little shop.

Little can be said in favour of the state of the fine arts in this country. Of their poetry, modern and ancient, I have given a specimen; but I think it right once more to observe that, with regard to Asiatic compositions, Europeans cannot form a proper judgment, and more especially of those of the Chinese, which, to the mysterious and obscure expressions of metaphor, add the disadvantage of a language that speaks but little to the ear; a whole sentence, or a combination of ideas, being sometimes shut up in a short monosyllable, whose beauties are most studiously addressed to the sense of seeing alone.

Of the other two sister arts, painting and music, a more decided opinion may be passed. Of the latter I have little to observe. It does not seem to be cultivated as a science: it is neither learned as an elegant accomplishment, nor practiced as an amusement of genteel life, except by those females who are educated for sale, or by such as hire themselves out for the entertainment of those who may be inclined to purchase their favours. And as the Chinese differ in their ideas from all other nations, these women play generally upon wind instruments, such as small pipes and flutes; whilst the favourite instrument of the men is the guittar or something not very unlike it, some of which have two strings, some four, and others seven. Eunuchs, and the lowest class of persons, are hired to play; and the merit of a performance should seem to consist in the intenseness of the noise brought out of the different instruments. The gong or, as they call it, the loo is admirably adapted for this purpose. This instrument is a sort of shallow kettle, or rather the