Jean of the Lazy A by B. M. Bower (tohfa e dulha read online TXT) 📗

glad to welcome her. She felt the warm air of good-fellowship that followed her everywhere. All of these people seemed to accept her at once as one of themselves. When she noticed it, she was amused at the way the "extras" stood back and looked at her and whispered together. More than once she overheard what seemed almost to have become a catch-phrase out here; "Jean of the lazy A" was the phrase.

Jean was not made of wood, understand. In a manner she recognized all these little tributes, and to a certain degree she appreciated them. She was glad that she had made such a success of it, but she was glad because it would help her to take her dad away from that horrible, ghastly place and that horrible, ghastly death-in-life under which he lived. In three years he had grown old and stooped—her dad!

And Burns twitted her ironically because she could not simper and lose her head over the attentions these people were loading upon her! Save for the fact that in this way she could earn a good deal of money, and could pay that lawyer Rossman, and trace Art Osgood, she would not have stayed; she could not have endured the staying. For the easier they made life for her, the greater contrast did they make between her and her dad.

Gil brought her a great bunch of roses, unbelievably beautiful and fragrant, and laughed and told her they didn't look much like those snowdrifts she waded through the last day they worked on the Lazy A serial. For just a minute he thought Jean was going to throw them at him, and he worried himself into sleeplessness, poor boy, wondering how he had offended her, and how he could make amends. Could he have looked into Jean's soul, he would have seen that it was seared with the fresh memory of iron bars and high walls and her dad who never saw any roses; and that the contrast between their beauty and the terrible barrenness that surrounded him was like a blow in her face.

Dewitt himself sensed that something was wrong with her. She was not her natural self, and he knew it, though his acquaintance with her was a matter of hours only. Part of his business it was to study people, to read them; he read Jean now, in a general way. Not being a clairvoyant, he of course had no inkling of the very real troubles that filled her mind, though the effect of those troubles he saw quite plainly. He watched her quietly for a day, and then he applied the best remedy he knew.

"You've just finished a long, hard piece of work," he said in his crisp, matter-of-fact way, on the second morning after her arrival. "There is going to be a delay here while we shape things up for the winter, and it is my custom to keep my people in the very best condition to work right up to the standard. So you are all going to have a two-weeks vacation, Jean-of-the-Lazy-A. At full salary, of course; and to put you yourself into the true holiday spirit, I'm going to raise your salary to a hundred and seventy-five a week. I consider you worth it," he added, with a quieting gesture of uplifted hand, "or you may be sure I wouldn't pay it.

"Get some nice old lady to chaperone you, and go and play. The ocean is good; get somewhere on the beach. Or go to Catalina and play there. Or stay here, and go to the movies. Go and see 'Jean, of the Lazy A,' and watch how the audience lives with her on the screen. Go up and talk to the wife. She told me to bring you up for dinner. You go climb into my machine, and tell Bob to take you to the house now. Run along, Jean of the Lazy A! This is an order from your chief."

Jean wanted to cry. She held the roses, that she almost hated for their very beauty and fragrance, close pressed in her arms, while she went away toward the machine. Dewitt looked after her, thought she meant to obey him, and turned to greet a great man of the town who had been waiting for five minutes to speak to him.

Jean did not climb into the purple car and tell Bob to drive her to "the house." She walked past it without even noticing that it stood there, an aristocrat among the other machines parked behind the great studio that looked like a long, low warehouse. She knew the straightest, shortest trail to the corrals, you may be sure of that. She took that trail.

Pard was standing in a far corner under a shed, switching his tail methodically at the October crop of flies. His head lay over the neck of a scrawny little buckskin, for which he had formed a sudden and violent attachment, and his eyes were half closed while he drowsed in lazy content. Pard was not worrying about anything. He looked so luxuriously happy that Jean had not the heart to disturb him, even with her comfort-seeking caresses. She leaned her elbows on the corral gate and watched him awhile. She asked a bashful, gum-chewing youth if he could tell her where to find Lite Avery. But the youth seemed never to have heard of Lite Avery, and Jean was too miserable to explain and describe Lite, and insist upon seeing him. She walked over to the nearest car-line and caught the next street car for the city. Part of her chief's orders at least she would obey. She would go down to the Victoria and see "Jean, of the Lazy A," but she was not going because of any impulse of vanity, or to soothe her soul with the applause of strangers. She wanted to see the ranch again. She wanted to see the dear, familiar line of the old bluff that framed the coulee, and ride again with Lite through those wild places they had chosen for the pictures. She wanted to lose herself for a little while among the hills that were home.

