The Phantom Herd by B. M. Bower (online e book reader .TXT) 📗

asked Luck, tears of laughter dimming his eyes. "That was ole Leather Lungs. He tuk sick an' died, year after that. Luck shore was mad enough to eat that thar cat, now I'm tellin' yuh!"

The Happy Family laughed together over the picture Applehead had crudely painted for them. But Luck, although he had started the story, already was slipping away from the present and was trying to peer into the future. He did not even hear what Applehead was saying to keep the boys in a roar of mirth. He was mentally reckoning the number of days since he had wired his order for a C.O.D. shipment of negative to be rushed to Albuquerque. Two days in Los Angeles, getting ready for the venture; two days on the way to Applehead's ranch, one day here,—five days altogether. He had told them to rush the order. If they did, there was a chance that it might have arrived. He decided suddenly to make the trip and see; but first he would develop the exposed negative of the forenoon's work. He got up with that businesslike air which the Happy Family had already begun to recognize as a signal for quick action, and took off his coat.

"Happy, I wish you and Bud would carry me some water," he said. "I'll show you where to put it; I'm going to need a lot. Will you help me wind the film on my patent rack, Andy? And I'll want that little team hitched to the buckboard so I can go to town after I'm through. I've got some hopes of my negative being there."

"Want the rest of us to work on that stage, don't you, boss?" Weary asked, pausing in the doorway to roll a smoke. "And please may I wipe off my eyebrows?"

"Why, sure!—to both questions," answered Luck, going over to his camera. "I can't do much more till I get more negative, even with the light right, which it isn't. You go ahead and finish the stage this afternoon. And be sure the uprights are guyed for a high wind; she sure can blow, in this man's country."

"You're danged right, she can blow!" Applehead testified emphatically. "She can blow, and she's goin' to blow. You want to take your overshoes and mittens, boy, when you start out fer town. You know how cold she can get on that mesa. Chances are you'll come back facin' a blizzard. And, say! I wisht you'd take that there dog back with yuh, Luck, 'cause if yuh don't, him and me's shore goin' to tangle, now I'm tellin' yuh! Mighty funny note when a cat dassent walk acrost his own dooryard in broad daylight, no more! Poor ole Compadre was shakin' like a leaf when I clumb up and got him down of'n the windmill. Way the wind was whistlin' up there, the chances are he's done ketched cold in 'is tail, and if he has, yuh better see to it that thar dog ain't within gunshot uh me, now I'm tellin' yuh!"

Luck did not hear half the tirade. He had gone into the dark room and was dissolving hypo for the fixing bath, while the boys tramped in with full water buckets and began to fill the barrels he had placed in a row along the wall. He was impatient to see how his work of the forenoon would come out of the developer, and he was quite as impatient to be on his way to town. Whether he admitted it or not, he had a good deal of faith in Applehead's weather forecasts; he remembered how often the old fellow had predicted storms in the past when Luck spent a long winter with him here in this same adobe dwelling. If it did snow, he must have plenty of negative for his winter scenes; for snow never laid long on the level here, and he had a full reel of winter stuff to make.

He called Andy to come and help him wind his exposed film on the crude, improvised film racks that had lately been beer kegs, and closed the dark room door upon the last empty bucket that had been carried in full. In the dull light of the ruby lamp he carefully wound his long strip of exposed negative, emulsion side out, around the keg which Andy held for him. His developer bath was ready, and he immersed the film-jacketed keg slowly, with due regard for bubbles of air.

"You may not know it, but right here in this dark room is where I look for the real test of success or failure," he confided to Andy, while he rocked the keg gently in the barrel. "I wish I could afford a good camera-man; but then, the most of them wouldn't work with this kind of an outfit; they'd demand all the laboratory conveniences, and that would run into money. Ever notice that when you can't get anything but the crudest kind of tools to work with, you generally have to use them yourself? But it will take more than—oh, hell!"

"What's wrong?" Andy Green bent his brown head anxiously down beside Luck's fast graying mop of hair, and peered at the images coming out of the yellowish veil that had hidden them. "Ain't they good?"

Luck reached into the water tank and splashed a little water on his film to check it while he looked. "Now, what in the name of—" He scowled perplexedly down at the streaked strips. "What do you suppose streaked it like that?" He lifted worried, gray eyes to Andy's apprehensive frown, and looked again disgustedly at the negative before he dropped it back with a splash into the developer.

"No good; she's ruined," he said in the flat tone of a great disappointment. "Eighty feet of film gone to granny. Well, that's luck for you!"

Andy reached gingerly into the barrel and brought up the keg so that he could take another look. He had owned a kodak for years and had done enough amateur developing to know that something had gone very wrong here.

"What ails the darned thing?" he asked fretfully, turning to Luck, who was scowling abstractedly into his barrels of "soup."

