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was Lütterloh, a Brunswicker, who had been a crimping-agent, then a servant, who was a spy of France and Mr. Franklin, and who turned king's evidence on La Motte, and hanged him.

"This Lütterloh, who had been a crimping-agent for German troops during the American war, then a servant in London during the Gordon riots, then an agent for a spy, then a spy over a spy, I suspect to have been a consummate scoundrel, and doubly odious from speaking English with a German accent.

"What if he wanted to marry that charming girl, who lived with Mr. Weston at Winchelsea? Ha! I see a mystery here.

"What if this scoundrel, going to receive his pay from the English Admiral, with whom he was in communication at Portsmouth, happened to go on board the Royal George the day she went down?

"As for George and Joseph Weston, of the Priory, I am sorry to say they were rascals too. They were tried for robbing the Bristol mail in 1780; and being acquitted for want of evidence, were tried immediately after on another indictment for forgery—Joseph was acquitted, but George was capitally convicted. But this did not help poor Joseph. Before their trials, they and some others broke out of Newgate, and Joseph fired at, and wounded, a porter who tried to stop him, on Snow Hill. For this he was tried and found guilty on the Black Act, and hung along with his brother.

"Now, if I was an innocent participator in De la Motte's treasons, and the Westons' forgeries and robberies, what pretty scrapes I must have been in.

"I married the young woman, whom the brutal Lütterloh would have had for himself, and lived happy ever after."

And again:—

DENIS DUVAL'S BOYHOOD

"My grandfather's name was Duval; he was a barber and perruquier by trade, and elder of the French Protestant church at Winchelsea. I was sent to board with his correspondent, a Methodist grocer, at Rye.

"These two kept a fishing-boat, but the fish they caught was many and many a barrel of Nantz brandy, which we landed—never mind where—at a place to us well known. In the innocence of my heart, I—a child—got leave to go out fishing. We used to go out at night and meet ships from the French coast.

"I learned to scuttle a marlinspike,
reef a lee-scupper,
keelhaul a bowsprit

as well as the best of them. How well I remember the jabbering of the Frenchmen the first night as they handed the kegs over to us! One night we were fired into by his Majesty's revenue cutter Lynx. I asked what those balls were fizzing in the water, etc.

"I wouldn't go on with the smuggling; being converted by Mr. Wesley, who came to preach to us at Rye—but that is neither here nor there...."

The Ypres Tower, Rye

The Ypres Tower, Rye.
JOHN WESLEY

It was under the large tree of the west wall of the churchyard that in 1790 John Wesley preached his last outdoor sermon, afterwards walking through "that poor skeleton of ancient Winchelsea," as he called it.

Rye, like Winchelsea, has had a richer history than I can cope with. She was an important seaport from the earliest times; and among other of our enemies who knew her value were the Danes, two hundred and fifty of whose vessels entered the harbour in the year 893. Later the French continually menaced her, hardly less than her sister Cinque Port, but Rye bore so little malice that during the persecutions in France in the sixteenth century she received hundreds of Huguenot refugees, whose descendants still live in the town. Many monarchs have come hither, among them Queen Elizabeth, in 1573, dubbing Rye "Rye Royal" and Winchelsea "Little London."

THE THREE JEAKES

Rye has had at least one notable son, John Fletcher the dramatist, associate of Francis Beaumont and perhaps of Shakespeare, and author of "The Faithful Shepherdess." Fletcher's father was vicar of Rye. The town also gave birth to a curious father, son, and grandson, all named Samuel Jeake. The first, born in 1623, the author of "The Charters of the Cinque Ports," 1728, was a lawyer, a bold Nonconformist, a preacher, an astrologer and an alchemist, whose library contained works in fifteen languages but no copy of Shakespeare or Milton. He left a treatise on the Elixir of Life. The second, at the age of nineteen, was "somewhat acquainted with the Latin, Greek, and Hebrew, rhetoric, logic, poetry, natural philosophy, arithmetic, geometry, cosmography, astronomy, astrology, geography, theology, physics, dialling, navigation, caligraphy, stenography, drawing, heraldry and history." He also drew horoscopes, wrote treatises on astrology and other sciences, suffered, like his father, for his religion, and when he was twenty-nine married Elizabeth Hartshorne, aged thirteen and a half. They had six children. The third Samuel Jeake was famous for constructing a flying machine, which refused to fly, and nearly killed him.

Rye also possessed an unknown poet. On a blank leaf in an old book in the town's archives is written this poem, in the hand of Henry VIII.'s time:—

What greater gryffe may hape Trew lovers to anoye, Then absente for to sepratte them From ther desiered joye?
What comforte reste them then To ease them of ther smarte, But for to thincke and myndful bee Of them they love in harte?
And eicke that they assured bee Etche toe another in harte, That nothinge shall them seperate Untylle deathe doe them parte?
And thoughe the dystance of the place Doe severe us in twayne, Yet shall my harte thy harte imbrace Tyll we doe meete agayne.
THE SANGUINARY BUTCHER

The church, the largest in Sussex, dominates Rye from every point, and so tightly are the houses compressed that from the plain the spire seems to be the completion not only of the church but of the town too. The building stands in what is perhaps the quietest and quaintest church square in England, possessing beyond all question the discreetest of pawnbroker's shops, marked by three brass balls that positively have charm. The church is cool and spacious, with noble plain windows (and one very pretty little one by Burne-Jones), and some very interesting architectural features. Too little care seems, however, to have been spent upon it at some previous time. The verger shows with a pride little short of proprietary a mahogany altar said to have been taken from one of the vessels of the Armada (and therefore oddly inappropriate for a Church of England service), and the tomb of one Alan Grebell, who, happening one night in 1742 to be wearing the cloak of his brother-in-law the Mayor, was killed in mistake for him by a "sanguinary butcher" named Breeds. Breeds, who was hanged in chains for his crime, remains perhaps the most famous figure in the history of Rye.

