The Voyage Out - Virginia Woolf (iphone ebook reader TXT) 📗

she had been used to exact two or three as her right. She therefore foresaw a life of far greater comfort than she had been used to, and the change had already produced a great increase of warmth in her feelings towards other people.

It was close on twenty years now since Mrs. Paley had been able to lace her own shoes or even to see them, the disappearance of her feet having coincided more or less accurately with the death of her husband, a man of business, soon after which event Mrs. Paley began to grow stout. She was a selfish, independent old woman, possessed of a considerable income, which she spent upon the upkeep of a house that needed seven servants and a charwoman in Lancaster Gate, and another with a garden and carriage-horses in Surrey. Susan's engagement relieved her of the one great anxiety of her life—that her son Christopher should "entangle himself" with his cousin. Now that this familiar source of interest was removed, she felt a little low and inclined to see more in Susan than she used to. She had decided to give her a very handsome wedding present, a cheque for two hundred, two hundred and fifty, or possibly, conceivably—it depended upon the under-gardener and Huths' bill for doing up the drawing-room—three hundred pounds sterling.

She was thinking of this very question, revolving the figures, as she sat in her wheeled chair with a table spread with cards by her side. The Patience had somehow got into a muddle, and she did not like to call for Susan to help her, as Susan seemed to be busy with Arthur.

"She's every right to expect a handsome present from me, of course," she thought, looking vaguely at the leopard on its hind legs, "and I've no doubt she does! Money goes a long way with every one. The young are very selfish. If I were to die, nobody would miss me but Dakyns, and she'll be consoled by the will! However, I've got no reason to complain. . . . I can still enjoy myself. I'm not a burden to any-one. . . . I like a great many things a good deal, in spite of my legs."

Being slightly depressed, however, she went on to think of the only people she had known who had not seemed to her at all selfish or fond of money, who had seemed to her somehow rather finer than the general run; people she willingly acknowledged, who were finer than she was. There were only two of them. One was her brother, who had been drowned before her eyes, the other was a girl, her greatest friend, who had died in giving birth to her first child. These things had happened some fifty years ago.

"They ought not to have died," she thought. "However, they did—and we selfish old creatures go on." The tears came to her eyes; she felt a genuine regret for them, a kind of respect for their youth and beauty, and a kind of shame for herself; but the tears did not fall; and she opened one of those innumerable novels which she used to pronounce good or bad, or pretty middling, or really wonderful. "I can't think how people come to imagine such things," she would say, taking off her spectacles and looking up with the old faded eyes, that were becoming ringed with white.

Just behind the stuffed leopard Mr. Elliot was playing chess with Mr. Pepper. He was being defeated, naturally, for Mr. Pepper scarcely took his eyes off the board, and Mr. Elliot kept leaning back in his chair and throwing out remarks to a gentleman who had only arrived the night before, a tall handsome man, with a head resembling the head of an intellectual ram. After a few remarks of a general nature had passed, they were discovering that they knew some of the same people, as indeed had been obvious from their appearance directly they saw each other.

"Ah yes, old Truefit," said Mr. Elliot. "He has a son at Oxford. I've often stayed with them. It's a lovely old Jacobean house. Some exquisite Greuzes—one or two Dutch pictures which the old boy kept in the cellars. Then there were stacks upon stacks of prints. Oh, the dirt in that house! He was a miser, you know. The boy married a daughter of Lord Pinwells. I know them too. The collecting mania tends to run in families. This chap collects buckles—men's shoe-buckles they must be, in use between the years 1580 and 1660; the dates mayn't be right, but fact's as I say. Your true collector always has some unaccountable fad of that kind. On other points he's as level-headed as a breeder of shorthorns, which is what he happens to be. Then the Pinwells, as you probably know, have their share of eccentricity too. Lady Maud, for instance—" he was interrupted here by the necessity of considering his move,—"Lady Maud has a horror of cats and clergymen, and people with big front teeth. I've heard her shout across a table, 'Keep your mouth shut, Miss Smith; they're as yellow as carrots!' across a table, mind you. To me she's always been civility itself. She dabbles in literature, likes to collect a few of us in her drawing-room, but mention a clergyman, a bishop even, nay, the Archbishop himself, and she gobbles like a turkey-cock. I've been told it's a family feud—something to do with an ancestor in the reign of Charles the First. Yes," he continued, suffering check after check, "I always like to know something of the grandmothers of our fashionable young men. In my opinion they preserve all that we admire in the eighteenth century, with the advantage, in the majority of cases, that they are personally clean. Not that one would insult old Lady Barborough by calling her clean. How often d'you think, Hilda," he called out to his wife, "her ladyship takes a bath?"

