Guns of the Gods: A Story of Yasmini's Youth by Talbot Mundy (rosie project txt) 📗

in line abreast led the procession, while some formed a single line on either hand, and ten brought up the rear. Men with torches walked outside the lines. But no one shouted. No one spoke.

Straight down the quiet road under the majestic trees, with the monkeys, frightened by the torchlight, chattering nervously among the branches,— to the right near the lane Yasmini used the night before, and on toward the shadowy bulk of the great house in the distance the elephant trod loftily, the swing and sway of his back suggesting ages of past history, and ever-lasting ages more to come. The horses kicked and squealed, for the Rajput loves a mettled mount; but nothing disturbed the elephant's slow, measured stride, or moved the equanimity of his mahout.

Villagers came to the walls, and stood under the roadside trees to smile and stare. Every man and child salaamed low as the procession passed, and some followed in the dust to feast their curiosity until the end of it; but not a voice was raised much above a whisper, except where once or twice a child cried shrilly.

"Why the silence?" Tess asked in a whisper, and without turning her head Yasmini answered:

"Would you have the English know that I was hailed as maharanee through the streets? Give them but leave and they would beat the tomtoms, and dance under the trees. These are all friends here."

The great house was surrounded by a high wall, but a gate was flung wide open to receive them and the procession never paused until the leading elephant came to a halt under a portico lit by dozens of oil lamps. Standing on the porch were four women, veiled, but showing the glint of jewels and the sheen of splendid dresses underneath; they were the first that night to give tongue in acclamation, raising a hub-bub of greeting with a waving of slim hands and arms. They clustered round Yasmini as she climbed down from the elephant, and led her into the hall with arms in hers and a thousand phrases of congratulation and glad welcome.

"Four queens!" Hasamurti whispered.

Tess and Hasamurti followed, side by side, not down the main hall, but to the left, into a suite of rooms reserved for women, where they all removed their veils and the talking and laughter began anew. There were dozens of other women in there—about half as many ladies as attendants, and they made more noise than a swarm of Vassar freshmen at the close of term.

The largest of the suite of rooms was higher than the rest by half a dozen steps. At its farther end was a gilded door, on either side of which, as far as the walls at each end, was a panel of very deeply carved wood, through the interstices of which every whisper in the durbar hall was audible when the women all were still, and every man and movement could be seen. Yasmini took her stand close to the gilded door, and Tess and Hasamurti watched the opportunity to come beside her—no very easy matter in a room where fifty women jockeyed for recognition and a private word.

But there came a great noise of men's voices in the durbar hall, and of a roll-call answered one by one, each name being written in a vellum book, that none might say afterward he was present, who was not, and none might escape responsibility. The women grew silent as a forest that rustles and shivers in the night wind, and somebody turned down the lights, so that it was easier to see through the carved panel, and not so easy to be seen. Immediately beyond the panel was a dais, or wide platform, bare of everything except a carpet that covered it from end to end. A short flight of steps from the center of it led to the durbar floor below.

The durbar floor was of polished teak, and all the columns that supported the high roof were of the same wood, carved with fantastic patterns. From the center hung a huge glass chandelier, its quivering pendants multiplying the light of a thousand candles; and in every corner of the hall were other chandeliers, and mirrors to reflect the light in all directions.

Grouped in the center of the hall were about two hundred men, all armed with sabers,—men of every age, and height and swarthiness, from stout, blue-bearded veterans to youths yet in their teens,—dressed in every hue imaginable from the scarlet frock-coat, white breeches and high black boots of a risaldar-major to the jeweled silken gala costume of the dandiest of Rajput's youth. There was not a man present who did not rank himself the equal of all reigning kings, whatever outward deference the exigency of alien overrule compelled. This was a race that, like the Poles, knew itself to have been conquered because of subdivision and dissension in its ranks; no lack of courage or of martial skill had brought on their subjection. Not nearly all their best were there that night— not even any of the highest-placed, because of jealousy and the dread of betrayal; but there was not a priest among them, so that the chance was high that their trust would be well kept.

These were the pick of Rajputana's patriots—the men who loved the old ways, yet admitted there was virtue in an adaptation of the new. And Yasmini, with a gift for reading men's hearts that has been her secret and her source of power first and last, was reviving an ancient royal custom for them, to the end that she might lead them in altogether new ways of her own devising.

The roll-call ended, a veteran with a jeweled aigrette in his turban stood apart from the rest with his back toward the dais steps and made a speech that was received in silence, though the women peering through the panel, fluttered with excitement, and the deep breathing in the durbar hall sounded like the very far-off murmur of a tide. For he rang the changes on the ancient chivalry of Rajasthan, and on the sanctity of ancient custom, and the right they had to follow what their hearts accounted good.

