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P. Joyce, trap, crap, and snap shooter was due to happen back casual most any time, and any lady or gent desirous of witnessing at first hand, a shutzenfest with live targets, could be gratified by infestin' in person or by proxy, the lands, tenements, and hereditaments of me and the kid.

"'Well, we hit the Seattle docks at a canter, him headed for the postal telegraph, me for a fruit-stand. I bought a dollar's worth of everything, from cracker-jack to cantaloupe, reserving the local option of eatin' it there in whole or in part, and returning for more. First fresh fruit in three years. I reckon my proudest hour come when I found, beyond peradventure, that I hadn't forgot the 'Georgy Grind.' What? 'Georgy Grind' consists of feeding rough-hewed slabs of watermelon into your sou' sou'east corner, and squirting a stream of seeds out from the other cardinal points, without stopping or strangling.

"I et and et, and then wallered up to the hotel, sweatin' a different kind of fruit juice from every pore. Not wishing to play any favourites, I'd picked up a basket of tomatoes, a gunny-sack of pineapples, and a peck of green plums on the way. Them plums done the business. I'd orter let bad enough alone. They was non-union, and I begin having trouble with my inside help. Morrow turned in a hurry-up call for the Red Cross, two medical colleges, and the Society of Psycolic Research. Between 'em they diagnosed me as containing everything from 'housemaid's knee' to homesickness of the vital organs, but I know. I swallered a plum pit, and it sprouted.

"Next day, when I come out of it, Justus had heard from Denver. His wife had been gone a year, destination unknown. Somebody thought she went to California, so, two days later, we registered at the Palace, and the 'Frisco police begin dreaming of five thousand dollar rewards.

"It was no use, though. One day I met Struthers on Market Street, and he was scared stiff to hear that Morrow was in town. It seems he was night editor of one of the big dailies.

"'Do you know where the girl is?' says I.

"'Yes, she's in New York,' he answers, looking queer, so I hurried back to the hotel.

"As I was explaining to Morrow, a woman passed us in the hall with a little boy. In the dimness, the lad mistook Justus.

"'Oh, papa, papa!" he yells, and grabs him by the knees, laughing and kicking.

"'Ah-h!' my pardner sighs, hoarse as a raven, and quicker'n light he snatched the little shaver to him, then seeing his mistake, dropped him rough. His face went grey again, and he got wabbly at the hinges, so I helped him into the parlour. He had that hungry, Yukon look, and breathed like he was wounded.

"'You come with me,' says I, 'and get your mind off of things. The eastern limited don't leave till midnight. Us to the theatre!'

"It was a swell tepee, all right. Variety house, with moving pictures, and actorbats, and two-ton soubrettes, with Barrios diamonds and hand-painted socks.

"First good show I'd seen in three years, and naturally humour broke out all over me. When joy spreads its wings in my vitals, I sound like a boy with a stick running past a picket-fence. Not so Morrow. He slopped over the sides of his seat, like he'd been spilled into the house.

"Right after the sea-lions, the orchestra spieled some teetery music, and out floats a woman, slim and graceful as an antelope. She had a big pay-dump of brown hair, piled up on her hurricane deck, with eyes that snapped and crinkled at the corners. She single-footed in like a derby colt, and the somnambulists in the front row begin to show cause. Something about her startled me, so I nudged the kid, but he was chin-deep in the plush, with his eyes closed. I marked how drawed and haggard he looked; and then, of a sudden he raised half on to his feet. The girl had begun to sing. Her voice was rich and low, and full of deep, still places, like a mountain stream. But Morrow! He sunk his fingers into me, and leaned for'rad, starin' as though Paradise had opened for him, while the sweat on his face shone like diamond chips.

"It was the girl of the locket, all right, on the stage again—in vaudeville.

"Her song bubbled along, rippling over sandy, sunlit gravel bars, and slidin' out through shadowy trout pools beneath the cool, alder thickets, and all the time my pardner sat burning his soul in his eyes, his breath achin' out through his throat. Incidental, his digits was knuckle-deep into the muscular tissue of William P., the gent to the right.

"When she quit, I had to jam him back.

"For an encore she sang a reg'lar American song, with music to it. When she reached the chorus she stopped. Then away up in the balcony sounded the tiny treble of a boy's soprano, sweet as the ring of silver. The audience turned, to a man, and we seen, perched among the newsboys, the littlest, golden-haired youngster, 'bout the size of your thumb, his eyes glued to the face of his mother on the stage below, pourin' out his lark song, serious and frightened. Twice he done it, while by main stren'th I held his father to the enjoyments of a two-dollar orchestra chair.

"'Let us in,' we says, three minutes later, to the stranger at the stage door, but he looked upon us with unwelcome, like the seven-headed hydrant of Holy Writ.

"'It's agin' the rules,' says he. 'You kin wait in the alley with the other Johnnies.'

"I ain't acclimated to the cold disfavour of a stage door, never having soubretted along the bird and bottle route. I was for the layin' on of hands. Moreover, I didn't like the company we was in, 'Johnnies,' by designations of the Irish terrier at the wicket. They smoked ready-made cigarettes, and some of 'em must have measured full eight inches acrost the chest.