Externally Rye church is magnificent, but the pity of it is that its encroaching square deprives one of the power to study it as a whole. Among the details, however, are two admirable flying buttresses. The clock over the beautiful north window, which is said to have been given to the town by Queen Elizabeth, is remarkable for the two golden cherubs that strike the hours, and the pendulum that swings in the central tower of the church, very nigh the preacher's head.

EIGHT BELLS

Rye's eight bells bear the following inscription:—

To honour both of God and King Our voices shall in concert ring.
May heaven increase their bounteous store And bless their souls for evermore.
Whilst thus we join in joyful sound May love and loyalty abound.
Ye people all who hear me ring Be faithful to your God and King.
Such wondrous power to music's given It elevates the soul to heaven.
If you have a judicious ear You'll own my voice is sweet and clear.
Our voices shall with joyful sound Make hills and valleys echo round.
In wedlock bands all ye who join, With hands your hearts unite; So shall our tuneful tongues combine To laud the nuptial rite.
Ye ringers, all who prize Your health and happiness, Be sober, merry, wise, And you'll the same possess.

Hardly less interesting than the church are the by-streets of Rye, so old and simple and quiet and right; particularly perhaps Mermaid Street, with its beautiful hospital. In the High Street, which is busier, is the George Inn, the rare possessor of a large assembly room with a musicians' gallery. One only of Rye's gates is standing—the Landgate; but on the south rampart of the town is the Ypres Tower (called Wipers by the prosaic inhabitants), a relic of the twelfth century, guarding Rye once from perils by sea and now from perils by land. Standing by the tower one may hear below shipbuilders busy at work and observe all the low-pulsed life of the river. A mile or so away is Rye Harbour, and beyond it the sea; across the intervening space runs a little train with its freight of golf players. In the east stretches Romney Marsh to the hills of Folkestone.

Extremes meet in Rye. When I was last there the passage of the Landgate was made perilous by an approaching Panhard; the monastery of the Augustine friars on Conduit Hill had become a Salvation Army barracks; and in the doorway of the little fourteenth-century chapel of the Carmelites, now a private house, in the church square, a perambulator waited. Moreover, in the stately red house at the head of Mermaid Street the author of The Awkward Age prosecutes his fascinating analyses of twentieth-century temperaments.

RYE POTTERY

Among the industries of Rye is the production of an ingenious variety of pottery achieved by affixing to ordinary vessels of earthenware a veneer of broken pieces of china—usually fragments of cups and saucers—in definite patterns that sometimes reach a magnificence almost Persian. For the most part the result is not perhaps beautiful, but it is always gay, and the Rye potter who practises the art deserves encouragement. I saw last summer a piece of similar ware in a cottage on the banks of the Ettrick, but whether it had travelled thither from Rye, or whether Scotch artists work in the same medium, I do not know. Mr. Gasson, the artificer (the dominating name of Gasson is to Rye what that of Seiler is to Zermatt), charges a penny for the inspection of the four rooms of his house in which his pottery, his stuffed birds and other curiosities are collected. The visit must be epoch-making in any life. Never again will a broken tea-cup be to any of Mr. Gasson's patrons merely a broken tea-cup. Previously it may have been that and nothing more; henceforward it is valuable material which, having completed one stage of existence, is, like the good Buddhist, entering upon another of increased radiance. More, broken china may even become the symbol of Rye.

Court Lodge, Udimore

Court Lodge, Udimore.
PETT AND ICKLESHAM

Between Hastings and Winchelsea are the villages of Guestling, Pett, and Icklesham, the last two on the edge of the Level. Of these, Icklesham is the most interesting, Guestling having recently lost its church by fire, and Pett church being new. Pett stands in a pleasant position at the end of the high ground, with nothing in the east but Pett Level, and the sea only a mile away. At very low tide the remains of a submerged forest were once discernible, and may still be.

Icklesham also stands on the ridge further north, overlooking the Level and the sea, with Winchelsea not two miles distant in the east. The church is a very fine one, with a most interesting Norman tower in its midst. The churchwardens accounts contain some quaint entries:

CHURCHWARDENS' ACCOUNTS

1732. Paid for ye Stokes [stocks] £4 10s.d.

1735. January ye 13 pd for a pint of wine and for eight pound of mutton for Good[man] Row and Good[man] Winch and Goody Sutors for their being with Goody in her fitts 3s.

1744. Fevery ye 29

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