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saloon and bring her lover to her. She had never dreamed of being treated in this way. No one came near her—and she had secretly expected to cause something of a flutter in this little town they called Hope.

Surely, young girls from the East, come out to get married to their sweethearts, weren't so numerous that they should be ignored. If there were other people in the hotel, they did not manifest their presence, save by disquieting noises muffled by intervening partitions.

She grew thirsty, but she hesitated to explore the depths of this dreary abode, in fear of worse horrors than the parlor furniture, and all the places of refreshment which she could see from the window or the door looked terribly masculine and unmoral, and as if they did not know there existed such things as ice cream, or soda, or sherbet.

It was after an hour of this that the tears came, which is saying a good deal for her courage. It seemed to her then that Manley must be dead. What else could keep him so long away from her, after three years of impassioned longing written twice a week with punctilious regularity?

He knew that she was coming. She had telegraphed from St. Paul, and had received a joyful reply, lavishly expressed in seventeen words instead of the ten-word limit. And they were to have been married immediately upon her arrival.

That cowboy had known she was coming; he must also have known why Manley did not meet her, and she wished futilely that she had questioned him, instead of walking beside him without a word. He should have explained. He would have explained if he had not been so very anxious to get inside that saloon and get drunk.

She had always heard that cowboys were chivalrous, and brave, and fascinating in their picturesque dare-deviltry, but from the lone specimen which she had met she could not see that they possessed any of those qualities. If all cowboys were like that, she hoped that she would not be compelled to meet any of them. And why didn't Manley come?

It was then that an inner door—a door which she had wanted to open, but had lacked courage—squeaked upon its hinges, and an ill-kept bundle of hair was thrust in, topping a weather-beaten face and a scrawny little body. Two faded, inquisitive eyes looked her over, and the woman sidled in, somewhat abashed, but too curious to remain outside.

“Oh yes!” She seemed to be answering some inner question. “I didn't know you was here.” She went over and removed the newspaper from the portrait. “That breed girl of mine ain't got the least idea of how to straighten up a room,” she observed complainingly. “I guess she thinks this picture was made to hang things on. I'll have to round her up again and tell her a few things. This is my first husband. He was in politics and got beat, and so he killed himself. He couldn't stand to have folks give him the laugh.” She spoke with pride. “He was a real handsome man, don't you think? You mighta took off the paper; it didn't belong there, and he does brighten up the room. A good picture is real company, seems to me. When my old man gets on the rampage till I can't stand it no longer, I come in here and set, and look at Walt. 'T ain't every man that's got nerve to kill himself—with a shotgun. It was turrible! He took and tied a string to the trigger—”

“Oh, please!”

The landlady stopped short and stared at her. “What? Oh, I won't go into details—it was awful messy, and that's a fact. I didn't git over it for a couple of months. He coulda killed himself with a six-shooter; it's always been a mystery why he dug up that old shotgun, but he did. I always thought he wanted to show his nerve.” She sighed, and drew her fingers across her eyes. “I don't s'pose I ever will git over it,” she added complacently. “It was a turrible shock.”

“Do you know,” the girl began desperately, “if Mr. Manley Fleetwood is in town? I expected him to meet me at the train.”

“Oh! I kinda thought you was Man Fleetwood's girl. My name's Hawley. You going to be married to-night, ain't you?”

“I—I haven't seen Mr. Fleetwood yet,” hesitated the girl, and her eyes filled again with tears. “I'm afraid something may have happened to him. He—”

Mrs. Hawley glimpsed the tears, and instantly became motherly in her manner. She even went up and patted the girl on the shoulder.

“There, now, don't you worry none. Man's all right; I seen him at dinner time. He was—” She stopped short, looked keenly at the delicate face, and at the yellow-brown eyes which gazed back at her, innocent of evil, trusting, wistful. “He spoke about your coming, and said he'd want the use of the parlor this evening, for the wedding. I had an idea you was coming on the six-twenty train. Maybe he thought so, too. I never heard you come in—I was busy frying doughnuts in the kitchen—and I just happened to come in here after something. You'd oughta rapped on that door. Then I'd 'a' known you was here. I'll go and have my old man hunt him up. He must be around town somewheres. Like as not he'll meet the six-twenty, expecting you to be on it.”

She smiled reassuringly as she turned to the inner door.

“You take off your hat and jacket, and pretty soon I'll show you up to a room. I'll have to round up my old man first—and that's liable to take time.” She turned her eyes quizzically to the porky-cheeked portrait. “You jest let Walt keep you company till I get back. He was real good company when he was livin'.”

She smiled again and went out briskly, came back, and stood with her hand upon the cracked doorknob.

“I clean forgot your name,” she hinted. “Man told me, at dinner time, but I'm no good on earth at remembering names till after I've seen the person it belongs to.”

“Valeria Peyson—Val, they call me usually, at home.” The homesickness of the girl shone in her misty eyes, haunted her voice. Mrs. Hawley read it, and spoke more briskly than she would otherwise have done.

“Well, we're plumb strangers, but we ain't going to stay that way, because every time you come to town you'll have to stop here; there ain't any other place to stop. And I'm going to start right in calling you Val. We don't use no ceremony with folk's names, out here. Val's a real nice name, short and easy to say. Mine's Arline. You can call me by it if you want to. I don't let everybody—so many wants to cut it down to Leen, and I won't stand for that; I'm lean enough, without havin' it throwed up to me. We might jest as well start in the way we're likely to keep it up, and you won't feel so much like a stranger.

“I'm awful glad you're going to settle here—there ain't so awful many women in the country; we have to rake and scrape to git enough for three sets when we have a dance—and more likely we can't make out more 'n two. D' you dance? Somebody said they seen a fiddle box down to the depot, with a couple of big trunks; d' you play the fiddle?”

“A little,” Valeria smiled faintly.

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