Through the Magic Door - Arthur Conan Doyle (spiritual books to read .txt) 📗
- Author: Arthur Conan Doyle
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France has sent myriads of brave men on to her battlefields, but in all her long record of glory I do not think that she can point to any courage so steadfast and so absolutely heroic as that of the men of the Iroquois Mission.
How nobly they lived makes the body of the book, how serenely they died forms the end to it. It is a tale which cannot even now be read without a shudder—a nightmare of horrors. Fanaticism may brace a man to hurl himself into oblivion, as the Mahdi’s hordes did before Khartoum, but one feels that it is at least a higher development of such emotion, where men slowly and in cold blood endure so thankless a life, and welcome so dreadful an end. Every faith can equally boast its martyrs—a painful thought, since it shows how many thousands must have given their blood for error—but in testifying to their faith these brave men have testified to something more important still, to the subjugation of the body and to the absolute supremacy of the dominating spirit.
The story of Father Jogue is but one of many, and yet it is worth recounting, as showing the spirit of the men. He also was on the Iroquois Mission, and was so tortured and mutilated by his sweet parishioners that the very dogs used to howl at his distorted figure. He made his way back to France, not for any reason of personal rest or recuperation, but because he needed a special dispensation to say Mass. The Catholic Church has a regulation that a priest shall not be deformed, so that the savages with their knives had wrought better than they knew. He received his dispensation and was sent for by Louis XIV., who asked him what he could do for him. No doubt the assembled courtiers expected to hear him ask for the next vacant Bishopric. What he did actually ask for, as the highest favour, was to be sent back to the Iroquois Mission, where the savages signalized his arrival by burning him alive.
Parkman is worth reading, if it were only for his account of the Indians. Perhaps the very strangest thing about them, and the most unaccountable, is their small numbers. The Iroquois were one of the most formidable of tribes. They were of the Five Nations, whose scalping-parties wandered over an expanse of thousands of square miles. Yet there is good reason to doubt whether the whole five nations could have put as many thousand warriors in the field. It was the same with all the other tribes of Northern Americans, both in the east, the north, and the west. Their numbers were always insignificant. And yet they had that huge country to themselves, the best of climates, and plenty of food. Why was it that they did not people it thickly? It may be taken as a striking example of the purpose and design which run through the affairs of men, that at the very moment when the old world was ready to overflow the new world was empty to receive it. Had North America been peopled as China is peopled, the Europeans might have founded some settlements, but could never have taken possession of the continent. Buffon has made the striking remark that the creative power appeared to have never had great vigour in America. He alluded to the abundance of the flora and fauna as compared with that of other great divisions of the earth’s surface. Whether the numbers of the Indians are an illustration of the same fact, or whether there is some special cause, is beyond my very modest scientific attainments. When one reflects upon the countless herds of bison which used to cover the Western plains, or marks in the present day the race statistics of the French Canadians at one end of the continent, and of the Southern negro at the other, it seems absurd to suppose that there is any geographical reason against Nature being as prolific here as elsewhere. However, these be deeper waters, and with your leave we will get back into my usual six-inch wading-depth once more.
X.
I don’t know how those two little books got in there. They are Henley’s “Song of the Sword” and “Book of Verses.” They ought to be over yonder in the rather limited Poetry Section. Perhaps it is that I like his work so, whether it be prose or verse, and so have put them ready to my hand. He was a remarkable man, a man who was very much greater than his work, great as some of his work was. I have seldom known a personality more magnetic and stimulating. You left his presence, as a battery leaves a generating station, charged up and full. He made you feel what a lot of work there was to be done, and how glorious it was to be able to do it, and how needful to get started upon it that very hour. With the frame and the vitality of a giant he was cruelly bereft of all outlet for his strength, and so distilled it off in hot words, in warm sympathy, in strong prejudices, in all manner of human and stimulating emotions. Much of the time and energy which might have built an imperishable name for himself was spent in encouraging others; but it was not waste, for he left his broad thumb-mark upon all that passed beneath it.
A dozen second-hand Henleys are fortifying our literature to-day.
