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“Suppose he sees this scarf?”

Mescal laughed defiantly. It was bewildering for Hare to hear her.

“He'll—Mescal, I may yet come to this.” Hare's laugh echoed Mescal's as he pointed to the enclosure under the wall, where the graves showed bare and rough.

Her warm color fled, but it flooded back, rich, mantling brow and cheek and neck.

“Snap Naab will never kill you,” she said impulsively.

“Mescal.”

She swiftly turned her face away as his hand closed on hers.

“Mescal, do you love me?”

The trembling of her fingers and the heaving of her bosom lent his hope conviction. “Mescal,” he went on, “these past months have been years, years of toiling, thinking, changing, but always loving. I'm not the man you knew. I'm wild— I'm starved for a sight of you. I love you! Mescal, my desert flower!”

She raised her free hand to his shoulder and swayed toward him. He held her a moment, clasped tight, and then released her.

“I'm quite mad!” he exclaimed, in a passion of self-reproach. “What a risk I'm putting on you! But I couldn't help it. Look at me— Just once—please— Mescal, just one look.... Now go.”

The drama of the succeeding days was of absorbing interest. Hare had liberty; there was little work for him to do save to care for Silvermane. He tried to hunt foxes in the caves and clefts; he rode up and down the broad space under the walls; he sought the open desert only to be driven in by the bitter, biting winds. Then he would return to the big living-room of the Naabs and sit before the burning logs. This spacious room was warm, light, pleasant, and was used by every one in leisure hours. Mescal spent most of her time there. She was engaged upon a new frock of buckskin, and over this she bent with her needle and beads. When there was a chance Hare talked with her, speaking one language with his tongue, a far different one with his eyes. When she was not present he looked into the glowing red fire and dreamed of her.

In the evenings when Snap came in to his wooing and drew Mescal into a corner, Hare watched with covert glance and smouldering jealousy. Somehow he had come to see all things and all people in the desert glass, and his symbol for Snap Naab was the desert-hawk. Snap's eyes were as wild and piercing as those of a hawk; his nose and mouth were as the beak of a hawk; his hands resembled the claws of a hawk; and the spurs he wore, always bloody, were still more significant of his ruthless nature. Then Snap's courting of the girl, the cool assurance, the unhastening ease, were like the slow rise, the sail, and the poise of a desert-hawk before the downward lightning-swift swoop on his quarry.

It was intolerable for Hare to sit there in the evenings, to try to play with the children who loved him, to talk to August Naab when his eye seemed ever drawn to the quiet couple in the corner, and his ear was unconsciously strained to catch a passing word. That hour was a miserable one for him, yet he could not bring himself to leave the room. He never saw Snap touch her; he never heard Mescal's voice; he believed that she spoke very little. When the hour was over and Mescal rose to pass to her room, then his doubt, his fear, his misery, were as though they had never been, for as Mescal said good-night she would give him one look, swift as a flash, and in it were womanliness and purity, and something beyond his comprehension. Her Indian serenity and mysticism veiled yet suggested some secret, some power by which she might yet escape the iron band of this Mormon rule. Hare could not fathom it. In that good-night glance was a meaning for him alone, if meaning ever shone in woman's eyes, and it said: “I will be true to you and to myself!”

Once the idea struck him that as soon as spring returned it would be an easy matter, and probably wise, for him to leave the oasis and go up into Utah, far from the desert-canyon country. But the thought refused to stay before his consciousness a moment. New life had flushed his veins here. He loved the dreamy, sleepy oasis with its mellow sunshine always at rest on the glistening walls; he loved the cedar-scented plateau where hope had dawned, and the wind-swept sand-strips, where hard out-of-door life and work had renewed his wasting youth; he loved the canyon winding away toward Coconina, opening into wide abyss; and always, more than all, he loved the Painted Desert, with its ever-changing pictures, printed in sweeping dust and bare peaks and purple haze. He loved the beauty of these places, and the wildness in them had an affinity with something strange and untamed in him. He would never leave them. When his blood had cooled, when this tumultuous thrill and swell had worn themselves out, happiness would come again.

Early in the winter Snap Naab had forced his wife to visit his father's house with him; and she had remained in the room, white-faced, passionately jealous, while he wooed Mescal. Then had come a scene. Hare had not been present, but he knew its results. Snap had been furious, his father grave, Mescal tearful and ashamed. The wife found many ways to interrupt her husband's lovemaking. She sent the children for him; she was taken suddenly ill; she discovered that the corral gate was open and his cream-colored pinto, dearest to his heart, was running loose; she even set her cottage on fire.

One Sunday evening just before twilight Hare was sitting on the porch with August Naab and Dave, when their talk was interrupted by Snap's loud calling for his wife. At first the sounds came from inside his cabin. Then he put his head out of a window and yelled. Plainly he was both impatient and angry. It was nearly time for him to make his Sunday call upon Mescal.

“Something's wrong,” muttered Dave.

“Hester! Hester!” yelled Snap.

Mother Ruth came out and said that Hester was not there.

“Where is she?” Snap banged on the window-sill with his fists. “Find her, somebody—Hester!”

“Son, this is the Sabbath,” called Father Naab, gravely. “Lower your voice. Now what's the matter?”

“Matter!” bawled Snap, giving way to rage. “When I was asleep Hester stole all my clothes. She's hid them—she's run off—there's not a d—n thing for me to put on! I'll—”

The roar of laughter from August and Dave drowned the rest of the speech. Hare managed to stifle his own mirth. Snap pulled in his head and slammed the window shut.

“Jack,” said August, “even among Mormons the course of true love never runs smooth.”

Hare finally forgot his bitter humor in pity for the wife. Snap came to care not at all for her messages and tricks, and he let nothing interfere with his evening beside Mescal. It was plain that he had gone far on the road of love. Whatever he had been in the beginning of the betrothal, he was now a lover, eager, importunate. His hawk's eyes were softer than Hare had ever seen them; he was obliging, kind, gay, an altogether different Snap Naab. He

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