The Night Horseman by Max Brand (book recommendations based on other books txt) 📗

a most prophetic solemnity about it.

"He ain't come," said the old man. "Dan ain't here."

The others exchanged glances, but the eyes of Kate dropped sadly and fastened again upon the hearth.

Buck Daniels cleared his throat like an orator.

"Nobody but a fool," he said, "would have started out of Elkhead in a storm like this."

"Weather makes no difference to Dan," said Joe Cumberland.

"But he'd think of his hoss——"

"Weather makes no difference to Satan," answered the faint, oracular voice of Joe Cumberland. "Kate!"

"Yes?"

"Is he comin'?"

She did not answer. Instead, she got up slowly from her place by the fire and took another chair, far away in the gloom, where hardly a glimmer of light reached to her and there she let her head rest, as if exhausted, against the back of the seat.

"He promised," said Buck Daniels, striving desperately to keep his voice cheerful, "and he never busts his promises."

"Ay," said the old man, "he promised to be back—but he ain't here."

"If he started after the storm," said Buck Daniels.

"He didn't start after the storm," announced the oracle. "He was out in it."

"What was that," cried Buck Daniels sharply.

"The wind," said Kate, "for it's rising. It will be a cold night, to-night."

"And he ain't here," said the old man monotonously.

"Ain't there things that might hold him up?" asked Buck, with a touch of irritation.

"Ay," said the old rancher, "they's things that'll hold him up. They's things that'll turn a dog wild, too, and the taste of blood is one of 'em!"

The silence fell again.

There was an old clock standing against the wall. It was one of those tall, wooden frames in which, behind the glass, the heavy, polished disk of the pendulum, alternated slowly back and forth with wearisome precision. And with every stroke of the seconds there was a faint, metallic clangor in the clock—a falter like that which comes in the voice of a very old man. And the sound of this clock took possession of every silence until it seemed like the voice of a doomsman counting off the seconds. Ay, everyone in the room, again and again, took up the tale of those seconds and would count them slowly—fifty, fifty-one, fifty-two, fifty-three—and on and on, waiting for the next speech, or for the next popping of the wood upon the hearth, or for the next wail of the wind that would break upon the deadly expectancy of that count. And while they counted each looked straight before him with wide and widening eyes.

Into one of these pauses the voice of Buck Daniels broke at length; and it was a cheerless and lonely voice in that large room, in the dull darkness, and the duller lights.

"D'you remember Shorty Martin, Kate?"

"I remember him."

He turned in his chair and hitched it a little closer to her until he could make put her face, dimly, among the shadows. The flames jumped on the hearth, and he saw a picture that knocked at his heart.

"The little bow-legged feller, I mean."

"Yes, I remember him very well."

Once more the flames sputtered and he saw how she looked wistfully before her and above. She had never seemed so lovely to Buck Daniels. She was pale, indeed, but there was no ugly pinching of her face, and if there were shadows beneath her eyes, they only served to make her eyes seem marvelously large and bright. She was pallid, and the firelight stained her skin with touches of tropic gold, and cast a halo of the golden hair about her face. She seemed like one of those statues wrought in the glory and the rich days of Athens in ivory and in gold—some goddess who has heard the tidings of the coming fall, the change of the old order, and sits passive in her throne waiting the doom from which there is no escape. Something of this filtered through to the sad heart of Buck Daniels. He, too, had no hope—nay, he had not even her small hope, but somehow he was able to pity her and cherish the picture of her in that gloomy place. It seemed to Buck Daniels that he would give ten years from the best of his life to see her smile as he had once seen her in those old, bright days. He went on with his tale.

"You would have busted laughin' if you'd seen him at the Circle Y Bar roundup the way I seen him. Shorty ain't so bad with a rope. He's always talkin' about what he can do and how he can daub a rope on anything that's got horns. He ain't so bad, but then he ain't so good, either. Specially, he ain't so good at ridin'—you know what bowed legs he's got, Kate?"

"I remember, Buck."

She was looking at him, at last, and he talked eagerly to turn that look into a smile.

"Well, they was the three of us got after one two year old—a bull and a bad 'un. Shorty was on one side and me and Cuttle was on the other side. Shorty daubed his rope and made a fair catch, but when his hoss set back the rope busted plumb in two. Now, Shorty, he had an idea that he could ease the work of his hoss a whole pile if he laid holts on the rope whenever his hoss set down to flop a cow. So Shorty, he had holt on this rope and was pulling back hard when the rope busted, and Shorty, he spilled backwards out'n that saddle like he'd been kicked out.

"Whilst he was lyin' there, the bull, that had took a header when the rope busted, come up on his feet agin, and I'll tell a man he was rarin' mad! He seen Shorty lyin' on the ground, and he took a run for Shorty. Me and Cuttle was laughin' so hard we couldn't barely swing our ropes, but I made a throw and managed to get that bull around both horns. So my Betty sits down and braces herself for the tug.

