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The Project Gutenberg EBook of The Cuckoo Clock, by Mrs. Molesworth

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Title: The Cuckoo Clock

Author: Mrs. Molesworth

Illustrator: Maria L. Kirk

Release Date: April 27, 2009 [EBook #28619]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK THE CUCKOO CLOCK ***




Produced by Juliet Sutherland, Kajsa Anderson and the
Online Distributed Proofreading Team at http://www.pgdp.net






THE CUCKOO CLOCK

sixth impression

"Stories All Children Love"

A SET OF CHILDREN'S CLASSICS THAT SHOULD BE
IN EVERY WINTER HOME AND SUMMER COTTAGE

Cornelli
By JOHANNA SPYRI
Translated by ELISABETH P. STORK

A Child's Garden of Verses
By ROBERT LOUIS STEVENSON

The Little Lame Prince & other stories
By MISS MULOCK

Gulliver's Travels
By JONATHAN SWIFT

The Water Babies
By CHARLES KINGSLEY

Pinocchio
By C. COLLODI

Robinson Crusoe
By DANIEL DEFOE

Heidi By JOHANNA SPYRI
Translated by ELISABETH P. STORK

The Cuckoo Clock
By MRS. MOLESWORTH

The Swiss Family Robinson
Edited by G. E. MITTON

The Princess and Curdie
By GEORGE MACDONALD

The Princess and the Goblin
By GEORGE MACDONALD

At the Back of the North Wind
By GEORGE MACDONALD

A Dog of Flanders By "OUIDA"

Bimbi By "OUIDA"

Mopsa, the Fairy By JEAN INGELOW

The Chronicles of Fairyland
By FERGUS HUME

Hans Andersen's Fairy Tales

Each Volume Beautifully Illustrated in Color.
Decorated Cloth. Other Books in This Set are in Preparation.



A LITTLE GIRL DANCED INTO THE ROOM
a little girl danced into the room THE CUCKOO
CLOCK
BY MRS. MOLESWORTH



WITH ILLUSTRATIONS IN COLOR BY MARIA L. KIRK



PHILADELPHIA AND LONDON
J. B. LIPPINCOTT COMPANY


COPYRIGHT, 1914, BY J.B. LIPPINCOTT COMPANY

PRINTED BY J. B. LIPPINCOTT COMPANY
AT THE WASHINGTON SQUARE PRESS
PHILADELPHIA, U. S. A.

To MARY JOSEPHINE

and to the dear memory of her brother

THOMAS GRINDAL

both friendly little critics of my children's stories


Edinburgh, 1877


CONTENTS THE CUCKOO CLOCK

I. The Old House
II. Impatient Griselda
III. Obeying Orders
IV. The Country of the Nodding Mandarins
V. Pictures
VI. Rubbed the Wrong Way
VII. Butterfly-Land
VIII. Master Phil
IX. Up and Down the Chimney
X. The Other Side of the Moon
XI. "Cuckoo, Cuckoo, Good-bye!"



ILLUSTRATIONS

A Little Girl Danced Into the Room
"Have You Got a Cuckoo in a Cage?"
She Could Not Help Very Softly Clapping Her Hands
"Are You Comfortable?" Inquired the Cuckoo
He Flapped His Wings, And Instantly a Palanquin Appeared at the Foot of the Steps
She Peered in with Great Satisfaction
"But I May See You Again," Said Phil
It Was Rowed by a Little Figure

"Now, these little folks, like most girls and boys,
Loved fairy tales even better than toys.
       *       *       *       *       *
And they knew that in flowers on the spray
Tiny spirits are hidden away,
That frisk at night on the forest green,
When earth is bathed in dewy sheen—
And shining halls of pearl and gem,
The Regions of Fancy—were open to them."

"... just as any little child has been guided towards the true paradise by its fairy dreams of bliss."—E. A. Abbott.

I
THE OLD HOUSE
"Somewhat back from the village street
Stands the old-fashioned country seat."
O

nce upon a time in an old town, in an old street, there stood a very old house. Such a house as you could hardly find nowadays, however you searched, for it belonged to a gone-by time—a time now quite passed away.

It stood in a street, but yet it was not like a town house, for though the front opened right on to the pavement, the back windows looked out upon a beautiful, quaintly terraced garden, with old trees growing so thick and close together that in summer it was like living on the edge of a forest to be near them; and even in winter the web of their interlaced branches hid all clear view behind.

There was a colony of rooks in this old garden. Year after year they held their parliaments and cawed and chattered and fussed; year after year they built their nests and hatched their eggs; year after year, I suppose, the old ones gradually died off and the young ones took their place, though, but for knowing this must be so, no one would have suspected it, for to all appearance the rooks were always the same—ever and always the same.

