The Voyage Out - Virginia Woolf (iphone ebook reader TXT) 📗

and the music beginning, and one couldn't help sobbing. A kind man went and fetched me water, I remember; and I could only cry on his shoulder! It caught me here" (she touched her throat). "It's like nothing else in the world! But where's your piano?" "It's in another room," Rachel explained.

"But you will play to us?" Clarissa entreated. "I can't imagine anything nicer than to sit out in the moonlight and listen to music—only that sounds too like a schoolgirl! You know," she said, turning to Helen, "I don't think music's altogether good for people—I'm afraid not."

"Too great a strain?" asked Helen.

"Too emotional, somehow," said Clarissa. "One notices it at once when a boy or girl takes up music as a profession. Sir William Broadley told me just the same thing. Don't you hate the kind of attitudes people go into over Wagner—like this—" She cast her eyes to the ceiling, clasped her hands, and assumed a look of intensity. "It really doesn't mean that they appreciate him; in fact, I always think it's the other way round. The people who really care about an art are always the least affected. D'you know Henry Philips, the painter?" she asked.

"I have seen him," said Helen.

"To look at, one might think he was a successful stockbroker, and not one of the greatest painters of the age. That's what I like."

"There are a great many successful stockbrokers, if you like looking at them," said Helen.

Rachel wished vehemently that her aunt would not be so perverse.

"When you see a musician with long hair, don't you know instinctively that he's bad?" Clarissa asked, turning to Rachel. "Watts and Joachim—they looked just like you and me."

"And how much nicer they'd have looked with curls!" said Helen. "The question is, are you going to aim at beauty or are you not?"

"Cleanliness!" said Clarissa, "I do want a man to look clean!"

"By cleanliness you really mean well-cut clothes," said Helen.

"There's something one knows a gentleman by," said Clarissa, "but one can't say what it is."

"Take my husband now, does he look like a gentleman?"

The question seemed to Clarissa in extraordinarily bad taste. "One of the things that can't be said," she would have put it. She could find no answer, but a laugh.

"Well, anyhow," she said, turning to Rachel, "I shall insist upon your playing to me to-morrow."

There was that in her manner that made Rachel love her.

Mrs. Dalloway hid a tiny yawn, a mere dilation of the nostrils.

"D'you know," she said, "I'm extraordinarily sleepy. It's the sea air. I think I shall escape."

A man's voice, which she took to be that of Mr. Pepper, strident in discussion, and advancing upon the saloon, gave her the alarm.

"Good-night—good-night!" she said. "Oh, I know my way—do pray for calm! Good-night!"

Her yawn must have been the image of a yawn. Instead of letting her mouth droop, dropping all her clothes in a bunch as though they depended on one string, and stretching her limbs to the utmost end of her berth, she merely changed her dress for a dressing-gown, with innumerable frills, and wrapping her feet in a rug, sat down with a writing-pad on her knee. Already this cramped little cabin was the dressing room of a lady of quality. There were bottles containing liquids; there were trays, boxes, brushes, pins. Evidently not an inch of her person lacked its proper instrument. The scent which had intoxicated Rachel pervaded the air. Thus established, Mrs. Dalloway began to write. A pen in her hands became a thing one caressed paper with, and she might have been stroking and tickling a kitten as she wrote:

Picture us, my dear, afloat in the very oddest ship you can imagine. It's not the ship, so much as the people. One does come across queer sorts as one travels. I must say I find it hugely amusing. There's the manager of the line—called Vinrace—a nice big Englishman, doesn't say much—you know the sort. As for the rest—they might have come trailing out of an old number of Punch. They're like people playing croquet in the 'sixties. How long they've all been shut up in this ship I don't know—years and years I should say—but one feels as though one had boarded a little separate world, and they'd never been on shore, or done ordinary things in their lives. It's what I've always said about literary people—they're far the hardest of any to get on with. The worst of it is, these people—a man and his wife and a niece—might have been, one feels, just like everybody else, if they hadn't got swallowed up by Oxford or Cambridge or some such place, and been made cranks of. The man's really delightful (if he'd cut his nails), and the woman has quite a fine face, only she dresses, of course, in a potato sack, and wears her hair like a Liberty shopgirl's. They talk about art, and think us such poops for dressing in the evening. However, I can't help that; I'd rather die than come in to dinner without changing—wouldn't you? It matters ever so much more than the soup. (It's odd how things like that do matter so much more than what's generally supposed to matter. I'd rather have my head cut off than wear flannel next the skin.) Then there's a nice shy girl—poor thing—I wish one could rake her out before it's too late. She has quite nice eyes and hair, only, of course, she'll get funny too. We ought to start a society for broadening the minds of the young—much more useful than missionaries, Hester! Oh, I'd forgotten there's a dreadful little thing called Pepper. He's just like his name. He's indescribably insignificant, and rather queer in his temper, poor dear. It's like sitting down to dinner with an ill-conditioned fox-terrier, only one can't comb him out, and sprinkle him with powder, as one would one's dog. It's a pity, sometimes, one can't treat people like dogs! The great comfort is that we're away from newspapers, so that Richard will have a real holiday this time. Spain wasn't a holiday. . . .

