Tales of Trail and Town - Bret Harte (best short novels of all time .TXT) 📗

half-leaning over a lichen-stained, cracked stone pedestal from which the statue had long been overthrown and forgotten.

To his surprise, however, the young girl, following the path to the lilacs, began leisurely to ascend the hill, swaying from side to side with a youthful movement, and swinging the long stalk of a lily at her side. In another moment he would be discovered! Dick was frightened; his confidence of the moment before had all gone; he would fly,—and yet, an exquisite and fearful joy kept him motionless. She was approaching him, full and clear in the moonlight. He could see the grace of her delicate figure in the simple white frock drawn at the waist with broad satin ribbon, and its love-knots of pale blue ribbons on her shoulders; he could see the coils of her brown hair, the pale, olive tint of her oval cheek, the delicate, swelling nostril of her straight, clear-cut nose; he could even smell the lily she carried in her little hand. Then, suddenly, she lifted her long lashes, and her large gray eyes met his.

Alas! the same look of vacant horror came into her eyes, and fixed and dilated their clear pupils. But she uttered no outcry,—there was something in her blood that checked it; something that even gave a dignity to her recoiling figure, and made Dick flush with admiration. She put her hand to her side, as if the shock of the exertion of her ascent had set her heart to beating, but she did not faint. Then her fixed look gave way to one of infinite sadness, pity, and pathetic appeal. Her lips were parted; they seemed to be moving, apparently in prayer. At last her voice came, wonderingly, timidly, tenderly: “Mon Dieu! c’est donc vous? Ici? C’est vous que Marie a crue voir! Que venez-vous faire ici, Armand de Fontonelles? Repondez!”

Alas, not a word was comprehensible to Dick; nor could he think of a word to say in reply. He made an uncouth, half-irritated, half-despairing gesture towards the wood he had quitted, as if to indicate his helpless horse, but he knew it was meaningless to the frightened yet exalted girl before him. Her little hand crept to her breast and clutched a rosary within the folds of her dress, as her soft voice again arose, low but appealingly:

“Vous souffrez! Ah, mon Dieu! Peuton vous secourir? Moi-meme— mes prieres pourraient elles interceder pour vous? Je supplierai le ciel de prendre en pitie l’ame de mon ancetre. Monsieur le Cure est la,—je lui parlerai. Lui et ma mere vous viendront en aide.”

She clasped her hands appealingly before him.

Dick stood bewildered, hopeless, mystified; he had not understood a word; he could not say a word. For an instant he had a wild idea of seizing her hand and leading her to his helpless horse, and then came what he believed was his salvation,—a sudden flash of recollection that he had seen the word he wanted, the one word that would explain all, in a placarded notice at the Cirque of a bracelet that had been LOST,—yes, the single word “PERDU.” He made a step towards her, and in a voice almost as faint as her own, stammered, “PERDU!”

With a little cry, that was more like a sigh than an outcry, the girl’s arms fell to her side; she took a step backwards, reeled, and fainted away.

Dick caught her as she fell. What had he said!—but, more than all, what should he do now? He could not leave her alone and helpless,—yet how could he justify another disconcerting intrusion? He touched her hands; they were cold and lifeless; her eyes were half closed; her face as pale and drooping as her lily. Well, he must brave the worst now, and carry her to the house, even at the risk of meeting the others and terrifying them as he had her. He caught her up,—he scarcely felt her weight against his breast and shoulder,—and ran hurriedly down the slope to the terrace, which was still deserted. If he had time to place her on some bench beside the window within their reach, he might still fly undiscovered! But as he panted up the steps of the terrace with his burden, he saw that the French window was still open, but the light seemed to have been extinguished. It would be safer for her if he could place her INSIDE the house,—if he but dared to enter. He was desperate, and he dared!

He found himself alone, in a long salon of rich but faded white and gold hangings, lit at the further end by two tall candles on either side of the high marble mantel, whose rays, however, scarcely reached the window where he had entered. He laid his burden on a high-backed sofa. In so doing, the rose fell from her belt. He picked it up, put it in his breast, and turned to go. But he was arrested by a voice from the terrace:—

“Renee!”

It was the voice of the elderly lady, who, with the Cure at her side, had just appeared from the rear of the house, and from the further end of the terrace was looking towards the garden in search of the young girl. His escape in that way was cut off. To add to his dismay, the young girl, perhaps roused by her mother’s voice, was beginning to show signs of recovering consciousness. Dick looked quickly around him. There was an open door, opposite the window, leading to a hall which, no doubt, offered some exit on the other side of the house. It was his only remaining chance! He darted through it, closed it behind him, and found himself at the end of a long hall or picture-gallery, strangely illuminated through high windows, reaching nearly to the roof, by the moon, which on that side of the building threw nearly level bars of light and shadows across the floor and the quaint portraits on the wall.

