The Purgatory of St. Patrick - Pedro Calderón de la Barca (best novels in english .TXT) 📗

as literal as possible, to show how closely Calderon followed even the language of Montalvan.

Chapter I. - "Between the north and west is situated the Island of Hibernia, or Ireland, as it is at present more usually called. It was once known as the Island of Saints, because its inhabitants were ever ready to shed their blood in the lists of martyrdom, which is the highest proof of courage which the Faithful can give; since life being so dear to us, it is a most heroic act for the sake of religion to offer it to the sacrilegious hands of a tyrant that only lives in seeing others die.

"In this island there was a village with a few inhabitants, called Emptor, which the sea, like a cincture of snow, not only encircled but appeared to bind. Here was born a youth of such virtuous dispositions that he seemed to belie the promise of his years, since virtue and adolescence are not easily reconciled. He gave himself much to the reading of the Lives of the Saints, of whose exercises he was a great imitator, very fearful of those snares which lie in the way of youth, and which, though he escaped, he was not without a disposition to fall into." . . . .

[This youth was St. Patrick's father, who married Conchessa, a French lady, as mentioned by Calderon, who, in the older Lives of St. Patrick, is said to have been the sister of St. Martin of Tours. After the birth of Patrick, St. Conchessa, his mother, retired to a convent, and his father became a priest. The story then continues.]

"Patrick remained in his early years under the tutelage of his aunt, and God was so desirous of showing to the world the favours with which He had pre-determined to honour that pure soul, that He did not wait for the time when Patrick would be of an age to ask for them; since before he could speak the words God declared Himself his friend. For a blind man, Gormas (a neighbour of his in that village), heard one day a voice in the air which said to him, that ifhe went to Patrick (a child recently baptised), who would with his right hand make the sign of the cross upon his eyes, he would be restored to sight. He did so, and saw: God no doubt to foreshadow by this the great things that he would eventually work through this His servant. And this predestination, as it were, He made more remarkable by another miracle, which, if it was not greater, was more acknowledged and more widely known from the number of persons who were astonished at beholding it. In a certain year, it happened that such a quantity of snow had fallen from heaven, so great was the extent of the thaw when the sun melted it, that the water covered all the ground, and grew to the dimensions of a lake, which, spreading into the village, inundated all the houses, putting even that of Patrick in the greatest danger. But he, being then only ten years old, with a lively and courageous faith made the sign of the cross upon the waters, and in the sight of all compelled them to retire into the bed of the sea, the land remaining as dry and as free from snow as in the height of summer. . . . .

"One morning, being about the age of sixteen years, as he stood by the shore of the sea, reciting the Psalter with some of his companions, certain pirates made a sudden descent upon the coast, and having seized them, re-embarked immediately through fear of being baulked of their prize. Patrick was brought to a remote extremity of Ireland, and, like another Joseph, was sold to a prince of that island, who, thinking him fit for nothing else, gave to him the care of his sheep. This was an occupation very agreeable to Patrick, for as love can avow itself more openly in solitude, he spent all the night and all the day in loving and conversing with God, making altars of the rocks and of the flowers, on which to make to Him the entire sacrifice of his heart.

"The astonishing increase of the flock, which multiplied every day beneath his charge, soon became known to his master, who, being one night asleep, saw among the obscure visions of his dreams his slave Patrick rejoicing and surrounded by a great light, from whose mouth issued a beautiful and resplendent flame, which touching his two daughters, who he thought were by his side, burned them and reduced them to ashes, leaving himself alone untouched by that sweet and amorous flame. Frightened at such an astonishing vision, scarcely had the day come, when he sent for his slave and related to him what had occurred, asking him to explain the mystery of that terrible dream. To which Patrick replied, with great tranquillity, that the flame which he had seen come from his mouth could only be the Faith of the most Holy Trinity, which for a long time he had desired to preach to him and his daughters. And further, that it was because this doctrine would make no impression on his soul the flame refused to touch him, he dying blind in his infidelity. But because his daughters would eventually be convinced of the truth, God permitted them to be burned by the flame of His Faith and His Love, so as to fulfil the end for which they were created. With this Patrick took leave of his master and returned to his flock, leaving him so confused that he did not know whether he should punish him for what he had announced; all which happened in the manner the saint had predicted.

