Selected Stories of Bret Harte by Bret Harte (the alpha prince and his bride full story free .TXT) 📗

more the chaos of some primary elemental upheaval than the work of man; while halfway down, a long flume straddled its narrow body and disproportionate legs over the chasm, like an enormous fossil of some forgotten antediluvian. At every step smaller ditches crossed the road, hiding in their sallow depths unlovely streams that crept away to a clandestine union with the great yellow torrent below, and here and there were the ruins of some cabin with the chimney alone left intact and the hearthstone open to the skies.

The settlement of Smith's Pocket owed its origin to the finding of a “pocket” on its site by a veritable Smith. Five thousand dollars were taken out of it in one half-hour by Smith. Three thousand dollars were expended by Smith and others in erecting a flume and in tunneling. And then Smith's Pocket was found to be only a pocket, and subject like other pockets to depletion. Although Smith pierced the bowels of the great red mountain, that five thousand dollars was the first and last return of his labor. The mountain grew reticent of its golden secrets, and the flume steadily ebbed away the remainder of Smith's fortune. Then Smith went into quartz-mining; then into quartz-milling; then into hydraulics and ditching, and then by easy degrees into saloonkeeping. Presently it was whispered that Smith was drinking a great deal; then it was known that Smith was a habitual drunkard, and then people began to think, as they are apt to, that he had never been anything else. But the settlement of Smith's Pocket, like that of most discoveries, was happily not dependent on the fortune of its pioneer, and other parties projected tunnels and found pockets. So Smith's Pocket became a settlement, with its two fancy stores, its two hotels, its one express office, and its two first families. Occasionally its one long straggling street was overawed by the assumption of the latest San Francisco fashions, imported per express, exclusively to the first families; making outraged Nature, in the ragged outline of her furrowed surface, look still more homely, and putting personal insult on that greater portion of the population to whom the Sabbath, with a change of linen, brought merely the necessity of cleanliness without the luxury of adornment. Then there was a Methodist Church, and hard by a Monte Bank, and a little beyond, on the mountainside, a graveyard; and then a little schoolhouse.

“The Master,” as he was known to his little flock, sat alone one night in the schoolhouse, with some open copybooks before him, carefully making those bold and full characters which are supposed to combine the extremes of chirographical and moral excellence, and had got as far as “Riches are deceitful,” and was elaborating the noun with an insincerity of flourish that was quite in the spirit of his text, when he heard a gentle tapping. The woodpeckers had been busy about the roof during the day, and the noise did not disturb his work. But the opening of the door, and the tapping continuing from the inside, caused him to look up. He was slightly startled by the figure of a young girl, dirty and shabbily clad. Still, her great black eyes, her coarse, uncombed, lusterless black hair falling over her sunburned face, her red arms and feet streaked with the red soil, were all familiar to him. It was Melissa Smith—Smith's motherless child.

“What can she want here?” thought the master. Everybody knew “Mliss,” as she was called, throughout the length and height of Red Mountain. Everybody knew her as an incorrigible girl. Her fierce, ungovernable disposition, her mad freaks and lawless character, were in their way as proverbial as the story of her father's weaknesses, and as philosophically accepted by the townsfolk. She wrangled with and fought the schoolboys with keener invective and quite as powerful arm. She followed the trails with a woodman's craft, and the master had met her before, miles away, shoeless, stockingless, and bareheaded on the mountain road. The miners' camps along the stream supplied her with subsistence during these voluntary pilgrimages, in freely offered alms. Not but that a larger protection had been previously extended to Mliss. The Rev. Joshua McSnagley, “stated” preacher, had placed her in the hotel as servant, by way of preliminary refinement, and had introduced her to his scholars at Sunday school. But she threw plates occasionally at the landlord, and quickly retorted to the cheap witticisms of the guests, and created in the Sabbath school a sensation that was so inimical to the orthodox dullness and placidity of that institution that, with a decent regard for the starched frocks and unblemished morals of the two pink-and-white-faced children of the first families, the reverend gentleman had her ignominiously expelled. Such were the antecedents, and such the character of Mliss as she stood before the master. It was shown in the ragged dress, the unkempt hair, and bleeding feet, and asked his pity. It flashed from her black, fearless eyes, and commanded his respect.

“I come here tonight,” she said rapidly and boldly, keeping her hard glance on his, “because I knew you was alone. I wouldn't come here when them gals was here. I hate 'em and they hates me. That's why. You keep school, don't you? I want to be teached!”

If to the shabbiness of her apparel and uncomeliness of her tangled hair and dirty face she had added the humility of tears, the master would have extended to her the usual moiety of pity, and nothing more. But with the natural, though illogical, instincts of his species, her boldness awakened in him something of that respect which all original natures pay unconsciously to one another in any grade. And he gazed at her the more fixedly as she went on still rapidly, her hand on that door latch and her eyes on his:

“My name's Mliss—Mliss Smith! You can bet your life on that. My father's Old Smith—Old Bummer Smith—that's what's the matter with him. Mliss Smith—and I'm coming to school!”

“Well?” said the master.

Accustomed to be thwarted and opposed, often wantonly and cruelly, for no other purpose than to excite the violent impulses of her nature, the master's phlegm evidently took her by surprise. She stopped; she began to twist a lock of her hair between her fingers; and the rigid line of upper lip, drawn over the wicked little teeth, relaxed and quivered slightly. Then her eyes dropped, and something like a blush struggled up to her cheek and tried to assert itself through the splashes of redder soil, and the sunburn of years. Suddenly she threw herself forward, calling on God to strike her dead, and fell quite weak and helpless, with her face on the master's desk, crying and sobbing as if her heart would break.

The master lifted her gently and waited for the paroxysm to pass. When, with face still averted, she was repeating between her sobs the MEA CULPA of childish penitence—that “she'd be good, she didn't mean to,” etc., it came to him to ask her why she had left Sabbath school.

Why had she left the Sabbath school?—why? Oh, yes. What did he (McSnagley) want to tell her she was wicked for? What did he tell her that God hated her for? If God hated her, what did she want to go to Sabbath school for? SHE didn't want to be “beholden” to anybody who hated her.

Had she told McSnagley this?

Yes, she had.

The master laughed. It was a hearty laugh, and echoed so oddly in the little schoolhouse, and seemed so inconsistent and discordant with the sighing of the pines without, that he shortly corrected himself with a sigh. The sigh was quite as sincere in its way, however, and after a moment of serious silence he asked about her father.