The Commission in Lunacy - Honoré de Balzac (top inspirational books TXT) 📗

out respectfully.

"A nice man is your uncle," said Rastignac to Bianchon. "Is he really so dense? Does not he know what the Marquise d'Espard is, what her influence means, her unavowed power over people? The Keeper of the Seals will be with her to-morrow----"

"My dear fellow, how can I help it?" said Bianchon. "Did not I warn you? He is not a man you can get over."

"No," said Rastignac; "he is a man you must run over."

The doctor was obliged to make his bow to the Marquise and her mute Chevalier to catch up Popinot, who, not being the man to endure an embarrassing position, was pacing through the rooms.

"That woman owes a hundred thousand crowns," said the judge, as he stepped into his nephew's cab.

"And what do you think of the case?"

"I," said the judge. "I never have an opinion till I have gone into everything. To-morrow early I will send to Madame Jeanrenaud to call on me in my private office at four o'clock, to make her explain the facts which concern her, for she is compromised."

"I should very much like to know what the end will be."

"Why, bless me, do not you see that the Marquise is the tool of that tall lean man who never uttered a word? There is a strain of Cain in him, but of the Cain who goes to the Law Courts for his bludgeon, and there, unluckily for him, we keep more than one Damocles' sword."

"Oh, Rastignac! what brought you into that boat, I wonder?" exclaimed Bianchon.

"Ah, we are used to seeing these little family conspiracies," said Popinot. "Not a year passes without a number of verdicts of 'insufficient evidence' against applications of this kind. In our state of society such an attempt brings no dishonor, while we send a poor devil to the galleys who breaks a pane of glass dividing him from a bowl full of gold. Our Code is not faultless."

"But these are the facts?"

"My boy, do you not know all the judicial romances with which clients impose on their attorneys? If the attorneys condemned themselves to state nothing but the truth, they would not earn enough to keep their office open."


Next day, at four in the afternoon, a very stout dame, looking a good deal like a cask dressed up in a gown and belt, mounted Judge Popinot's stairs, perspiring and panting. She had, with great difficulty, got out of a green landau, which suited her to a miracle; you could not think of the woman without the landau, or the landau without the woman.

"It is I, my dear sir," said she, appearing in the doorway of the judge's room. "Madame Jeanrenaud, whom you summoned exactly as if I were a thief, neither more nor less."

The common words were spoken in a common voice, broken by the wheezing of asthma, and ending in a cough.

"When I go through a damp place, I can't tell you what I suffer, sir. I shall never make old bones, saving your presence. However, here I am."

The lawyer was quite amazed at the appearance of this supposed Marechale d'Ancre. Madame Jeanrenaud's face was pitted with an infinite number of little holes, was very red, with a pug nose and a low forehead, and was as round as a ball; for everything about the good woman was round. She had the bright eyes of a country woman, an honest gaze, a cheerful tone, and chestnut hair held in place by a bonnet cap under a green bonnet decked with a shabby bunch of auriculas. Her stupendous bust was a thing to laugh at, for it made one fear some grotesque explosion every time she coughed. Her enormous legs were of the shape which make the Paris street boy describe such a woman as being built on piles. The widow wore a green gown trimmed with chinchilla, which looked on her as a splash of dirty oil would look on a bride's veil. In short, everything about her harmonized with her last words: "Here I am."

"Madame," said Popinot, "you are suspected of having used some seductive arts to induce M. d'Espard to hand over to you very considerable sums of money."

"Of what! of what!" cried she. "Of seductive arts? But, my dear sir, you are a man to be respected, and, moreover, as a lawyer you ought to have some good sense. Look at me! Tell me if I am likely to seduce any one. I cannot tie my own shoes, nor even stoop. For these twenty years past, the Lord be praised, I have not dared to put on a pair of stays under pain of sudden death. I was as thin as an asparagus stalk when I was seventeen, and pretty too--I may say so now. So I married Jeanrenaud, a good fellow, and headman on the salt-barges. I had my boy, who is a fine young man; he is my pride, and it is not holding myself cheap to say he is my best piece of work. My little Jeanrenaud was a soldier who did Napoleon credit, and who served in the Imperial Guard. But, alas! at the death of my old man, who was drowned, times changed for the worse. I had the smallpox. I was kept two years in my room without stirring, and I came out of it the size you see me, hideous for ever, and as wretched as could be. These are my seductive arts."

"But what, then, can the reasons be that have induced M. d'Espard to give you sums----"

"Hugious sums, monsieur, say the word; I do not mind. But as to his reasons, I am not at liberty to explain them."

