The Book of Wonder by Lord Dunsany (e reader pdf best .TXT) 📗

landed and dug cabins below and raised the anchor out of the deep sea, and soon they made the island what they called shipshape. But the Desperate Lark they sent away empty under full sail to sea, where more nations than Shard suspected were watching for her, and where she was presently captured by an admiral of Spain, who, when he found none of that famous crew on board to hang by the neck from the yard-arm, grew ill through disappointment.

And Shard on his island offered the Queen of the South the choicest of the old wines of Provence, and for adornment gave her Indian jewels looted from galleons with treasure for Madrid, and spread a table where she dined in the sun, while in some cabin below he bade the least coarse of his mariners sing; yet always she was morose and moody towards him, and often at evening he was heard to say that he wished he knew more about the ways of Queens. So they lived for years, the pirates mostly gambling and drinking below, Captain Shard trying to please the Queen of the South, and she never wholly forgetting Bombasharna. When they needed new provisions they hoisted sails on the trees, and as long as no ship came in sight they scudded before the wind, with the water rippling over the beach of the island; but as soon as they sighted a ship the sails came down, and they became an ordinary uncharted rock.

They mostly moved by night; sometimes they hovered off sea-coast towns as of old, sometimes they boldly entered river-mouths, and even attached themselves for a while to the mainland, whence they would plunder the neighbourhood and escape again to sea. And if a ship was wrecked on their island of a night they said it was all to the good. They grew very crafty in seamanship, and cunning in what they did, for they knew that any news of the Desperate Lark's old crew would bring hangmen from the interior running down to every port.

And no one is known to have found them out or to have annexed their island; but a rumour arose and passed from port to port and every place where sailors meet together, and even survives to this day, of a dangerous uncharted rock anywhere between Plymouth and the Horn, which would suddenly rise in the safest track of ships, and upon which vessels were supposed to have been wrecked, leaving, strangely enough, no evidence of their doom. There was a little speculation about it at first, till it was silenced by the chance remark of a man old with wandering: "It is one of the mysteries that haunt the sea."

And almost Captain Shard and the Queen of the South lived happily ever after, though still at evening those on watch in the trees would see their captain sit with a puzzled air or hear him muttering now and again in a discontented way: "I wish I knew more about the ways of Queens."

MISS CUBBIDGE AND THE DRAGON OF ROMANCE

This tale is told in the balconies of Belgrave Square and among the towers of Pont Street; men sing it at evening in the Brompton Road.

Little upon her eighteenth birthday thought Miss Cubbidge, of Number 12A Prince of Wales' Square, that before another year had gone its way she would lose the sight of that unshapely oblong that was so long her home. And, had you told her further that within that year all trace of that so-called square, and of the day when her father was elected by a thumping majority to share in the guidance of the destinies of the empire, should utterly fade from her memory, she would merely have said in that affected voice of hers, "Go to!"

There was nothing about it in the daily Press, the policy of her father's party had no provision for it, there was no hint of it in conversation at evening parties to which Miss Cubbidge went: there was nothing to warn her at all that a loathsome dragon with golden scales that rattled as he went should have come up clean out of the prime of romance and gone by night (so far as we know) through Hammersmith, and come to Ardle Mansions, and then had turned to his left, which of course brought him to Miss Cubbidge's father's house.

There sat Miss Cubbidge at evening on her balcony quite alone, waiting for her father to be made a baronet. She was wearing walking-boots and a hat and a low-necked evening dress; for a painter was but just now painting her portrait and neither she nor the painter saw anything odd in the strange combination. She did not notice the roar of the dragon's golden scales, nor distinguish above the manifold lights of London the small, red glare of his eyes. He suddenly lifted his head, a blaze of gold, over the balcony; he did not appear a yellow dragon then, for his glistening scales reflected the beauty that London puts upon her only at evening and night. She screamed, but to no knight, nor knew what knight to call on, nor guessed where were the dragons' overthrowers of far, romantic days, nor what mightier game they chased, or what wars they waged; perchance they were busy even then arming for Armageddon.

Out of the balcony of her father's house in Prince of Wales' Square, the painted dark-green balcony that grew blacker every year, the dragon lifted Miss Cubbidge and spread his rattling wings, and London fell away like an old fashion. And England fell away, and the smoke of its factories, and the round material world that goes humming round the sun vexed and pursued by time, until there appeared the eternal and ancient lands of Romance lying low by mystical seas.

