Selected Stories of Bret Harte by Bret Harte (the alpha prince and his bride full story free .TXT) 📗

“A tarantella, I presume?” blandly suggested the doctor.

Miss Mannersley stopped, and rose carelessly from the piano. “It is a Moorish gypsy song of the fifteenth century,” she said dryly.

“It seemed sorter familiar, too,” hesitated one of the young men, timidly, “like as if—don't you know?—you had without knowing it, don't you know?”—he blushed slightly—“sorter picked it up somewhere.”

“I 'picked it up,' as you call it, in the collection of medieval manuscripts of the Harvard Library, and copied it,” returned Miss Mannersley coldly as she turned away.

But I was not inclined to let her off so easily. I presently made my way to her side. “Your uncle was complimentary enough to consult me as to the meaning of the appearance of a certain exuberant Spanish visitor at his house the other night.” I looked into her brown eyes, but my own slipped off her velvety pupils without retaining anything. Then she reinforced her gaze with a pince-nez, and said carelessly:

“Oh, it's you? How are you? Well, could you give him any information?”

“Only generally,” I returned, still looking into her eyes. “These people are impulsive. The Spanish blood is a mixture of gold and quicksilver.”

She smiled slightly. “That reminds me of your volatile friend. He was mercurial enough, certainly. Is he still dancing?”

“And singing sometimes,” I responded pointedly. But she only added casually, “A singular creature,” without exhibiting the least consciousness, and drifted away, leaving me none the wiser. I felt that Enriquez alone could enlighten me. I must see him.

I did, but not in the way I expected. There was a bullfight at San Antonio the next Saturday afternoon, the usual Sunday performance being changed in deference to the Sabbatical habits of the Americans. An additional attraction was offered in the shape of a bull-and-bear fight, also a concession to American taste, which had voted the bullfight “slow,” and had averred that the bull “did not get a fair show.” I am glad that I am able to spare the reader the usual realistic horrors, for in the Californian performances there was very little of the brutality that distinguished this function in the mother country. The horses were not miserable, worn-out hacks, but young and alert mustangs; and the display of horsemanship by the picadors was not only wonderful, but secured an almost absolute safety to horse and rider. I never saw a horse gored; although unskillful riders were sometimes thrown in wheeling quickly to avoid the bull's charge, they generally regained their animals without injury.

The Plaza de Toros was reached through the decayed and tile-strewn outskirts of an old Spanish village. It was a rudely built oval amphitheater, with crumbling, whitewashed adobe walls, and roofed only over portions of the gallery reserved for the provincial “notables,” but now occupied by a few shopkeepers and their wives, with a sprinkling of American travelers and ranchmen. The impalpable adobe dust of the arena was being whirled into the air by the strong onset of the afternoon trade winds, which happily, however, helped also to dissipate a reek of garlic, and the acrid fumes of cheap tobacco rolled in cornhusk cigarettes. I was leaning over the second barrier, waiting for the meager and circuslike procession to enter with the keys of the bull pen, when my attention was attracted to a movement in the reserved gallery. A lady and gentleman of a quality that was evidently unfamiliar to the rest of the audience were picking their way along the rickety benches to a front seat. I recognized the geologist with some surprise, and the lady he was leading with still greater astonishment. For it was Miss Mannersley, in her precise, well-fitting walking-costume—a monotone of sober color among the parti-colored audience.

However, I was perhaps less surprised than the audience, for I was not only becoming as accustomed to the young girl's vagaries as I had been to Enriquez' extravagance, but I was also satisfied that her uncle might have given her permission to come, as a recognition of the Sunday concession of the management, as well as to conciliate his supposed Catholic friends. I watched her sitting there until the first bull had entered, and, after a rather brief play with the picadors and banderilleros, was dispatched. At the moment when the matador approached the bull with his lethal weapon I was not sorry for an excuse to glance at Miss Mannersley. Her hands were in her lap, her head slightly bent forward over her knees. I fancied that she, too, had dropped her eyes before the brutal situation; to my horror, I saw that she had a drawing-book in her hand and was actually sketching it. I turned my eyes in preference to the dying bull.

The second animal led out for this ingenious slaughter was, however, more sullen, uncertain, and discomposing to his butchers. He accepted the irony of a trial with gloomy, suspicious eyes, and he declined the challenge of whirling and insulting picadors. He bristled with banderillas like a hedgehog, but remained with his haunches backed against the barrier, at times almost hidden in the fine dust raised by the monotonous stroke of his sullenly pawing hoof—his one dull, heavy protest. A vague uneasiness had infected his adversaries; the picadors held aloof, the banderilleros skirmished at a safe distance. The audience resented only the indecision of the bull. Galling epithets were flung at him, followed by cries of “ESPADA!” and, curving his elbow under his short cloak, the matador, with his flashing blade in hand, advanced and—stopped. The bull remained motionless.

For at that moment a heavier gust of wind than usual swept down upon the arena, lifted a suffocating cloud of dust, and whirled it around the tiers of benches and the balcony, and for a moment seemed to stop the performance. I heard an exclamation from the geologist, who had risen to his feet. I fancied I heard even a faint cry from Miss Mannersley; but the next moment, as the dust was slowly settling, we saw a sheet of paper in the air, that had been caught up in this brief cyclone, dropping, dipping from side to side on uncertain wings, until it slowly descended in the very middle of the arena. It was a leaf from Miss Mannersley's sketchbook, the one on which she had been sketching.

In the pause that followed it seemed to be the one object that at last excited the bull's growing but tardy ire. He glanced at it with murky, distended eyes; he snorted at it with vague yet troubled fury. Whether he detected his own presentment in Miss Mannersley's sketch, or whether he recognized it as an unknown and unfamiliar treachery in his surroundings, I could not conjecture; for the next moment the matador, taking advantage of the bull's concentration, with a complacent leer at the audience, advanced toward the paper. But at that instant a young man cleared the barrier into the arena with a single bound, shoved the matador to one side, caught up the paper, turned toward the balcony and Miss Mannersley with a gesture of apology, dropped gaily before the bull, knelt down before him with an exaggerated humility, and held up the drawing as if for his inspection. A roar of applause broke from the audience, a cry of warning and exasperation from the attendants, as the goaded bull suddenly charged the stranger. But he sprang to one side with great dexterity, made a courteous gesture to the matador as if passing the bull over to him, and still holding the paper in his hand, re-leaped the barrier, and rejoined the audience in safety. I did not wait to see the deadly, dominant thrust with which the matador received the charging bull; my eyes were following the figure now bounding up