"In the meantime little Shorty, he sits up and lays a hand to his head, and same time he sees that bull come tarin' for him. Up he jumps. And jest then the bull come to the end of the line and wonk!—down he goes, head over heels, and hits the sand with a bang that must of jostled his liver some, I'll be sayin'!

"Well, Shorty, he seen that bull fly up into the air and he lets out a yell like the world was comin' to an end, and starts runnin'. If he'd run straight back the other way the bull couldn't of run a step, because I had him fast with my rope, but Shorty seen me, and he come tarin' for my hoss to get behind him.

"That bull was like a cat gettin' to his feet, and he sights Shorty tarin' and lights out after him. There they went lickety-split. That bull was puffin' on the seat of Shorty's trowsers and tossin' his horns and jest missin' Shorty by inches; and Shorty had his mouth so wide open hollerin' that you could have throwed a side of beef down his throat; and his eyes was buggin' out. Them bow-legs of his was stretchin' ten yards at a clip, most like, and the boys says they could hear him hollerin' a mile away. But that bull, stretch himself all he could, couldn't gain an inch on Shorty, and Shorty couldn't gain an inch on the bull, till the bull come to the other end of the forty-foot rope, and then, whang! up goes the heels of the bull and down goes his head, and his heels comes over—wonk! and hits Shorty right square on the head.

"Been an ordinary feller, and he wouldn't of lived to talk about it afterwards, but seein' it was Shorty, he jest goes up in the air and lands about ten yards away, and rolls over and hits his feet without once gettin' off his stride—and then he did start runnin', and he didn't stop runnin' nor hollerin' till he got plumb back to the house!"

Buck Daniels sat back in his chair and guffawed at the memory. In the excitement of the tale he had quite forgotten Kate, but when he remembered her, she sat with her head craned a little to one side, her hand raised for silence, and a smile, indeed, upon her lips, but never a glance for Buck Daniels. He knew at once.

"Is it him?" he whispered. "D'you hear him?"

"Hush!" commanded two voices, and then he saw that old Joe Cumberland also was listening.

"No," said the girl suddenly, "it was only the wind."

As if in answer, a far, faint whistling broke upon them. She drew her hands slowly towards her breast, as if, indeed, she drew the sound in with them.

"He's coming!" she cried. "Oh, Dad, listen! Don't you hear?"

"I do," answered the rancher, "but what I'm hearin' don't warm my blood none. Kate, if you're wise you'll get up and go to your room and don't pay no heed to anything you might be hearin' to-night."

CHAPTER XLII THE JOURNEY INTO NIGHT

There was no doubting the meaning of Joe Cumberland. It grew upon them with amazing swiftness, as if the black stallion were racing upon the house at a swift gallop, and the whistling rose and rang and soared in a wild outburst. Give the eagle the throat of the lark, and after he has struck down his prey in the centre of the sky and sent the ragged feathers and the slain body falling down to earth, what would be the song of the eagle rising again and dwindling out of sight in the heart of the sky? What terrible pean would he send whistling down to the dull earth far below? And such was the music that came before the coming of Dan Barry. It did not cease, as usual, at a distance, but it came closer and closer, and it swelled around them. Buck Daniels had risen from his chair and stolen to a corner of the room where not a solitary shaft of light could possibly reach him; and Kate Cumberland slipped farther into the depths of the big chair.

So that, in their utter silence, in spite of the whistling that blew in upon them, they could hear the dull ticking of the tall clock, and by a wretched freak of fate the ticking fell exactly in with the soaring rhythm of the whistle and each had a part in the deadliness of the other.

Very near upon them the music ceased abruptly. A footfall swept down the hall, a weight struck the door and cast it wide, and Black Bart glided into the room. He cast not a glance on either side. He turned his head neither to right nor to left. But he held straight on until he came to Kate Cumberland and there he stood before her.

She leaned forward.

"Bart!" she said softly and stretched out her hands to him.

A deep snarl stopped the gesture, and at the flash of the long fangs she sank into the chair. Old Joe Cumberland, with fearful labour, dragged himself to a sitting position upon the couch, and sitting up in this fashion the light fell fully upon his white face and his white hair and his white beard, so that he made a ghostly picture.

Then an outer door slammed and a light step, at an almost running pace speeded down the hall, the door was swung wide again, and Dan was before them. He seemed to bring with him the keen, fresh air of the light, and at the opening of the door the flame in the lamp jumped in its chimney, shook, and fell slowly back to its original dimness; but by that glow of light they saw that the sombrero upon Dan Barry's head was a shapeless mass—his bandana had been torn away, leaving his throat bare—his slicker was a mass of rents and at the neck had been crumpled and torn in a thousand places as though strong teeth had worried it to a rag. Spots of mud were everywhere on his boots, even on his sombrero with its sagging brim, and on one side of his face there was a darker stain. He had ceased his whistling, indeed, but now he stood at the door and hummed as he gazed about the room. Straight to Kate