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on them. Could I be one of their flattering panders, I would hang on their ears like a horseleech, till I were full, and then drop off. I pray, leave me. Who would rely upon these miserable dependencies, in expectation to be advanc'd to-morrow? What creature ever fed worse than hoping Tantalus? Nor ever died any man more fearfully than he that hoped for a pardon. There are rewards for hawks and dogs when they have done us service; but for a soldier that hazards his limbs in a battle, nothing

Description John Webster was a later contemporary of Shakespeare, and The Duchess of Malfi, Webster’s best known play, is considered among the best of the period. It appears to have been first performed in 1612–13 at the Blackfriars before moving on to the larger and more famous Globe Theatre, and was later published in 1623. The play is loosely based on a real Duchess of Amalfi, a widow who marries beneath her station. On learning of this, her brothers become enraged and vow their revenge.

on them. Could I be one of their flattering panders, I would hang on their ears like a horseleech, till I were full, and then drop off. I pray, leave me. Who would rely upon these miserable dependencies, in expectation to be advanc'd to-morrow? What creature ever fed worse than hoping Tantalus? Nor ever died any man more fearfully than he that hoped for a pardon. There are rewards for hawks and dogs when they have done us service; but for a soldier that hazards his limbs in a battle, nothing

Description John Webster was a later contemporary of Shakespeare, and The Duchess of Malfi, Webster’s best known play, is considered among the best of the period. It appears to have been first performed in 1612–13 at the Blackfriars before moving on to the larger and more famous Globe Theatre, and was later published in 1623. The play is loosely based on a real Duchess of Amalfi, a widow who marries beneath her station. On learning of this, her brothers become enraged and vow their revenge.