The Desert of Wheat by Zane Grey (best books to read now .TXT) 📗

Lenore paced and crouched and lay in her room, waiting, listening with an intensity that hurt. When a slow procession of men, low-voiced and soft-footed, carried Kurt Dorn into the house and up-stairs Lenore trembled with a storm of emotion. All her former agitation, love, agony, and suspense, compared to what she felt then, was as nothing. Not the joy of his being alive, not the terror of his expected death, had so charged her heart as did this awful curiosity to see him, to realize him.

At last a step—a knock—her father's voice: "Lenore—come!"

Her ordeal of waiting was over. All else she could withstand. That moment ended her weakness. Her blood leaped with the irresistable, revivifying current of her spirit. Unlocking the door, Lenore stepped out. Her father stood there with traces of extreme worry fading from his tired face. At sight of her they totally vanished.

"Good! You've got nerve. You can see him now alone. He's unconscious. But he's not been greatly weakened by the trip. His vitality is wonderful. He comes to once in a while. Sometimes he's rational. Mostly, though, he's out of his head. An' his left arm is gone."

Anderson said all this rapidly and low while they walked down the hall toward the end room which had not been used since Mrs. Anderson's death. The door was ajar. Lenore smelled strong, pungent odors of antiseptics.

Anderson knocked softly.

"Come out, you men, an' let my girl see him," he called.

Doctor Lowell, the village practitioner Lenore had known for years, tiptoed out, important and excited.

"Lenore, it's to bad," he said, kindly, and he shook his head.

Another man glided out with the movements of a woman. He was not young. His aspect was pale, serious.

"Lenore, this is Mr. Jarvis, the nurse.… Now—go in, an' don't forget what I said."

She closed the door and leaned back against it, conscious of the supreme moment of her life. Dorn's face, strange yet easily recognizable, appeared against the white background of the bed. That moment was supreme because it showed him there alive, justifying the spiritual faith which had persisted in her soul. If she had ever, in moments of distraction, doubted God, she could never doubt again.

The large room had been bright, with white curtains softly blowing inward from the open windows. As she crept forward, not sure on her feet, all seemed to blur, so that when she leaned over the still face to kiss it she could not see clearly. Her lips quivered with that kiss and with her sob of thankfulness.

"My soldier!"

She prayed then, with her head beside his on the pillow, and through that prayer and the strange stillness of her lover she received a subtle shock. Sweet it was to touch him as she bent with eyes hidden. Terrible it would be to look—to see how the war had wrecked him. She tried to linger there, all tremulous, all gratitude, all woman and mother. But an incalculable force lifted her up from her knees.

"Ah!" she gasped, as she saw him with cleared sight. A knife-blade was at her heart. Kurt Dorn lay before her gaze—a man, and not the boy she had sacrificed to war—a man by a larger frame, and by older features, and by a change difficult to grasp.

These features seemed a mask, transparent, unable to hide a beautiful, sad, stern, and ruthless face beneath, which in turn slowly gave to her startled gaze sloping lines of pain and shades of gloom, and the pale, set muscles of forced manhood, and the faint hectic flush of fever and disorder and derangement. A livid, angry scar, smooth, yet scarcely healed, ran from his left temple back as far as she could see. That established his identity as a wounded soldier brought home from the war. Otherwise to Lenore his face might have been that of an immortal suddenly doomed with the curse of humanity, dying in agony. She had expected to see Dorn bronzed, haggard, gaunt, starved, bearded and rough-skinned, bruised and battered, blinded and mutilated, with gray in his fair hair. But she found none of these. Her throbbing heart sickened and froze at the nameless history recorded in his face. Was it beyond her to understand what had been his bitter experience? Would she never suffer his ordeal? Never! That was certain. An insupportable sadness pervaded her soul. It was not his life she thought of, but the youth, the nobility, the splendor of him that war had destroyed. No intuition, no divination, no power so penetrating as a woman's love! By that piercing light she saw the transformed man. He knew. He had found out all of physical life. His hate had gone with his blood. Deeds—deeds of terror had left their imprint upon his brow, in the shadows under his eyes, that resembled blank walls potent with invisible meaning. Lenore shuddered through all her soul as she read the merciless record of the murder he had dealt, of the strong and passionate duty that had driven him, of the eternal remorse. But she did not see or feel that he had found God; and, stricken as he seemed, she could not believe he was near to death.

This last confounding thought held her transfixed and thrilling, gazing down at Dorn, until her father entered to break the spell and lead her away.

It was night. Lenore should have been asleep, but she sat up in the dark by the window. Underneath on the porch, her father, with his men as audience, talked like a torrent. And Lenore, hearing what otherwise would never have gotten to her ears, found listening irresistible. Slow, dragging footsteps and the clinking of spurs attested to the approach of cowboys.

"Howdy, boys! Sit down an' be partic'lar quiet. Here's some smokes. I'm wound up an' gotta go off or bust," Anderson said, "Well, as I was sayin', we folks don't know there's a war, from all outward sign here in the Northwest. But in that New York town I just come from—God Almighty! what goin's-on! Boys, I never knew before how grand it was to be American. New York's got the people, the money, an' it's the outgoin' an' incomin' place of all pertainin' to this war. The Liberty Loan drive was on. The streets were crowded. Bands an' parades, grand-opera stars singin' on the