You had not pictured Miss Cubbidge stroking the golden head of one of the dragons of song with one hand idly, while with the other she sometimes played with pearls brought up from lonely places of the sea. They filled huge haliotis shells with pearls and laid them there beside her, they brought her emeralds which she set to flash among the tresses of her long black hair, they brought her threaded sapphires for her cloak: all this the princes of fable did and the elves and the gnomes of myth. And partly she still lived, and partly she was one with long-ago and with those sacred tales that nurses tell, when all their children are good, and evening has come, and the fire is burning well, and the soft pat-pat of the snowflakes on the pane is like the furtive tread of fearful things in old, enchanted woods. If at first she missed those dainty novelties among which she was reared, the old, sufficient song of the mystical sea singing of faery lore at first soothed and at last consoled her. Even, she forgot those advertisements of pills that are so dear to England; even, she forgot political cant and the things that one discusses and the things that one does not, and had perforce to content herself with seeing sailing by huge golden-laden galleons with treasure for Madrid, and the merry skull-and-cross-bones of the pirateers, and the tiny nautilus setting out to sea, and ships of heroes trafficking in romance or of princes seeking for enchanted isles.

It was not by chains that the dragon kept her there, but by one of the spells of old. To one to whom the facilities of the daily Press had for so long been accorded spells would have palled—you would have said—and galleons after a time and all things out-of-date. After a time. But whether the centuries passed her or whether the years or whether no time at all, she did not know. If anything indicated the passing of time it was the rhythm of elfin horns blowing upon the heights. If the centuries went by her the spell that bound her gave her also perennial youth, and kept alight for ever the lantern by her side, and saved from decay the marble palace facing the mystical sea. And if no time went by her there at all, her single moment on those marvellous coasts was turned as it were to a crystal reflecting a thousand scenes. If it was all a dream, it was a dream that knew no morning and no fading away. The tide roamed on and whispered of mastery and of myth, while near that captive lady, asleep in his marble tank the golden dragon dreamed: and a little way out from the coast all that the dragon dreamed showed faintly in the mist that lay over the sea. He never dreamed of any rescuing knight. So long as he dreamed, it was twilight; but when he came up nimbly out of his tank night fell and starlight glistened on the dripping, golden scales.

There he and his captive either defeated Time or never encountered him at all; while, in the world we know, raged Roncesvalles or battles yet to be—I know not to what part of the shore of Romance he bore her. Perhaps she became one of those princesses of whom fable loves to tell, but let it suffice that there she lived by the sea: and kings ruled, and Demons ruled, and kings came again, and many cities returned to their native dust, and still she abided there, and still her marble palace passed not away nor the power that there was in the dragon's spell.

And only once did there ever come to her a message from the world that of old she knew. It came in a pearly ship across the mystical sea; it was from an old school-friend that she had had in Putney, merely a note, no more, in a little, neat, round hand: it said, "It is not Proper for you to be there alone."

THE QUEST OF THE QUEEN'S TEARS

Sylvia, Queen of the Woods, in her woodland palace, held court, and made a mockery of her suitors. She would sing to them, she said, she would give them banquets, she would tell them tales of legendary days, her jugglers should caper before them, her armies salute them, her fools crack jests with them and make whimsical quips, only she could not love them.

This was not the way, they said, to treat princes in their splendour and mysterious troubadours concealing kingly names; it was not in accordance with fable; myth had no precedent for it. She should have thrown her glove, they said, into some lion's den, she should have asked for a score of venomous heads of the serpents of Licantara, or demanded the death of any notable dragon, or sent them all upon some deadly quest, but that she could not love them—! It was unheard of—it had no parallel in the annals of romance.

And then she said that if they must needs have a quest she would offer her hand to him who first should move her to tears: and the quest should be called, for reference in histories or song, the Quest of the Queen's Tears, and he that achieved them she would wed, be he only a petty duke of lands unknown to romance.

And many were moved to anger, for they hoped for some bloody quest; but the old lords chamberlain said, as they muttered among themselves in a far, dark end of the chamber, that the quest was hard and wise, for that if she could ever weep she might also love. They had known her all her childhood; she had never sighed. Many men had she seen, suitors and courtiers, and had never turned her head after one went by. Her beauty was as still sunsets of bitter evenings when all the world is frore, a wonder and a chill. She was as a sun-stricken mountain uplifted alone, all beautiful with ice, a desolate and lonely radiance late at evening far up beyond the comfortable world, not quite to be companioned by the stars, the doom of the mountaineer.

If she could weep, they said, she could love, they said.

And she smiled pleasantly on those ardent princes, and troubadours concealing kingly names.

Then one by one they told, each suitor prince the story of his love, with outstretched hands and kneeling on the knee; and very sorry and pitiful were the tales, so that often up in the galleries some maid of the palace wept. And very graciously she nodded her head like a listless magnolia in the deeps of the night moving idly to all the breezes its glorious bloom.

And when the princes had told their desperate loves and had departed away with no other spoil than of their own tears only, even then there came the unknown troubadours and told their tales in song, concealing their gracious names.

And there was one, Ackronnion, clothed with rags, on which was the dust