Alas that we have so little of his very best! for that very best was the finest of our time. Few poets ever wrote sixteen consecutive lines more noble and more strong than those which begin with the well-known quatrain—
“Out of the night that covers me,
Black as the pit from Pole to Pole, I thank whatever Gods there be
For my unconquerable soul.”
It is grand literature, and it is grand pluck too; for it came from a man who, through no fault of his own, had been pruned, and pruned again, like an ill-grown shrub, by the surgeon’s knife. When he said—
“In the fell clutch of Circumstance I have not winced nor cried aloud, Beneath the bludgeonings of Chance My head is bloody but unbowed.”
It was not what Lady Byron called “the mimic woe” of the poet, but it was rather the grand defiance of the Indian warrior at the stake, whose proud soul can hold in hand his quivering body.
There were two quite distinct veins of poetry in Henley, each the very extreme from the other. The one was heroic, gigantic, running to large sweeping images and thundering words. Such are the “Song of the Sword” and much more that he has written, like the wild singing of some Northern scald. The other, and to my mind both the more characteristic and the finer side of his work, is delicate, precise, finely etched, with extraordinarily vivid little pictures drawn in carefully phrased and balanced English. Such are the “Hospital Verses,” while the “London Voluntaries” stand midway between the two styles. What! you have not read the “Hospital Verses!” Then get the “Book of Verses” and read them without delay. You will surely find something there which, for good or ill, is unique. You can name—or at least I can name—nothing to compare it with. Goldsmith and Crabbe have written of indoor themes; but their monotonous, if majestic metre, wearies the modern reader. But this is so varied, so flexible, so dramatic. It stands by itself. Confound the weekly journals and all the other lightning conductors which caused such a man to pass away, and to leave a total output of about five booklets behind him!
However, all this is an absolute digression, for the books had no business in this shelf at all. This corner is meant for chronicles of various sorts. Here are three in a line, which carry you over a splendid stretch of French (which usually means European) history, each, as luck would have it, beginning just about the time when the other leaves off. The first is Froissart, the second de Monstrelet, and the third de Comines. When you have read the three you have the best contemporary account first hand of considerably more than a century—a fair slice out of the total written record of the human race.
Froissart is always splendid. If you desire to avoid the mediaeval French, which only a specialist can read with pleasure, you can get Lord Berners’ almost equally mediaeval, but very charming English, or you can turn to a modern translation, such as this one of Johnes.
A single page of Lord Berners is delightful; but it is a strain, I think, to read bulky volumes in an archaic style. Personally, I prefer the modern, and even with that you have shown some patience before you have reached the end of that big second tome.
I wonder whether, at the time, the old Hainault Canon had any idea of what he was doing—whether it ever flashed across his mind that the day might come when his book would be the one great authority, not only about the times in which he lived, but about the whole institution of chivalry? I fear that it is far more likely that his whole object was to gain some mundane advantage from the various barons and knights whose names and deeds be recounts. He has left it on record, for example, that when he visited the Court of England he took with him a handsomely-bound copy of his work; and, doubtless, if one could follow the good Canon one would find his journeys littered with similar copies which were probably expensive gifts to the recipient, for what return would a knightly soul make for a book which enshrined his own valour?
But without looking too curiously into his motives, it must be admitted that the work could not have been done more thoroughly.
There is something of Herodotus in the Canon’s cheery, chatty, garrulous, take-it-or-leave-it manner. But he has the advantage of the old Greek in accuracy. Considering that he belonged to the same age which gravely accepted the travellers’ tales of Sir John Maundeville, it is, I think, remarkable how careful and accurate the chronicler is. Take, for example, his description of Scotland and the Scotch. Some would give the credit to Jean-le-Bel, but that is another matter. Scotch descriptions are a subject over which a fourteenth-century Hainaulter might fairly be allowed a little scope for his imagination. Yet we can see that the account must on the whole have been very correct. The Galloway nags, the girdle-cakes, the bagpipes—every little detail rings true. Jean-le-Bel was actually present in a Border campaign, and from him Froissart got his material; but he has never attempted to embroider it, and its accuracy, where we can to some extent test it, must predispose us to accept his accounts where they are beyond our confirmation.
But the most interesting portion of old Froissart’s work is that which deals with the knights and
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