The History of Troilus and Cressida - William Shakespeare (reading women txt) 📗

of growth.
Nor, princes, is it matter new to us
That we come short of our suppose so far
That after seven years' siege yet Troy walls stand;
Sith every action that hath gone before,
Whereof we have record, trial did draw
Bias and thwart, not answering the aim,
And that unbodied figure of the thought
That gave't surmised shape. Why then, you princes,
Do you with cheeks abash'd behold our works
And call them shames, which are, indeed, nought else
But the protractive trials of great Jove
To find persistive constancy in men;
The fineness of which metal is not found
In fortune's love? For then the bold and coward,
The wise and fool, the artist and unread,
The hard and soft, seem all affin'd and kin.
But in the wind and tempest of her frown
Distinction, with a broad and powerful fan,
Puffing at all, winnows the light away;
And what hath mass or matter by itself
Lies rich in virtue and unmingled.

NESTOR.
With due observance of thy godlike seat,
Great Agamemnon, Nestor shall apply
Thy latest words. In the reproof of chance
Lies the true proof of men. The sea being smooth,
How many shallow bauble boats dare sail
Upon her patient breast, making their way
With those of nobler bulk!
But let the ruffian Boreas once enrage
The gentle Thetis, and anon behold
The strong-ribb'd bark through liquid mountains cut,
Bounding between the two moist elements
Like Perseus' horse. Where's then the saucy boat,
Whose weak untimber'd sides but even now
Co-rivall'd greatness? Either to harbour fled
Or made a toast for Neptune. Even so
Doth valour's show and valour's worth divide
In storms of fortune; for in her ray and brightness
The herd hath more annoyance by the breeze
Than by the tiger; but when the splitting wind
Makes flexible the knees of knotted oaks,
And flies fled under shade - why, then the thing of courage
As rous'd with rage, with rage doth sympathise,
And with an accent tun'd in self-same key
Retorts to chiding fortune.

ULYSSES.
Agamemnon,
Thou great commander, nerve and bone of Greece,
Heart of our numbers, soul and only spirit
In whom the tempers and the minds of all
Should be shut up - hear what Ulysses speaks.
Besides the applause and approbation
The which,

[To AGAMEMNON]

most mighty, for thy place and sway,

[To NESTOR]

And, thou most reverend, for thy stretch'd-out life,
I give to both your speeches - which were such
As Agamemnon and the hand of Greece
Should hold up high in brass; and such again
As venerable Nestor, hatch'd in silver,
Should with a bond of air, strong as the axle-tree
On which heaven rides, knit all the Greekish ears
To his experienc'd tongue - yet let it please both,
Thou great, and wise, to hear Ulysses speak.

AGAMEMNON.
Speak, Prince of Ithaca; and be't of less expect
That matter needless, of importless burden,
Divide thy lips than we are confident,
When rank Thersites opes his mastic jaws,
We shall hear music, wit, and oracle.

ULYSSES.
Troy, yet upon his basis, had been down,
And the great Hector's sword had lack'd a master,
But for these instances:
The specialty of rule hath been neglected;
And look how many Grecian tents do stand
Hollow upon this plain, so many hollow factions.
When that the general is not like the hive,
To whom the foragers shall all repair,
What honey is expected? Degree being vizarded,
Th' unworthiest shows as fairly in the mask.
The heavens themselves, the planets, and this centre,
Observe degree, priority, and place,
Insisture, course, proportion, season, form,
Office, and custom, in all line of order;
And therefore is the glorious planet Sol
In noble eminence enthron'd and spher'd
Amidst the other, whose med'cinable eye
Corrects the ill aspects of planets evil,
And posts, like the commandment of a king,
Sans check, to good and bad. But when the planets
In evil mixture to disorder wander,
What plagues and what portents, what mutiny,
What raging of the sea, shaking of earth,
Commotion in the winds! Frights, changes, horrors,
Divert and crack, rend and deracinate,
The unity and married calm of states
Quite from their fixture! O, when degree is shak'd,
Which is the ladder of all high designs,
The enterprise is sick! How could communities,
Degrees in schools, and brotherhoods in cities,
Peaceful commerce from dividable shores,
The primogenity and due of birth,
Prerogative of age, crowns, sceptres, laurels,
But by degree, stand in authentic place?
Take but degree away, untune that string,
And hark what discord follows! Each thing melts
In mere oppugnancy: the bounded waters
Should lift their bosoms higher than the shores,
And make a sop of all this solid globe;
Strength should be lord of imbecility,
And the rude son should strike his father dead;
Force should be right; or, rather, right and wrong -
Between whose endless jar justice resides -
Should lose their names, and so should justice too.
Then everything includes itself in power,
Power into will, will into appetite;
And appetite, an universal wolf,
So doubly seconded with will and power,
Must make perforce an universal prey,
And last eat up himself. Great Agamemnon,
This chaos, when degree is suffocate,
Follows the choking.
And this neglection of degree it is
That by a pace goes backward, with a purpose
It hath to climb. The general's disdain'd
By him one step below, he by the next,
That next by him beneath; so ever step,
Exampl'd by the first pace that is sick
Of his superior, grows to an envious fever
Of pale and bloodless emulation.
And 'tis this fever that keeps Troy on foot,
Not her own sinews. To end a tale of length,
Troy in our weakness stands, not in her strength.

NESTOR.
Most wisely hath Ulysses here discover'd
The fever whereof all our power is sick.

AGAMEMNON.
The nature of the sickness found, Ulysses,
What is the remedy?