But to his delight he could see at the other end a narrow, lance-shaped open postern door showing the moonlit pavement without— evidently the door through which the mother and the Cure had just passed out. He ran rapidly towards it. As he did so he heard the hurried ringing of bells and voices in the room he had quitted—the young girl had evidently been discovered—and this would give him time. He had nearly reached the door, when he stopped suddenly— his blood chilled with awe! It was his turn to be terrified—he was standing, apparently, before HIMSELF!

His first recovering thought was that it was a mirror—so accurately was every line and detail of his face and figure reflected. But a second scrutiny showed some discrepancies of costume, and he saw it was a panelled portrait on the wall. It was of a man of his own age, height, beard, complexion, and features, with long curls like his own, falling over a lace Van Dyke collar, which, however, again simulated the appearance of his own hunting-shirt. The broad-brimmed hat in the picture, whose drooping plume was lost in shadow, was scarcely different from Dick’s sombrero. But the likeness of the face to Dick was marvelous—convincing! As he gazed at it, the wicked black eyes seemed to flash and kindle at his own,—its lip curled with Dick’s own sardonic humor!

He was recalled to himself by a step in the gallery. It was the Cure who had entered hastily, evidently in search of one of the servants. Partly because it was a man and not a woman, partly from a feeling of bravado—and partly from a strange sense, excited by the picture, that he had some claim to be there, he turned and faced the pale priest with a slight dash of impatient devilry that would have done credit to the portrait. But he was sorry for it the next moment!

The priest, looking up suddenly, discovered what seemed to him to be the portrait standing before its own frame and glaring at him. Throwing up his hands with an averted head and an “EXORCIS—!” he wheeled and scuffled away. Dick seized the opportunity, darted through the narrow door on to the rear terrace, and ran, under cover of the shadow of the house, to the steps into the garden. Luckily for him, this new and unexpected diversion occupied the inmates too much with what was going on in the house to give them time to search outside. Dick reached the lilac hedge, tore up the hill, and in a few moments threw himself, panting, on his blanket. In the single look he had cast behind, he had seen that the half-dark salon was now brilliantly lighted—where no doubt the whole terrified household was now assembled. He had no fear of being followed; since his confrontation with his own likeness in the mysterious portrait, he understood everything. The apparently supernatural character of his visitation was made plain; his ruffled vanity was soothed—his vindication was complete. He laughed to himself and rolled about, until in his suppressed merriment the rose fell from his bosom, and—he stopped! Its freshness and fragrance recalled the innocent young girl he had frightened. He remembered her gentle, pleading voice, and his cheek flushed. Well, he had done the best he could in bringing her back to the house—at the risk of being taken for a burglar—and she was safe now! If that stupid French parson didn’t know the difference between a living man and a dead and painted one, it wasn’t his fault. But he fell asleep with the rose in his fingers.

He was awake at the first streak of dawn. He again bathed his horse’s shoulder, saddled, but did not mount him, as the beast, although better, was still stiff, and Dick wished to spare him for the journey to still distant Havre, although he had determined to lie over that night at the first wayside inn. Luckily for him, the disturbance at the chateau had not extended to the forest, for Dick had to lead his horse slowly and could not have escaped; but no suspicion of external intrusion seemed to have been awakened, and the woodland was, evidently, seldom invaded.

By dint of laying his course by the sun and the exercise of a little woodcraft, in the course of two hours he heard the creaking of a hay-cart, and knew that he was near a traveled road. But to his discomfiture he presently came to a high wall, which had evidently guarded this portion of the woods from the public. Time, however, had made frequent breaches in the stones; these had been roughly filled in with a rude abatis of logs and treetops pointing towards the road. But as these were mainly designed to prevent intrusion into the park rather than egress from it, Dick had no difficulty in rolling them aside and emerging at last with his limping steed upon the white high-road. The creaking cart had passed; it was yet early for traffic, and Dick presently came upon a wine-shop, a bakery, a blacksmith’s shop, laundry, and a somewhat pretentious cafe and hotel in a broader space which marked the junction of another road.

Directly before it, however, to his consternation, were the massive, but timeworn, iron gates of a park, which Dick did not doubt was the one in which he had spent the previous night. But it was impossible to go further in his present plight, and he boldly approached the restaurant. As he was preparing to make his usual explanatory signs, to his great delight he was addressed in a quaint, broken English, mixed with forgotten American slang, by the white-trousered, black-alpaca coated proprietor. More than that— he was a Social Democrat and an enthusiastic lover of America—had he not been to “Bos-town” and New York, and penetrated as far west as “Booflo,” and had much pleasure in that