"You coward!" said Richard, almost filling the room with his sturdy figure.

"I did my duty at dinner!" cried Clarissa.

"You've let yourself in for the Greek alphabet, anyhow."

"Oh, my dear! Who is Ambrose?"

"I gather that he was a Cambridge don; lives in London now, and edits classics."

"Did you ever see such a set of cranks? The woman asked me if I thought her husband looked like a gentleman!"

"It was hard to keep the ball rolling at dinner, certainly," said Richard. "Why is it that the women, in that class, are so much queerer than the men?"

"They're not half bad-looking, really—only—they're so odd!"

They both laughed, thinking of the same things, so that there was no need to compare their impressions.

"I see I shall have quite a lot to say to Vinrace," said Richard. "He knows Sutton and all that set. He can tell me a good deal about the conditions of ship-building in the North."

"Oh, I'm glad. The men always are so much better than the women."

"One always has something to say to a man certainly," said Richard. "But I've no doubt you'll chatter away fast enough about the babies, Clarice."

"Has she got children? She doesn't look like it somehow."

"Two. A boy and girl."

A pang of envy shot through Mrs. Dalloway's heart.

"We must have a son, Dick," she said.

"Good Lord, what opportunities there are now for young men!" said Dalloway, for his talk had set him thinking. "I don't suppose there's been so good an opening since the days of Pitt."

"And it's yours!" said Clarissa.

"To be a leader of men," Richard soliloquised. "It's a fine career. My God—what a career!"

The chest slowly curved beneath his waistcoat.

"D'you know, Dick, I can't help thinking of England," said his wife meditatively, leaning her head against his chest. "Being on this ship seems to make it so much more vivid—what it really means to be English. One thinks of all we've done, and our navies, and the people in India and Africa, and how we've gone on century after century, sending out boys from little country villages—and of men like you, Dick, and it makes one feel as if one couldn't bear not to be English! Think of the light burning over the House, Dick! When I stood on deck just now I seemed to see it. It's what one means by London."

"It's the continuity," said Richard sententiously. A vision of English history, King following King, Prime Minister Prime Minister, and Law Law had come over him while his wife spoke. He ran his mind along the line of conservative policy, which went steadily from Lord Salisbury to Alfred, and gradually enclosed, as though it were a lasso that opened and caught things, enormous chunks of the habitable globe.

"It's taken a long time, but we've pretty nearly done it," he said; "it remains to consolidate."

"And these people don't see it!" Clarissa exclaimed.

"It takes all sorts to make a world," said her husband. "There would never be a government if there weren't an opposition."

"Dick, you're better than I am," said Clarissa. "You see round, where I only see there." She pressed a point on the back of his hand.

"That's my business, as I tried to explain at dinner."

"What I like about you, Dick," she continued, "is that you're always the same, and I'm a creature of moods."

"You're a pretty creature, anyhow," he said, gazing at her with deeper eyes.

"You think so, do you? Then kiss me."

He kissed her passionately, so that her half-written letter slid to the ground. Picking it up, he read it without asking leave.

"Where's your pen?" he said; and added in his little masculine hand:

R.D. loquitur: Clarice has omitted to tell you that she looked exceedingly pretty at dinner, and made a conquest by which she has bound herself to learn the Greek alphabet. I will take this occasion of adding that we are both enjoying ourselves in these outlandish parts, and only wish for the presence of our friends (yourself and John, to wit) to make the trip perfectly enjoyable as it promises to be instructive. . . .

Voices were heard at the end of the corridor. Mrs. Ambrose was speaking low; William Pepper was remarking in his definite and rather acid voice, "That is the type of lady with whom I find myself distinctly out of sympathy. She—"

But neither Richard nor Clarissa profited by the verdict, for directly it seemed likely that they would overhear, Richard crackled a sheet of paper.

"I often wonder," Clarissa mused in bed, over the little white volume of Pascal which went with her everywhere, "whether it is really good for a woman to live with a man who is morally her superior, as Richard is mine. It makes one so dependent. I suppose I feel for him what my mother and women of her generation felt for Christ. It just shows that one can't do without something." She then fell into a sleep, which was as usual extremely sound and refreshing, but visited by fantastic dreams of great Greek letters stalking round the room, when she woke up and laughed to herself, remembering where she was and that the Greek letters were real people, lying asleep not many yards away. Then, thinking of the black sea outside tossing beneath the moon, she shuddered, and thought of her husband and the others as companions on the voyage. The dreams were not confined to her indeed, but went from one brain to another. They all dreamt of each other that night, as was natural, considering how thin the partitions were between them, and how strangely they had been lifted off the earth to sit next each other in mid-ocean, and see every detail of each other's faces, and hear whatever they chanced to say.