The Two-Gun Man - Charles Alden Seltzer (best english novels to read .txt) 📗

But the shock passed, leaving her a little pale, but quite composed—and not a little annoyed. She had found her work interesting; she had become quite absorbed in it. Therefore she failed to appreciate Leviatt's sudden appearance, and with uptilted chin turned from him and pretended an interest in the rim of hills that surrounded the flat.

For an instant Leviatt stood, a frown wrinkling his forehead. Then with a smile he stepped forward and seated himself beside her on the rock. She immediately drew her skirts close to her and shot a displeased glance at him from the corners of her eyes. Then seeing that he still sat there, she moved her belongings a few feet and followed them. He could not doubt the significance of this move, but had he been wise he might have ignored it. A woman's impulses will move her to rebuke a man, but if he will accept without comment he may be reasonably sure of her pity, and pity is a path of promise.

But the range boss neglected his opportunity. He made the mistake of thinking that because he had seen her many times while visiting her brother he might now with propriety assume an air of intimacy toward her.

"I reckon this rock is plenty big enough for both of us," he said amiably.

She measured the distance between them with a calculating eye. "It is," she returned quietly, "if you remain exactly where you are."

He forced a smile. "An' if I don't?" he inquired.

"You may have the rock to yourself," she returned coldly. "I did not ask you to come here."

He chose to ignore this hint, telling her that he had been to the cabin to see Ben and, finding him absent, had ridden through the flat. "I saw you when I was quite a piece away," he concluded, "an' thought mebbe you might be lonesome."

"When I am lonesome I choose my own company," she returned coldly.

"Why, sure," he said, his tone slightly sarcastic; "you cert'nly ought to know who you want to talk to. But you ain't objectin' to me settin' on this hill?" he inquired.

"The hill is not mine," she observed quietly, examining one of the written pages of her novel; "sit here as long as you like."

"Thanks." He drawled the word. Leaning back on one elbow he stretched out as though assured that she would make no further objections to his presence. She ignored him completely and very deliberately arranged her papers and resumed writing.

For a time he lay silent, watching the pencil travel the width of the page—and then back. A mass of completed manuscript lay at her side, the pages covered with carefully written, legible words. She had always taken a pardonable pride in her penmanship. For a while he watched her, puzzled, furtively trying to decipher some of the words that appeared upon the pages. But the distance was too great for him and he finally gave it up and fell to looking at her instead, though determined to solve the wordy mystery that was massed near her.

Finally finding the silence irksome, he dropped an experimental word, speaking casually. "You must have been to school a heap—writin' like you do."

She gave him no answer, being at that moment absorbed in a thought which she was trying to transcribe before it should take wings and be gone forever.

"Writin' comes easy to some people," he persisted.

The thought had been set down; she turned very slightly. "Yes," she said looking steadily at him, "it does. So does impertinence."

He smiled easily. "I ain't aimin' to be impertinent," he returned. "I wouldn't reckon that askin' you what you are writin' would be impertinent. It's too long for a letter."

"It is a novel," she returned shortly.

He smiled, exulting over this partial concession. "I reckon to write a book you must be some special kind of a woman," he observed admiringly.

She was silent. He sat up and leaned toward her, his eyes flashing with a sudden passion.

"If that's it," he said with unmistakable significance, "I don't mind tellin' you that I'm some partial to them special kind."

Her chin rose a little. "I am not concerned over your feelings," she returned without looking at him.

"That kind of a woman would naturally know a heap," he went on, apparently unmindful of the rebuke; "they'd cert'nly know enough to be able to see when a man likes them."

She evidently understood the drift, for her eyes glowed subtly. "It is too bad that you are not a 'special kind of man,' then," she replied.

"Meanin'?" he questioned, his eyes glinting with eagerness.

"Meaning that if you were a 'special kind of man' you would be able to tell when a woman doesn't like you," she said coldly.

"I reckon that I ain't a special kind then," he declared, his face reddening slightly. "Of course, I've seen that you ain't appeared to take much of a shine to me. But I've heard that there's women that can be won if a man keeps at it long enough."

"Some men like to waste their time," she returned quietly.

"I don't call it wastin' time to be talkin' to you," he declared rapidly.

"Our opinions differ," she observed shortly, resting the pencil point on the page that she had been writing.

Her profile was toward him; her cheeks were tinged with color; some stray wisps of hair hung, breeze-blown, over her forehead and temples. She made an attractive picture, sitting there with the soft sunlight about her, a picture whose beauty smote Leviatt's heart with a pang of sudden regret and disappointment. She might have been his, but for the coming of Ferguson. And now, because of the stray-man's wiles, he was losing her.

A sudden rage seized upon him; he leaned forward, his face bloating poisonously. "Mebbe I could name a man who ain't wastin' his time!" he sneered.