"You are wrong. At this moment, his family, very naturally alarmed, are about to bring an action----"

"Heavens above us!" said the good woman, starting up. "Is it possible that he should be worried on my account? That king of men, a man that has not his match! Rather than he should have the smallest trouble, or hair less on his head I could almost say, we would return every sou, monsieur. Write that down on your papers. Heaven above us! I will go at once and tell Jeanrenaud what is going on! A pretty thing indeed!"

And the little old woman went out, rolled herself downstairs, and disappeared.

"That one tells no lies," said Popinot to himself. "Well, to-morrow I shall know the whole story, for I shall go to see the Marquis d'Espard."

People who have outlived the age when a man wastes his vitality at random, know how great an influence may be exercised on more important events by apparently trivial incidents, and will not be surprised at the weight here given to the following minor fact. Next day Popinot had an attack of coryza, a complaint which is not dangerous, and generally known by the absurd and inadequate name of a cold in the head.

The judge, who could not suppose that the delay could be serious, feeling himself a little feverish, kept his room, and did not go to see the Marquis d'Espard. This day lost was, to this affair, what on the Day of Dupes the cup of soup had been, taken by Marie de Medici, which, by delaying her meeting with Louis XIII., enabled Richelieu to arrive at Saint-Germain before her, and recapture his royal slave.

Before accompanying the lawyer and his registering clerk to the Marquis d'Espard's house, it may be as well to glance at the home and the private affairs of this father of sons whom his wife's petition represented to be a madman.

Here and there in the old parts of Paris a few buildings may still be seen in which the archaeologist can discern an intention of decorating the city, and that love of property, which leads the owner to give a durable character to the structure. The house in which M. d'Espard was then living, in the Rue de la Montagne-Sainte-Genevieve, was one of these old mansions, built in stone, and not devoid of a certain richness of style; but time had blackened the stone, and revolutions in the town had damaged it both outside and inside. The dignitaries who formerly dwelt in the neighborhood of the University having disappeared with the great ecclesiastical foundations, this house had become the home of industries and of inhabitants whom it was never destined to shelter. During the last century a printing establishment had worn down the polished floors, soiled the carved wood, blackened the walls, and altered the principal internal arrangements. Formerly the residence of a Cardinal, this fine house was now divided among plebeian tenants. The character of the architecture showed that it had been built under the reigns of Henry III., Henry IV., and Louis XIII., at the time when the hotels Mignon and Serpente were erected in the same neighborhood, with the palace of the Princess Palatine, and the Sorbonne. An old man could remember having heard it called, in the last century, the hotel Duperron, so it seemed probable that the illustrious Cardinal of that name had built, or perhaps merely lived in it.

There still exists, indeed, in the corner of the courtyard, a perron or flight of several outer steps by which the house is entered; and the way into the garden on the garden front is down a similar flight of steps. In spite of dilapidations, the luxury lavished by the architect on the balustrade and entrance porch crowning these two perrons suggests the simple-minded purpose of commemorating the owner's name, a sort of sculptured pun which our ancestors often allowed themselves. Finally, in support of this evidence, archaeologists can still discern in the medallions which show on the principal front some traces of the cords of the Roman hat.

M. le Marquis d'Espard lived on the ground floor, in order, no doubt, to enjoy the garden, which might be called spacious for that neighborhood, and which lay open for his children's health. The situation of the house, in a street on a steep hill, as its name indicates, secured these ground-floor rooms against ever being damp. M. d'Espard had taken them, no doubt, for a very moderate price, rents being low at the time when he settled in that quarter, in order to be among the schools and to superintend his boys' education. Moreover, the state in which he found the place, with everything to repair, had no doubt induced the owner to be accommodating. Thus M. d'Espard had been able to go to some expense to settle himself suitably without being accused of extravagance. The loftiness of the rooms, the paneling, of which nothing survived but the frames, the decoration of the ceilings, all displayed the dignity which the prelacy stamped on whatever it attempted or created, and which artists discern to this day in the smallest relic that remains, though it be but a book, a dress, the panel of a bookcase, or an armchair.

The Marquis had the rooms painted in the rich brown tones loved of the Dutch and of the citizens of Old Paris, hues which lend such good effects to the painter of genre. The panels were hung with plain paper in harmony with the paint. The window curtains were of inexpensive materials, but chosen so as to produce a generally happy result; the furniture was not too crowded and judiciously placed. Any one on going into this home could not resist a sense of sweet peacefulness, produced by the perfect calm, the stillness which prevailed, by the unpretentious unity of color, the keeping of the picture, in the words a painter might