"'Let us stroll gently but firmly into, over, and past the remains of this party, to the missus,' says I, but Morrow got seized with the shakes, of a sudden.

"'No, no. We'll wait here.'

"At last she come out, steppin' high. When she moved she rustled and rattled like she wore sandpaper at the ankles.

"Say, she was royal! She carried the youngster in her arms, sound asleep, and it wasn't till she stepped under the gaslight that she seen us.

"'Oh!' she cried, and went white as the lace of her cloak. Then she hugged the kiddie clost to her, standing straight and queenly, her eyes ablaze, her lips moist, and red, and scornful.

"God, she was grand—but him? He looked like a barnacle.

"'Olive!' says he, bull-froggy, and that's all. Just quit like a dog and ate her up by long-distance eyesight. Lord! Nobody would have knowed him for the same man that called the crookedest gamblers on the Yukon, and bolted newspaper men raw. He had ingrowing language. It oozed out through his pores till he dreened like a harvest hand. I'd have had her in my arms in two winks, so that all hell and a policeman couldn't have busted my holt till she'd said she loved me.

"She shrivelled him with a look, the likes of which ain't strayed over the Mason-Dixon line since Lee surrendered, and swept by us, invitin' an' horspitable as an iceberg in a cross sea. Her cab door slammed, and I yanked Morrow out of there, more dead than alive.

"'Let me go home,' says he wearily.

"'You bet!' I snorts. 'It's time you was tucked in. The dew is fallin' and some rude person might accost you. You big slob! There's a man's work to do to-night, and as I don't seem to have no competition in holding the title, I s'pose it's my lead.' I throwed him into a carriage. 'You'd best put on your nighty, and have the maid turn down your light. Sweet dreams, Gussie!' I was plumb sore on him. History don't record no divorce suits in the Stone Age, when a domestic inclined man allus toted a white-oak billy, studded with wire nails, according to the pictures, and didn't scruple to use it, both at home and abroad. Women was hairy, them days, and harder to make love, honour and obey; but principles is undyin'.

"I boarded another cab:

"'Drive me to number ——,' giving him the address I'd heard her use.

"'Who is it,' came her voice when I rang the bell.

"'Messenger boy,' I replies, perjuring my vocal cords.

"When she opened the door, I pushed through and closed it behind me.

"'What does this mean?' she cried. 'Help!'

"'Shut up! It means you're killing the best boy in the world, and I want to know why.'

"'Who are you?'

"'I'm Bill Joyce, your husband's pardner. Old Tarantula Bill, that don't fear no man, woman, or child that roams the forest. I'm here to find what ails you—'

"'Leave this house, sir!'

"'Well, not to any extent. You're a good girl; I knowed it when I first seen your picture. Now, I want you to tell me—'

"'Insolent! Shall I call the police?' Her voice was icy, and she stood as solid as stone.

"'Madam, I'm as gentle as a jellyfish, and peaceful to a fault, but if you raise a row before I finish my talk I'll claim no responsibility over what occurs to the first eight or ten people that intrudes,' and I drawed my skinnin' knife, layin' it on the planner. 'Philanthropy is raging through my innards, and two loving hearts need joining!'

"'I don't love him,' she quotes, like a phonograft, ignoring my cutlery.

"'I'll take exception to that ruling,' and I picks up a picture of
Justus she'd dropped as I broke in. She never batted an eye.

"'I nursed that lad through brain fever, when all he could utter was your name.'

"'Has he been sick?' The first sign of spring lit up her peaks.

"'Most dead. Notice of the divorce done it. He's in bad shape yet.' Morrow never had a sick day in his life, but I stomped both feet on the soft pedal, and pulled out the tremulo stop.

"'Oh! Oh!' Her voice was soft, though she still stood like a birch.

"'Little girl,' I laid a hand on her shoulder. 'We both love that boy. Come, now, what is the matter?'

"She flashed up like powder.

"'Matter? I thought he was a gentleman, even though he didn't love me; that he had a shred of honour, at least. But no! He went to Alaska and made a fortune. Then he squandered it, drinking, fighting, gambling, and frittering it away on women. Bah! Lewd creatures of the dance-halls, too.'

"'Hold up! Your dope sheet is way to the bad. There's something wrong with your libretto. Who told you all that?'

"'Never mind. I have proof. Look at these, and you dare to ask me why I left him?'

"She dragged out some pictures and throwed 'em at me.

"'Ah! Why didn't I let the kid kill him?' says I, through my teeth.

"The first was the gambling-room of the Reception. There stood Morrow with the men under foot; there was the bottles and glasses; the chips and cards, and also the distressful spectacle of Tarantula Bill Joyce, a number twelve man, all gleaming teeth, and rolling eyeballs, inserting hisself into a number nine opening, and doing surprising well at it.

"'Look at them. Look at them well,' she gibed.

"The second was the Gold-Belt dance-hall, with the kid cavorting through a drunken orgy of painted ladies, like a bull in a pansy patch. But the other—it took my breath away till I felt I was on smooth ice, with cracks showing. It was the inside of a cabin, after a big 'pot-latch,' displaying a table littered up with fizz bottles and dishes galore. Diamond Tooth Lou stood on a chair, waving kisses and spilling booze from a mug. In the

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