She turned suddenly and looked at him, dropping pencil and paper, her eyes flashing with a hitter scorn. "You are one of those sulking cowards who fawn over men and insult defenseless women!" she declared, the words coming slowly and distinctly.

He had realized before she answered that he had erred, and he smiled deprecatingly, the effort contorting his face.

"I wasn't meanin' just that," he said weakly. "I reckon it's a clear field an' no favors." He took a step toward her, his voice growing tense. "I've been comin' down to your cabin a lot, sayin' that I was comin' to see Ben. But I didn't come to see Ben—I wanted to look at you. I reckon you knowed that. A woman can't help but see when a man's in love with her. But you've never give me a chance to tell you. I'm tellin' you now. I want you to marry me. I'm range boss for the Two Diamond an' I've got some stock that's my own, an' money in the bank over in Cimarron. I'll put up a shack a few miles down the river an'——"

"Stop!" commanded Miss Radford imperiously.

Leviatt had been speaking rapidly, absorbed in his subject, assurance shining in his face. But at Miss Radford's command he broke off suddenly and stiffened, surprise widening his eyes.

"You have said enough," she continued; "quite enough. I have never thought of you as a possible admirer. I certainly have done nothing that might lead you to believe I would marry you. I do not even like you—not even respect you. I am not certain that I shall ever marry, but if I do, I certainly shall not marry a man whose every look is an insult."

She turned haughtily and began to gather up her papers. There had been no excitement in her manner; her voice had been steady, even, and tempered with a slight scorn.

For a brief space Leviatt stood, while the full significance of her refusal ate slowly into his consciousness. Whatever hopes he might have had had been swept away in those few short, pithy sentences. His passion checked, the structure erected by his imagination toppled to ruin, his vanity hurt, he stood before her stripped of the veneer that had made him seem, heretofore, nearly the man he professed to be.

In her note book had been written:

"Dave Leviatt. . . . One rather gets the impression that the stoop is a reflection of the man's nature, which seems vindictive and suggests a low cunning. His eyes are small, deep set, and glitter when he talks. But they are steady and cold—almost merciless. One's thoughts go instantly to the tiger. I shall try to create that impression in the reader's mind."

And now as she looked at him she was sure that task would not be difficult. She had now an impression of him that seemed as though it had been seared into her mind. The eyes that she had thought merciless were now glittering malevolently, and she shuddered at the satyric upward curve of his lips as he stepped close to the rock and placed a hand upon the mass of manuscript lying there, that she had previously dropped, to prevent her leaving.

"So you don't love me?" he sneered. "You don't even respect me. Why? Because you've taken a shine to that damned maverick that come here from Dry Bottom—Stafford's new stray-man!"

"That is my business," she returned icily.

"It sure is," he said, the words writhing venomously through his lips.
"An' it's my business too. There ain't any damned——"

He had glanced suddenly downward while he had been talking and his gaze rested upon an upturned page of the manuscript that lay beside him on the rock. He broke off speaking and reaching down took up the page, his eyes narrowing with interest. The page he had taken up was one from the first chapter and described in detail the shooting match in Dry Bottom. It was a truthful picture of what had actually happened. She had even used the real names of the characters. Leviatt saw a reference to the "Silver Dollar" saloon, to the loungers, to the stranger who had ridden up and who sat on his pony near the hitching rail, and who was called Ferguson. He saw his own name; read the story of how the stranger had eclipsed his feat by putting six bullets into the can.

He dropped the page to the rock and looked up at Miss Radford with a short laugh.

"So that's what you're writin'?" he sneered. "You're writin' somethin' that really happened. You're even writin' the real names an' tellin' how Stafford's stray-man butted in an' beat me shootin'. You knowin' this shows that him an' you has been travelin' pretty close together."

For an instant Miss Radford forgot her anger. Her eyes snapped with a sudden interest.

"Were you the man who hit the can five times?" she questioned, unable to conceal her eagerness.

She saw a flush slowly mount to his face. Evidently he had said more than he had intended.

"Well, if I am?" he returned, his lips writhing in a sneer. "Him beatin' me shootin' that way don't prove nothin'."

She was now becoming convinced of her cleverness. From Ben's description of the man who had won the shooting match she had been able to lead Ferguson to the admission that he had been the central character in that incident, and now it had transpired that Leviatt was the man he had beaten. This had been the way she had written it in the story. So far the plot that had been born of her imagination had proved to be the story of a real occurrence.

She had counted upon none but imaginary characters,—though she had determined to clothe these with reality through study—but now, she had discovered, she had been the chronicler of a real incident, and two of her characters had been pitted against each other in a contest in which there had been enough bitterness to provide the animus necessary to carry them through succeeding pages, ready and willing to fly at each other's throats. She was not able to conceal her satisfaction over the discovery, and when she looked at Leviatt again she