"I should hardly like to say, Hugh," Mrs. Elliot tittered, "but wearing puce velvet, as she does even on the hottest August day, it somehow doesn't show."

"Pepper, you have me," said Mr. Elliot. "My chess is even worse than I remembered." He accepted his defeat with great equanimity, because he really wished to talk.

He drew his chair beside Mr. Wilfrid Flushing, the newcomer.

"Are these at all in your line?" he asked, pointing at a case in front of them, where highly polished crosses, jewels, and bits of embroidery, the work of the natives, were displayed to tempt visitors.

"Shams, all of them," said Mr. Flushing briefly. "This rug, now, isn't at all bad." He stopped and picked up a piece of the rug at their feet. "Not old, of course, but the design is quite in the right tradition. Alice, lend me your brooch. See the difference between the old work and the new."

A lady, who was reading with great concentration, unfastened her brooch and gave it to her husband without looking at him or acknowledging the tentative bow which Mr. Elliot was desirous of giving her. If she had listened, she might have been amused by the reference to old Lady Barborough, her great-aunt, but, oblivious of her surroundings, she went on reading.

The clock, which had been wheezing for some minutes like an old man preparing to cough, now struck nine. The sound slightly disturbed certain somnolent merchants, government officials, and men of independent means who were lying back in their chairs, chatting, smoking, ruminating about their affairs, with their eyes half shut; they raised their lids for an instant at the sound and then closed them again. They had the appearance of crocodiles so fully gorged by their last meal that the future of the world gives them no anxiety whatever. The only disturbance in the placid bright room was caused by a large moth which shot from light to light, whizzing over elaborate heads of hair, and causing several young women to raise their hands nervously and exclaim, "Some one ought to kill it!"

Absorbed in their own thoughts, Hewet and Hirst had not spoken for a long time.

When the clock struck, Hirst said:

"Ah, the creatures begin to stir. . . ." He watched them raise themselves, look about them, and settle down again. "What I abhor most of all," he concluded, "is the female breast. Imagine being Venning and having to get into bed with Susan! But the really repulsive thing is that they feel nothing at all—about what I do when I have a hot bath. They're gross, they're absurd, they're utterly intolerable!"

So saying, and drawing no reply from Hewet, he proceeded to think about himself, about science, about Cambridge, about the Bar, about Helen and what she thought of him, until, being very tired, he was nodding off to sleep.

Suddenly Hewet woke him up.

"How d'you know what you feel, Hirst?"

"Are you in love?" asked Hirst. He put in his eyeglass.

"Don't be a fool," said Hewet.

"Well, I'll sit down and think about it," said Hirst. "One really ought to. If these people would only think about things, the world would be a far better place for us all to live in. Are you trying to think?"

That was exactly what Hewet had been doing for the last half-hour, but he did not find Hirst sympathetic at the moment.

"I shall go for a walk," he said.

"Remember we weren't in bed last night," said Hirst with a prodigious yawn.

Hewet rose and stretched himself.

"I want to go and get a breath of air," he said.

An unusual feeling had been bothering him all the evening and forbidding him to settle into any one train of thought. It was precisely as if he had been in the middle of a talk which interested him profoundly when some one came up and interrupted him. He could not finish the talk, and the longer he sat there the more he wanted to finish it. As the talk that had been interrupted was a talk with Rachel, he had to ask himself why he felt this, and why he wanted to go on talking to her. Hirst would merely say that he was in love with her. But he was not in love with her. Did love begin in that way, with the wish to go on talking? No. It always began in his case with definite physical sensations, and these were now absent, he did not even find her physically attractive. There was something, of course, unusual about her—she was young, inexperienced, and inquisitive, they had been more open with each other than was usually possible. He always found girls interesting to talk to, and surely these were good reasons why he should wish to go on talking to her; and last night, what with the crowd and the confusion, he had only been able to begin to talk to her. What was she doing now? Lying on a sofa and looking at the ceiling, perhaps. He could imagine her doing that, and Helen in an arm-chair, with her hands on the arm of it, so—looking ahead of her, with her great big eyes—oh no, they'd be talking, of course, about the dance. But suppose Rachel was going away in a day or two, suppose this was the end of her visit, and her father had arrived in one of the steamers anchored in the bay,—it was intolerable to know so little. Therefore he exclaimed, "How d'you know what you feel, Hirst?" to stop himself from thinking.

But Hirst did not help him, and the other people with their aimless movements and their unknown lives were disturbing, so that he longed for the empty darkness. The first thing he looked for when he stepped out of the hall door was the light of the Ambroses' villa. When he had definitely decided that a certain light apart from the others higher up the hill was their light, he was considerably reassured. There seemed to be at once a little stability in all