"And as in ancient days," he said, "our royal women chose their husbands at a durbar summoned by the king; and because in ancient times, when Rajasthan was a land of kings indeed and its royal women, as the endless pages of our history tell, stood proved and acclaimed as fit to govern, and defend, and die untarnished in the absence of their lords; therefore we now see fit to attend this durbar, and to witness and give sanction. Once again, my Lords, a royal daughter of a throne of Rajasthan shall choose her husband in the sight of all of us let come of it what may!"

He ceased, and the crowd burst into cheers. Yasmini translated his speech afterward to Tess. He said not a word of Gungadhura, or of the throne of Sialpore, leaving that act of utter daring to the woman who was, after all, the leader of them all that night.

Now all eyes were on the dais and the door behind it. In the inner room the women stirred and whispered, while a dozen of them, putting on their veils again, gathered around Yasmini, waiting in silence for her to give the cue. She waited long enough to whet the edge of expectation, and then nodded. Hasamurti opened the door wide and Yasmini stepped forth, aglitter with her jewels.

"Ah-h-h!" was her greeting—the unbidden, irrepressible, astonished gasp of mixed emotion of a crowd that sees more wonder than it bargained for.

The twelve princesses took their place beside her on the dais, six on either side. Immediately behind her Tess and Hasamurti stood. Yasmini's other maids arranged themselves with their backs to the gilded door. She, Tess and Hasamurti were the only women there unveiled.

She stood two minutes long in silence, smiling down at them while Tess's heart-beats drummed until she lost count, Tess suspecting nervousness because of her own nerves, and not so wildly wrong.

"You're not alone," she whispered. "You've a friend behind you—two friends!"

Then Yasmini spoke.

"My Lords." The word "Bahadur" rolled from her golden throat like chords of Beethoven's overture to Leonori. "You do our olden customs honor. True chivalry had nearly died since superstition and the ebb and flow of mutual mistrust began to smother it in modern practises. But neither priest nor alien could make it shame for maidenhood to choose which way its utmost honor lies. Ye know your hearts' delight. Goodness, love and soundless fealty are the attributes your manhood hungers for. Of those three elements is womanhood. And so, as Shri—goddess of all good fortune—comes ever to her loved one of her own accord and dowers him with richer blessing than he dreamed, true womanhood should choose her mate and, having chosen, honor him. My Lords, I choose, in confidence of your nobility and chivalry!"

Pausing for a minute then, to let the murmur of assent die down, and waiting while they stamped and shuffled into three long lines, she descended the steps alone, moving with a step so dignified, yet modest, that no memory of past events could persuade Tess it was artistry. She felt—Tess was sure of it, and swore to it afterward—in her heart of hearts the full spiritual and profound significance of what she did.

Beginning at the left end of the first line, she passed slowly and alone before them, looking each man in the eyes, smiling at each one as she passed him. Not a man but had his full meed of attention and the honor due to him who brings the spirit of observance and the will to help another man succeed.

Back along the second line she went, with the same supreme dignity and modesty, omitting not even the oldest veteran, nor letting creep into her smile the veriest suggestion of another sentiment than admiration for the manliness by whose leave she was doing what she did. Each man received his smile of recognition and the deference due his pride.

Then down the third line, yet more slowly, until Tess had cold chills, thinking Utirupa was not there! One by one she viewed them all, until the last man's turn came, and she took him by the hand and led him forth.

At that the whole assembly milled into a mob and reformed in double line up and down the room. The same voice that had thundered in the darkness roared again and two hundred swords leapt from their scabbards. Under an arch of blazing steel, in silence, Yasmini and her chosen husband came to the dais and stood facing the assembly hand in hand, while the swords went back to their owners' sides and once more the crowd clustered in the center of the hall.

There was a movement in among them then. Some servants brought in baskets, and distributed them at about equal intervals amid the forest of booted legs. When the servants had left the hall, Yasmini spoke.

"My Lords, in the presence of you all I vow love, honor, fealty and a wife's devotion to the prince of my choosing—to my husband who shall be— who now is by Gandharva ceremony; for I went to him of my own free will by night! My Lords, I present to you—"

There was a pause, while every man present caught his breath, and the women rustled like a dove-cot behind the panel.

"—Gunga Khatiawara Dhuleep Rhakapushi Utirupa Singh—Maharajah of Sialpore!"

Two hundred swords sprang clear again. The chandeliers rattled and the beams shook to the thunder of two hundred throats.

"Rung Ho!" they roared.

"Rung Ho!"

"Rung Ho!" bringing down their right feet with a stamp all together that shook the building.

Then the baskets were cut open by the swords' points and they flung flowers at the dais, swamping it in jasmine and sweet-smelling buds, until the carpet was not visible. The same black-bearded veteran who had spoken first mounted the dais and hung garlands on Yasmini and her prince, and again the hall shook to the roar of acclamation and the sharp ringing of keen steel.

But Yasmini had not finished all she had to say. When the shouting died and the blades returned to scabbards, her voice again stirred their emotions, strangely quiet and yet reaching all ears