CHAPTER XX CHANCE TAKES A HAND

A huge pipe organ was filling the theater with a vast undertone that was like the whispering surge of a great wind. Jean went into the soft twilight and sat down, feeling that she had shut herself away from the harsh, horrible world that held so much of suffering. She sighed and leaned her head back against the curtained enclosure of the loges, and closed her eyes and listened to the big, sweeping harmonies that were yet so subdued.

Down next the river, in a sheltered little coulee, there was a group of great bull pines. Sometimes she had gone there and leaned against a tree trunk, and had shut her eyes and listened to the vast symphony which the wind and the water played together. She forgot that she had come to see a picture which she had helped to create. She held her eyes shut and listened; and that horror of high walls and iron bars that had haunted her for days, and the aged, broken man who was her father, dimmed and faded and was temporarily erased; the lightness of her lips eased a little; the tenseness relaxed from her face, as it does from one who sleeps.

But the music changed, and her mood changed with it. She did not know that this was because the story pictured upon the screen had changed, but she sat up straight and opened her eyes, and felt almost as though she had just awakened from a vivid dream.

A Mexican series of educational pictures were being shown. Jean looked, and leaned forward with a little gasp. But even as she fixed her eyes and startled attention upon it, that scene was gone, and she was reading mechanically of refugees fleeing to the border line.

She must have been asleep, she told herself, and had gotten things mixed up in her dreams. She shook herself mentally and remembered that she ought to take off her hat; and she tried to fix her mind upon the pictures. Perhaps she had been mistaken; perhaps she had not seen what she believed she had seen. But—what if it were true? What if she had really seen and not imagined it? It couldn't be true, she kept telling herself; of course, it couldn't be true! Still, her mind clung to that instant when she had first opened her eyes, and very little of what she saw afterwards reached her brain at all.

Then she had, for the first time in her life, the strange experience of seeing herself as others saw her. The screen announcement and expectant stir that greeted it caught her attention, and pulled her back from the whirl of conjecture into which she had been plunged. She watched, and she saw herself ride up to the foreground on Pard. She saw herself look straight out at the audience with that peculiar little easing of the lips and the lightening of the eyes which was just the infectious beginning of a smile. Involuntarily she smiled back at her pictured self, just as every one else was smiling back. For that, you must know, was what had first endeared her so to the public; the human quality that compelled instinctive response from those who looked at her. So Jean in the loge smiled at Jean on the screen. Then Lite—dear, silent, long-legged Lite!—came loping up, and pushed back his hat with the gesture that she knew so well, and spoke to her and smiled; and a lump filled the throat of Jean in the loge, though she could not have told why. Then Jean on the screen turned and went riding with Lite back down the trail, with her hat tilted over one eye because of the sun, and with one foot swinging free of the stirrup in that absolute unconsciousness of pose that had first caught the attention of Robert Grant Burns and his camera man. Jean in the loge heard the ripple of applause among the audience and responded to it with a perfectly human thrill.

Presently she was back at the Lazy A, living again the scenes which she herself had created. This was the fourth or fifth picture,—she did not at the moment remember just which. At any rate, it had in it that incident when she had first met the picture-people in the hills and mistaken Gil Huntley and the other boys for real rustlers stealing her uncle's cattle. You will remember that Robert Grant Burns had told Pete to take all of that encounter, and he had later told Jean to write her scenario so as to include that incident.

Jean blushed when she saw herself ride up to those three and "throw down on them" with her gun. She had been terribly chagrined over that performance! But now it looked awfully real, she told herself with a little glow of pride. Poor old Gil! They hadn't caught her roping him, anyway, and she was glad of that. He would have looked absurd, and those people would have laughed at him. She watched how she had driven the cattle back up the coulee, with little rushes up the bank to head off an unruly cow that had ideas of her own about the direction in which she would travel. She loved Pard, for the way he tossed his head and whirled the cricket in his bit with his tongue, and obeyed the slightest touch on the rein. The audience applauded that cattle drive; and Jean was almost betrayed into applauding it herself.

Later there was a scene where she had helped Lite Avery and Lee Milligan round up a bunch of cattle and cut out three or four, which were to be sold to a butcher for money to take her mother to the doctor. Lite rode close to the camera and looked straight at her, and Jean bit her lips sharply as tears stung her lashes for some inexplicable reason. Dear old Lite! Every line in his face she knew, every varying, vagrant expression, every little twitch of his lips and eyelids that meant so much to those who knew him well enough to read his face. Jean's eyes softened, cleared, and while she looked, her lips parted a little, and she did not know that she was smiling.

She was