Time indeed seemed to stand still in and all about the old house, as if it and the people who inhabited it had got so old that they could not get any older, and had outlived the possibility of change.

But one day at last there did come a change. Late in the dusk of an autumn afternoon a carriage drove up to the door of the old house, came rattling over the stones with a sudden noisy clatter that sounded quite impertinent, startling the rooks just as they were composing themselves to rest, and setting them all wondering what could be the matter.

A little girl was the matter! A little girl in a grey merino frock, and grey beaver bonnet, grey tippet and grey gloves—all grey together, even to her eyes, all except her round rosy face and bright brown hair. Her name even was rather grey, for it was Griselda.

A gentleman lifted her out of the carriage and disappeared with her into the house, and later that same evening the gentleman came out of the house and got into the carriage which had come back for him again, and drove away. That was all that the rooks saw of the change that had come to the old house. Shall we go inside to see more?

Up the shallow, wide, old-fashioned staircase, past the wainscoted walls, dark and shining like a mirror, down a long narrow passage with many doors, which but for their gleaming brass handles one would not have known were there, the oldest of the three old servants led little Griselda, so tired and sleepy that her supper had been left almost untasted, to the room prepared for her. It was a queer room, for everything in the house was queer; but in the dancing light of the fire burning brightly in the tiled grate, it looked cheerful enough.

"I am glad there's a fire," said the child. "Will it keep alight till the morning, do you think?"

The old servant shook her head.

"'Twould not be safe to leave it so that it would burn till morning," she said. "When you are in bed and asleep, little missie, you won't want the fire. Bed's the warmest place."

"It isn't for that I want it," said Griselda; "it's for the light I like it. This house all looks so dark to me, and yet there seem to be lights hidden in the walls too, they shine so."

The old servant smiled.

"It will all seem strange to you, no doubt," she said; "but you'll get to like it, missie. 'Tis a good old house, and those that know best love it well."

"Whom do you mean?" said Griselda. "Do you mean my great-aunts?"

"Ah, yes, and others beside," replied the old woman. "The rooks love it well, and others beside. Did you ever hear tell of the 'good people,' missie, over the sea where you come from?"

"Fairies, do you mean?" cried Griselda, her eyes sparkling. "Of course I've heard of them, but I never saw any. Did you ever?"

"I couldn't say," answered the old woman. "My mind is not young like yours, missie, and there are times when strange memories come back to me as of sights and sounds in a dream. I am too old to see and hear as I once could. We are all old here, missie. 'Twas time something young came to the old house again."

"How strange and queer everything seems!" thought Griselda, as she got into bed. "I don't feel as if I belonged to it a bit. And they are all so old; perhaps they won't like having a child among them?"

The very same thought that had occurred to the rooks! They could not decide as to the fors and againsts at all, so they settled to put it to the vote the next morning, and in the meantime they and Griselda all went to sleep.

I never heard if they slept well that night; after such unusual excitement it was hardly to be expected they would. But Griselda, being a little girl and not a rook, was so tired that two minutes after she had tucked herself up in bed she was quite sound asleep, and did not wake for several hours.

"I wonder what it will all look like in the morning," was her last waking thought. "If it was summer now, or spring, I shouldn't mind—there would always be something nice to do then."

As sometimes happens, when she woke again, very early in the morning, long before it was light, her thoughts went straight on with the same subject.

"If it was summer now, or spring," she repeated to herself, just as if she had not been asleep at all—like the man who fell into a trance for a hundred years just as he was saying "it is bitt—" and when he woke up again finished the sentence as if nothing had happened—"erly cold." "If only it was spring," thought Griselda.

Just as she had got so far in her thoughts, she gave a great start. What was it she heard? Could her wish have come true? Was this fairyland indeed that she had got to, where one only needs to wish, for it to be? She rubbed her eyes, but it was too dark to see; that was not very fairyland like, but her ears she felt certain had not deceived her: she was quite, quite sure that she had heard the cuckoo!

She listened with all her might, but she did not hear it again. Could it, after all, have been fancy? She grew sleepy at last, and was just dropping off when—yes, there it was again, as clear and distinct as possible—"Cuckoo, cuckoo, cuckoo!" three, four, five times, then perfect silence as before.

"What a funny cuckoo," said Griselda to herself. "I could almost fancy it was in the house. I wonder if my great-aunts have a tame cuckoo in a cage? I don't think I ever heard of such a thing, but this is such a queer house; everything seems different in it—perhaps they have a tame cuckoo. I'll ask them in the morning. It's very nice to hear, whatever it is."

"HAVE
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