"You can search me," Luck replied dully. "Looks like I'd been stung with a bunch of bum chemicals. Either that, or something's wrong with our tanks here." He reached down and pulled up the keg by its hooped top, glimpsed a stain on his finger and thumb and let the keg slip hastily over into the pure water so that he could examine the stains.

"Iron! Iron, sure as thunder!" he exclaimed suddenly. "Those iron hoops are what did it." He rubbed his hand vexedly. "I knew better than that, too. I don't see why I didn't think about those hoops. Of all the idiotic, fool—"

"What kinda brain do you think you've got in your head, anyway?" Andy broke in spiritedly. "Way you've been working it lately, engineering every blamed detail yourself, you oughtn't to wonder if one little thing gets by you."

"Well, it's done now," Luck dismissed the accident stoically. "Lucky I started in on those costume and make-up tests of all you fellows, and that scene of your wife's. And if I'd used the other half barrel instead of this five-gallon keg for a start-off, I'd have spoiled the whole bunch. I'll have to throw out all that developer. Blast the luck! Well, let's get busy." He pulled out the keg and held it up for another disgusted look. "I won't bother fixing that at all. Call Happy and Bud back, will you, and have them roll this barrel of developer out and ditch it? And then take those two half barrels you were going to fix, and wrap them with clothesline,—that cotton line on one of the trunks,—and knock off all the hoops. I'm going to beat it to 'Querque and see if that stuff's there. We'll try developing the rest this evening, after I get back. Darn such luck!"

The five thousand feet of negative had not arrived, but there was a letter from the company saying that they had shipped it. Luck, bone-tired and cold from his fifteen-mile drive across the unsheltered mesa, turned away from the express office, debating whether to wait for the film or go back to the ranch. It would be a pretty cold drive back, in the edge of the evening and facing that raw wind; he decided that he would save time by waiting here in town, since he could not go on with his picture without more negative. He turned back impulsively, put his head in at the door of the express office, and called to the clerk:

"When do you get your next express from the East, brother? I'll wait for that negative if you think it's likely to come by to-morrow noon or there-abouts."

"Might come in on the eight o'clock train to-night, or to-morrow morning.
You say it was shipped the sixteenth? Ought to be here by morning, sure."

"I'll take a chance," Luck said half to himself, and closed the door.

A round-shouldered, shivering youth, who had been leaning apathetically against the side of the building, moved hesitatingly up to him. "Say, do I get it right that you're in the movies?" he inquired anxiously. "Heard you mention looking for negative. Haven't got a job for a fellow, have you?"

Luck wheeled and looked him over, from his frowsy, soft green beaver hat with the bow at the back, to his tan pumps that a prosperous young man would have thrown back in the closet six weeks before, as being out of season. The young man grinned his understanding of the appraisement, and Luck saw that his teeth were well-kept, and that his nails were clean and trimmed carefully. He made a quick mental guess and hit very close to the fellow's proper station in life and his present predicament.

"What end of the business do you know?" he asked, turning his face toward the warmth of the hotel.

"Operator. Worked two years at the Bijou in Cleveland. I'm down on my luck now; thought I'd try the California studios, because I wanted to learn the camera, and I figured on getting a look at the Fair. I stalled around out there till my money gave out, and then I started back to God's country." He shrugged his shoulders cynically. "This is about as far as I'm likely to get, unless I can learn to do without eating and a few other little luxuries," he summed up the situation grimly.

"Well, it won't hurt you to skip a lesson and have dinner with me," Luck suggested in the offhand way that robbed the invitation of the sting of charity. "I always did hate to eat alone."

The upshot of the meeting was that, when Luck gathered up the lines, next day, and popped the short lash of Applehead's home-made whip over the backs of the little bay team, and told them to "Get outa town!" in a tone that had in it a boyish note of exultation, the thin youth hung to the seat of the bouncing buckboard and wondered if Luck really could drive, or if he was half "stewed" and only imagined he could. The thin youth had much to learn besides the science of photography and some of it he learned during that fifteen-mile drive. For one thing, he learned that really Luck could drive. Luck proved that by covering the fifteen miles in considerably less than an hour and a half without losing any of his precious load of boxed negative and coiled garden hose and assistant camera-man,—since that was what he intended to make of the thin youth.

CHAPTER TWELVE "I THINK YOU NEED INDIAN GIRL FOR PICTURE"

Still it did not snow, though the wind blew from the storm quarter, and Applehead sniffed it and made predictions, and Compadre went with his remnant of tail ruffed like a feather boa. Immediately after supper Luck attached his new hose to the tank faucet and developed the corral scenes which he had taken, with the thin youth taking his first lesson in the dark room. The thin youth, who said his name was Bill Holmes, did not have very much to say, but he seemed very quick to grasp all that Luck told him. That kept Luck whistling softly between sentences, while they wound the negative around the roped half barrel that had not so much as a six penny nail in it this time, so thoroughly did Andy do his work.

The whistling ceased abruptly when Luck examined his film by the light of the ruby lamp, however, for every scene was over-exposed