Tales of the Argonauts - Bret Harte (best pdf reader for ebooks .TXT) 📗

reticence, at last completely subjugated the “Fool,” and that the new house was intended for the nuptial bower of the (predestined) unhappy pair, was, of course, the prevailing opinion. But when, after a reasonable time had elapsed, and the house still remained untenanted, the more exasperating conviction forced itself upon the general mind, that the “Fool” had been for the third time imposed upon; when two months had elapsed, and there seemed no prospect of a mistress for the new house,—I think public indignation became so strong, that, had the “Hag” arrived, the marriage would have been publicly prevented. But no one appeared that seemed to answer to this idea of an available tenant; and all inquiry of Mr. Hawkins as to his intention in building a house, and not renting it, or occupying it, failed to elicit any further information. The reasons that he gave were felt to be vague, evasive, and unsatisfactory. He was in no hurry to move, he said. When he WAS ready, it surely was not strange that he should like to have his house all ready to receive him. He was often seen upon the veranda, of a summer evening, smoking a cigar. It is reported that one night the house was observed to be brilliantly lighted from garret to basement; that a neighbor, observing this, crept toward the open parlor-window, and, looking in, espied the “Fool” accurately dressed in evening costume, lounging upon a sofa in the drawing-room, with the easy air of socially entertaining a large party. Notwithstanding this, the house was unmistakably vacant that evening, save for the presence of the owner, as the witness afterward testified. When this story was first related, a few practical men suggested the theory that Mr. Hawkins was simply drilling himself in the elaborate duties of hospitality against a probable event in his history. A few ventured the belief that the house was haunted. The imaginative editor of the Five Forks “Record” evolved from the depths of his professional consciousness a story that Hawkins’s sweetheart had died, and that he regularly entertained her spirit in this beautifully furnished mausoleum. The occasional spectacle of Hawkins’s tall figure pacing the veranda on moonlight nights lent some credence to this theory, until an unlooked-for incident diverted all speculation into another channel.

It was about this time that a certain wild, rude valley, in the neighborhood of Five Forks, had become famous as a picturesque resort. Travellers had visited it, and declared that there were more cubic yards of rough stone cliff, and a waterfall of greater height, than any they had visited. Correspondents had written it up with extravagant rhetoric and inordinate poetical quotation. Men and women who had never enjoyed a sunset, a tree, or a flower, who had never appreciated the graciousness or meaning of the yellow sunlight that flecked their homely doorways, or the tenderness of a midsummer’s night, to whose moonlight they bared their shirt-sleeves or their tulle dresses, came from thousands of miles away to calculate the height of this rock, to observe the depth of this chasm, to remark upon the enormous size of this unsightly tree, and to believe with ineffable self-complacency that they really admired Nature. And so it came to pass, that, in accordance with the tastes or weaknesses of the individual, the more prominent and salient points of the valley were christened; and there was a “Lace Handkerchief Fall,” and the “Tears of Sympathy Cataract,” and one distinguished orator’s “Peak,” and several “Mounts” of various noted people, living or dead, and an “Exclamation-Point,” and a “Valley of Silent Adoration.” And, in course of time, empty soda-water bottles were found at the base of the cataract, and greasy newspapers, and fragments of ham-sandwiches, lay at the dusty roots of giant trees. With this, there were frequent irruptions of closely-shaven and tightly-cravated men, and delicate, flower-faced women, in the one long street of Five Forks, and a scampering of mules, and an occasional procession of dusty brown-linen cavalry.

A year after “Hawkins’s Idiot Asylum” was completed, one day there drifted into the valley a riotous cavalcade of “schoolmarms,” teachers of the San Francisco public schools, out for a holiday. Not severely-spectacled Minervas, and chastely armed and mailed Pallases, but, I fear, for the security of Five Forks, very human, charming, and mischievous young women. At least, so the men thought, working in the ditches, and tunnelling on the hillside; and when, in the interests of science, and the mental advancement of juvenile posterity, it was finally settled that they should stay in Five Forks two or three days for the sake of visiting the various mines, and particularly the “Blazing Star” tunnel, there was some flutter of masculine anxiety. There was a considerable inquiry for “store-clothes,” a hopeless overhauling of old and disused raiment, and a general demand fox “boiled shirts” and the barber.

Meanwhile, with that supreme audacity and impudent hardihood of the sex when gregarious, the schoolmarms rode through the town, admiring openly the handsome faces and manly figures that looked up from the ditches, or rose behind the cars of ore at the mouths of tunnels. Indeed, it is alleged that Jenny Forester, backed and supported by seven other equally shameless young women, had openly and publicly waved her handkerchief to the florid Hercules of Five Forks, one Tom Flynn, formerly of Virginia, leaving that good-natured but not over-bright giant pulling his blonde mustaches in bashful amazement.