ULYSSES.
The great Achilles, whom opinion crowns
The sinew and the forehand of our host,
Having his ear full of his airy fame,
Grows dainty of his worth, and in his tent
Lies mocking our designs; with him Patroclus
Upon a lazy bed the livelong day
Breaks scurril jests;
And with ridiculous and awkward action -
Which, slanderer, he imitation calls -
He pageants us. Sometime, great Agamemnon,
Thy topless deputation he puts on;
And like a strutting player whose conceit
Lies in his hamstring, and doth think it rich
To hear the wooden dialogue and sound
'Twixt his stretch'd footing and the scaffoldage -
Such to-be-pitied and o'er-wrested seeming
He acts thy greatness in; and when he speaks
'Tis like a chime a-mending; with terms unsquar'd,
Which, from the tongue of roaring Typhon dropp'd,
Would seem hyperboles. At this fusty stuff
The large Achilles, on his press'd bed lolling,
From his deep chest laughs out a loud applause;
Cries 'Excellent! 'tis Agamemnon just.
Now play me Nestor; hem, and stroke thy beard,
As he being drest to some oration.'
That's done - as near as the extremest ends
Of parallels, as like Vulcan and his wife;
Yet god Achilles still cries 'Excellent!
'Tis Nestor right. Now play him me, Patroclus,
Arming to answer in a night alarm.'
And then, forsooth, the faint defects of age
Must be the scene of mirth: to cough and spit
And, with a palsy-fumbling on his gorget,
Shake in and out the rivet. And at this sport
Sir Valour dies; cries 'O, enough, Patroclus;
Or give me ribs of steel! I shall split all
In pleasure of my spleen.' And in this fashion
All our abilities, gifts, natures, shapes,
Severals and generals of grace exact,
Achievements, plots, orders, preventions,
Excitements to the field or speech for truce,
Success or loss, what is or is not, serves
As stuff for these two to make paradoxes.

NESTOR.
And in the imitation of these twain -
Who, as Ulysses says, opinion crowns
With an imperial voice - many are infect.
Ajax is grown self-will'd and bears his head
In such a rein, in full as proud a place
As broad Achilles; keeps his tent like him;
Makes factious feasts; rails on our state of war
Bold as an oracle, and sets Thersites,
A slave whose gall coins slanders like a mint,
To match us in comparisons with dirt,
To weaken and discredit our exposure,
How rank soever rounded in with danger.

ULYSSES.
They tax our policy and call it cowardice,
Count wisdom as no member of the war,
Forestall prescience, and esteem no act
But that of hand. The still and mental parts
That do contrive how many hands shall strike
When fitness calls them on, and know, by measure
Of their observant toil, the enemies' weight -
Why, this hath not a finger's dignity:
They call this bed-work, mapp'ry, closet-war;
So that the ram that batters down the wall,
For the great swinge and rudeness of his poise,
They place before his hand that made the engine,
Or those that with the fineness of their souls
By reason guide his execution.

NESTOR.
Let this be granted, and Achilles' horse
Makes many Thetis' sons.

[Tucket.]

AGAMEMNON.
What trumpet? Look, Menelaus.

MENELAUS.
From Troy.

[Enter AENEAS.]

AGAMEMNON.
What would you fore our tent?

AENEAS.
Is this great Agamemnon's tent, I pray you?

AGAMEMNON.
Even this.

AENEAS.
May one that is a herald and a prince
Do a fair message to his kingly eyes?

AGAMEMNON.
With surety stronger than Achilles' an
Fore all the Greekish heads, which with one voice
Call Agamemnon head and general.

AENEAS.
Fair leave and large security. How may
A stranger to those most imperial looks
Know them from eyes of other mortals?

AGAMEMNON.
How?

AENEAS.
Ay;
I ask, that I might waken reverence,
And bid the cheek be ready with a blush
Modest as Morning when she coldly eyes
The youthful Phoebus.
Which is that god in office, guiding men?
Which is the high and mighty Agamemnon?

AGAMEMNON.
This Troyan scorns us, or the men of Troy
Are ceremonious courtiers.

AENEAS.
Courtiers as free, as debonair, unarm'd,
As bending angels; that's their fame in peace.
But when they would seem soldiers, they have galls,
Good arms, strong joints, true swords; and, Jove's accord,
Nothing so full of heart. But peace, Aeneas,
Peace, Troyan; lay thy finger on thy lips.
The worthiness of praise distains his worth,
If that the prais'd himself bring the praise forth;
But what the repining enemy commends,
That breath fame blows; that praise, sole pure, transcends.

AGAMEMNON.
Sir, you of Troy, call you yourself Aeneas?

AENEAS.
Ay, Greek, that is my name.

AGAMEMNON.
What's your affair, I pray you?

AENEAS.
Sir, pardon; 'tis for Agamemnon's ears.

AGAME
He hears nought privately that comes from Troy.

AENEAS.
Nor I from Troy come not to whisper with him;
I bring a trumpet to awake his ear,
To set his sense on the attentive bent,
And then to speak.

AGAMEMNON.
Speak frankly as the wind;
It is not Agamemnon's sleeping hour.
That thou shalt know, Troyan, he is awake,
He tells thee so himself.

AENEAS.
Trumpet, blow loud,
Send thy brass voice through all these lazy tents;
And every Greek of mettle, let him know
What Troy means fairly shall be spoke aloud.

[Sound trumpet.]

We have, great Agamemnon, here in Troy
A prince called Hector-Priam is his father -
Who in this dull and long-continued truce
Is resty grown; he bade me take a trumpet
And to this purpose speak: Kings, princes, lords!
If there be one among the fair'st of Greece
That holds his honour higher than his ease,
That seeks his praise more than he fears his peril,
That knows