The Light of the Western Stars by Zane Grey (read along books .TXT) 📗

“Shut up, er I'll gag you,” said the man who held Bonita's horse.

“Muzzle her, Sneed, if she blabs again,” called Hawe. Madeline felt something tense and strained working in the short silence. Was it only a phase of her thrilling excitement? Her swift glance showed the faces of Nels and Monty and Nick to be brooding, cold, watchful. She wondered why Stewart did not look toward Bonita. He, too, was now dark-faced, cool, quiet, with something ominous about him.

“Hawe, I'll submit to arrest without any fuss,” he said, slowly, “if you'll take the ropes off that girl.”

“Nope,” replied the sheriff. “She got away from me onct. She's hawg-tied now, an' she'll stay hawg-tied.”

Madeline thought she saw Stewart give a slight start. But an unaccountable dimness came over her eyes, at brief intervals obscuring her keen sight. Vaguely she was conscious of a clogged and beating tumult in her breast.

“All right, let's hurry out of here,” said Stewart. “You've made annoyance enough. Ride down to the corral with me. I'll get my horse and go with you.”

“Hold on!” yelled Hawe, as Stewart turned away. “Not so fast. Who's doin' this? You don't come no El Capitan stunts on me. You'll ride one of my pack-horses, an' you'll go in irons.”

“You want to handcuff me?” queried Stewart, with sudden swift start of passion.

“Want to? Haw, haw! Nope, Stewart, thet's jest my way with hoss-thieves, raiders, Greasers, murderers, an' sich. See hyar, you Sneed, git off an' put the irons on this man.”

The guerrilla called Sneed slid off his horse and began to fumble in his saddle-bags.

“You see, Bill,” went on Hawe, “I swore in a new depooty fer this particular job. Sneed is some handy. He rounded up thet little Mexican cat fer me.”

Stillwell did not hear the sheriff; he was gazing at Stewart in a kind of imploring amaze.

“Gene, you ain't goin' to stand fer them handcuffs?” he pleaded.

“Yes,” replied the cowboy. “Bill, old friend, I'm an outsider here. There's no call for Miss Hammond and—and her brother and Florence to be worried further about me. Their happy day has already been spoiled on my account. I want to get out quick.”

“Wal, you might be too damn considerate of Miss Hammond's sensitive feelin's.” There was now no trace of the courteous, kindly old rancher. He looked harder than stone. “How about my feelin's? I want to know if you're goin' to let this sneakin' coyote, this last gasp of the old rum-guzzlin' frontier sheriffs, put you in irons an' hawg-tie you an' drive you off to jail?”

“Yes,” replied Stewart, steadily.

“Wal, by Gawd! You, Gene Stewart! What's come over you? Why, man, go in the house, an' I'll 'tend to this feller. Then to-morrow you can ride in an' give yourself up like a gentleman.”

“No. I'll go. Thanks, Bill, for the way you and the boys would stick to me. Hurry, Hawe, before my mind changes.”

His voice broke at the last, betraying the wonderful control he had kept over his passions. As he ceased speaking he seemed suddenly to become spiritless. He dropped his head.

Madeline saw in him then a semblance to the hopeless, shamed Stewart of earlier days. The vague riot in her breast leaped into conscious fury—a woman's passionate repudiation of Stewart's broken spirit. It was not that she would have him be a lawbreaker; it was that she could not bear to see him deny his manhood. Once she had entreated him to become her kind of a cowboy—a man in whom reason tempered passion. She had let him see how painful and shocking any violence was to her. And the idea had obsessed him, softened him, had grown like a stultifying lichen upon his will, had shorn him of a wild, bold spirit she now strangely longed to see him feel. When the man Sneed came forward, jingling the iron fetters, Madeline's blood turned to fire. She would have forgiven Stewart then for lapsing into the kind of cowboy it had been her blind and sickly sentiment to abhor. This was a man's West—a man's game. What right had a woman reared in a softer mold to use her beauty and her influence to change a man who was bold and free and strong? At that moment, with her blood hot and racing, she would have gloried in the violence which she had so deplored: she would have welcomed the action that had characterized Stewart's treatment of Don Carlos; she had in her the sudden dawning temper of a woman who had been assimilating the life and nature around her and who would not have turned her eyes away from a harsh and bloody deed.

But Stewart held forth his hands to be manacled. Then Madeline heard her own voice burst out in a ringing, imperious “Wait!”

In the time it took her to make the few steps to the edge of the porch, facing the men, she not only felt her anger and justice and pride summoning forces to her command, but there was something else calling—a deep, passionate, mysterious thing not born of the moment.

Sneed dropped the manacles. Stewart's face took on a chalky whiteness. Hawe, in a slow, stupid embarrassment beyond his control, removed his sombrero in a respect that seemed wrenched from him.

“Mr. Hawe, I can prove to you that Stewart was not concerned in any way whatever with the crime for which you want to arrest him.”

The sheriff's stare underwent a blinking change. He coughed, stammered, and tried to speak. Manifestly, he had been thrown completely off his balance. Astonishment slowly merged into discomfiture.

“It was absolutely impossible for Stewart to have been connected with that assault,” went on Madeline, swiftly, “for he was with me in the waiting-room of the station at the moment the assault was made outside. I assure you I have a distinct and vivid recollection. The door was open. I heard the voices of quarreling men. They grew louder. The language was Spanish. Evidently these men had left the dance-hall opposite and were approaching the station. I heard a woman's voice mingling with the others. It, too, was Spanish, and I could not understand. But the tone was beseeching. Then I heard footsteps on the gravel. I knew Stewart heard them. I could see from his face that something dreadful was about to happen. Just outside the door then there were hoarse, furious voices, a scuffle, a muffled shot, a woman's cry, the thud of a falling body, and rapid footsteps of a man running away. Next, the girl Bonita staggered into the door. She was white, trembling, terror-stricken. She recognized Stewart, appealed to him. Stewart supported her and endeavored to calm her. He was excited. He asked her if Danny Mains had been shot, or if he had done the shooting. The girl said no. She told Stewart that she had danced a little, flirted a little with vaqueros, and they had quarreled over her. Then Stewart took her outside and put her upon his horse. I saw the girl ride that horse down the street to disappear in the darkness.”

While Madeline spoke another change appeared to be working in the man Hawe. He was not long disconcerted, but his discomfiture wore to a sullen