It was a pleasant June afternoon that Miss Milly Arnot, principal of the primary department of one of the public schools of San Francisco, having evaded her companions, resolved to put into operation a plan which had lately sprung up in her courageous and mischief-loving fancy. With that wonderful and mysterious instinct of her sex, from whom no secrets of the affections are hid, and to whom all hearts are laid open, she had heard the story of Hawkins’s folly, and the existence of the “Idiot Asylum.” Alone, on Hawkins Hill, she had determined to penetrate its seclusion. Skirting the underbrush at the foot of the hill, she managed to keep the heaviest timber between herself and the “Blazing Star” tunnel at its base, as well as the cabin of Hawkins, half-way up the ascent, until, by a circuitous route, at last she reached, unobserved, the summit. Before her rose, silent, darkened, and motionless, the object of her search. Here her courage failed her, with all the characteristic inconsequence of her sex. A sudden fear of all the dangers she had safely passed—bears, tarantulas, drunken men, and lizards—came upon her. For a moment, as she afterward expressed it, “she thought she should die.” With this belief, probably, she gathered three large stones, which she could hardly lift, for the purpose of throwing a great distance; put two hair-pins in her mouth; and carefully re-adjusted with both hands two stray braids of her lovely blue-black mane, which had fallen in gathering the stones. Then she felt in the pockets of her linen duster for her card-case, handkerchief, pocketbook, and smelling-bottle, and, finding them intact, suddenly assumed an air of easy, ladylike unconcern, went up the steps of the veranda, and demurely pulled the front doorbell, which she knew would not be answered. After a decent pause, she walked around the encompassing veranda, examining the closed shutters of the French windows until she found one that yielded to her touch. Here she paused again to adjust her coquettish hat by the mirror-like surface of the long sash-window, that reflected the full length of her pretty figure. And then she opened the window, and entered the room.

Although long closed, the house had a smell of newness and of fresh paint, that was quite unlike the mouldiness of the conventional haunted house. The bright carpets, the cheerful walls, the glistening oil-cloths, were quite inconsistent with the idea of a ghost. With childish curiosity, she began to explore the silent house, at first timidly,—opening the doors with a violent push, and then stepping back from the threshold to make good a possible retreat,—and then more boldly, as she became convinced of her security and absolute loneliness. In one of the chambers—the largest—there were fresh flowers in a vase, evidently gathered that morning; and, what seemed still more remarkable, the pitchers and ewers were freshly filled with water. This obliged Miss Milly to notice another singular fact, namely, that the house was free from dust, the one most obtrusive and penetrating visitor of Five Forks. The floors and carpets had been recently swept, the chairs and furniture carefully wiped and dusted. If the house WAS haunted, it was possessed by a spirit who had none of the usual indifference to decay and mould. And yet the beds had evidently never been slept in, the very springs of the chair in which she sat creaked stiffly at the novelty; the closet-doors opened with the reluctance of fresh paint and varnish; and in spite of the warmth, cleanliness, and cheerfulness of furniture and decoration, there was none of the ease of tenancy and occupation. As Miss Milly afterward confessed, she longed to “tumble things around;” and, when she reached the parlor or drawing-room again, she could hardly resist the desire. Particularly was she tempted by a closed piano, that stood mutely against the wall. She thought she would open it just to see who was the maker. That done, it would be no harm to try its tone. She did so, with one little foot on the soft pedal. But Miss Milly was too good a player, and too enthusiastic a musician, to stop at half-measures. She tried it again, this time so sincerely, that the whole house seemed to spring into voice. Then she stopped and listened. There was no response: the empty rooms seemed to have relapsed into their old stillness. She stepped out on the veranda. A woodpecker recommenced his tapping on an adjacent tree: the rattle of a cart in the rocky gulch below the hill came faintly up. No one was to be seen far or near. Miss Milly, re-assured, returned. She again ran her fingers over the keys, stopped, caught at a melody running in her mind, half played it, and then threw away all caution. Before five minutes had elapsed, she had entirely forgotten herself, and with her linen duster thrown aside, her straw hat flung on the piano, her white hands bared, and a black loop of her braided hair hanging upon her shoulder, was fairly embarked upon a flowing sea of musical recollection.

She had played, perhaps, half an hour, when having just finished an elaborate symphony, and resting her hands on the keys, she heard very distinctly and unmistakably the sound of applause from without. In an instant the fires of shame and indignation leaped into her cheeks; and she rose from the instrument, and ran to the window, only in time to catch sight of a dozen figures in blue and red flannel shirts vanishing hurriedly through the trees below.

Miss Milly’s mind was instantly made up. I think I have already intimated, that, under the stimulus of excitement, she was not wanting in courage; and as she quietly resumed her gloves, hat, and duster, she was not, perhaps, exactly the young person that it would be entirely safe for the timid, embarrassed, or inexperienced of my sex to meet alone. She shut down the piano; and having carefully reclosed all the windows and doors, and restored the house to its former desolate condition, she stepped from the veranda, and proceeded directly to the cabin of the unintellectual Hawkins, that reared its adobe chimney above the umbrage a quarter of a mile below.

The door opened instantly to her impulsive knock, and the “Fool of Five Forks” stood before her. Miss Milly had never before seen the man designated by this infelicitous title; and as he stepped backward, in half courtesy and half astonishment, she was,