"In this way he lived some years, and our Lord, seeing that the solitude in which His servant passed his life in the fields was very great, sent to him as a companion his guardian angel, Victor, to whom he could communicate his thoughts, and from whom he would receive consolation in his slavery. But one night, being engaged in prayer, and yielding his spirit to a divine ecstasy and rapture, he saw as in a mirror a man of dignified appearance, whose dress gave him to understand that he was of the same country as himself. This personage seemed to be the bearer of a letter, the superscription of which Patrick approaching to read, he saw these words: - 'The voice of the Irish people'. And as he hastened to open the letter to see its contents, it seemed that within it were all the inhabitants of Ireland, men, women, and children, even the little infants, all crying out to him and saying, "Patrick, Patrick, we implore that you will come to us and free us from this slavery." The Saint upon this awoke, and consulting his angel, asked him to be released from his captivity, since he had a great desire to return to his country and assist those who had such need of him." - 'Vida y Purgatorio de S. Patricio', per el Doctor Juan Perez de Montalvan. Madrid, 1628, and Madrid, 1664.

[The visit to St. Germain in France is then described: his residence with St. Martin of Tours, the journey to Rome, and all the other events follow in detail, which Montalvan collected from Messingham, Messingham's chief authority being the Life of St. Patrick, by Jocelin. These are all briefly epitomised in the address of the Angel Victor, as given by Calderon at the end of the first act.]


SCENE II., p. 262.


The story of Luis Enius, as given by Calderon in this long address, seems to be entirely the invention of Montalvan. It is told in the sixth chapter of his "Vida y Purgatorio de San Patricio", and in the edition of 1628 fills over forty pages. Calderon follows the narrative very closely, but in one noticeable incident he greatly improves upon his predecessor. This is in the celebrated skeleton scene of the third act. The corresponding scene in Montalvan's story is puerile enough. In Montalvan Luis Enius has no interview with the skeleton, so powerfully described by Calderon. His conversion is effected by a floating piece of paper which had eluded his grasp for two nights, but which he seized on the third, and examined by a mysterious light at the foot of a cross. On the paper he perceived the representation of a skull, under which is written, "I am Luis Enius". How utterly ineffective and commonplace this is compared with the fine scene in Calderon need not be pointed out.

The story of the vision of himself at Lerici, as recorded in some of the lives of the poet Shelley, which is almost identical with that in Calderon, was evidently suggested by this scene. Shelley's reference to the "Purgatorio de San Patricio" in a note to "The Cenci" shows the attention with which he read this drama. The "Embozado" which Captain Medwin and others supposed to be the name of one of Calderon's dramas, and which, as might be expected, Washington Irving vainly looked for in Spain, was the "Hombre embozado," the "Muffled Figure" of Calderon's "Purgatorio de San Patricio", act 3, scene i.

A vivid description of this scene by Shelley to one of his friends may have been mistaken for a circumstance that had actually happened to the poet himself.


SCENE VIII.

The "Athenaeum", in its elaborate review of the earlier translation of this drama, thus writes:-

"With the prayer of St. Patrick considerable licence has been taken; but its spirit is well preserved, and the translator's poetry must be admired.

"PATRICK. Thou art of all created things, O Lord, the essence and the cause - The source and centre of all bliss; What are those veils of woven light, Where sun and moon and stars unite - The purple morn, the spangled night - But curtains which thy mercy draws Between the heavenly world and this? The terrors of the sea and land - When all the elements conspire, The earth and water, storm and fire - Are but the shadows of thy hand; Do they not all in countless ways - The lightning's flash - the howling storm - The dread volcano's awful blaze - Proclaim thy glory and thy praise? Beneath the sunny summer showers Thy love assumes a milder form, And writes its angel name in flowers; The wind that flies with winged feet Around the grassy gladdened earth, Seems but commissioned to repeat In echo's accents - silvery sweet - That thou, O Lord, didst give it birth. There is a tongue in every flame - There is a tongue in every wave - To these the bounteous Godhead gave These organs but to praise his name! O mighty Lord of boundless space, Here canst thou be both sought and found - For here in everything around, Thy presence and thy power I trace. With Faith my guide and my defence, I burn to serve in love and fear; If as a slave, Oh, leave me here! If not, O Lord, remove me hence!"
The "Athenaeum", Oct. 26, 1853.


ACT THE THIRD.

SCENE X.

The account of St. Patrick's Purgatory given by Luis Enius in this long narrative is taken immediately from the seventh, eighth, and ninth chapters of Montalvan's "Vida y Purgatorio de San Patricio", which, as already stated, are themselves a translation from the "Florilegium